Category Archives: God

Wolf Hall

ICromwell am a great lover of historical fiction; it doesn’t come any better than from Hilary Mantel. Mantel fans are eagerly awaiting the third installment of her honored trilogy that immerses us into the world of Henry VIII as seen through the eyes of his consigliere Thomas Cromwell. Wolf Hall and Bring up the Bodies, the first two parts of the proposed trilogy each won the Man Booker Prize (the British version of the Pulitzer Prize for fiction). Mantel is only the third author to win the prize twice, and the first to win with a sequel, Bring up the Bodies in 2012 following Wolf Hall’s victory in 2009.wolf hall I recently reread Wolf Hall  and, as often happens, found both that I had forgotten how good it is and that there are many great passages I missed the first time around. Early in the novel, Cromwell provides us with a flashback to when he was a young star in Cardinal Wolsey’s orbit, a firmament containing another, brighter star—Thomas More—who in Mantel’s treatment becomes one of Cromwell’s opponents and competitors for the attention of the great and powerful. But more importantly, Cromwell reveals a fundamental difference between him and More that raises issues transcending this particular story:

He [Cromwell] never sees More . . . without wanting to ask him, what’s wrong with you? Or what’s wrong with me? cromwell and moreWhy does everything you know, and everything you’ve learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more. With every month that passes, the corners are knocked off the certainties of this world: and the next world too. Show me where it says, in the Bible, “purgatory.” Show me where it says “relics, monks, nuns.” Show me where it says “Pope.”

Or, someone might add, show me where it says “liturgy” or “dogma” or any number of other things that are staples of Christian tradition even outside Catholicism. I have no idea whether Mantel’s characterization of Cromwell and More is accurate (neither does she, for that matter), but I am so strongly aligned by nature with fictional Cromwell in this passage that I share his utter astonishment with the fictional Mores among us. Wolf Hall is set during the early decades of the sixteenth century when the revolutionary impact of the Protestant Reformation is already making itself known in England. Thomas More is the epitome of religious certainty, imagined by Mantel as a vigorous, devout, hair-shirt-wearing and frequently inflexible defender of Catholic orthodoxy.

wolseyAlthough Cromwell rises to influence as the right-hand man of the powerful Cardinal Wolsey, he is far more comfortable with situational flexibility than with pre-established beliefs and principles. When Wolsey falls from grace because of his failure to facilitate the king’s desire to divorce Catherine of Aragon in order to marry Anne Boleyn, Cromwell’s ability to quickly adjust to changing circumstances and maneuver creatively brings him into the king’s inner circle. But he always keeps the Mores of his world in view, simultaneously envious and wary of anyone’s unflinching commitment to principle.

I hedgehog and foxfrequently find myself inadvertently dividing my fellow human beings into various categories (introvert/extrovert, high-maintenance/low-maintenance, Platonic/Aristotelian, hedgehog/fox, and more); Cromwell/More is another important distinction, especially when religious belief is under discussion. The older I get, the more Cromwellian I become, finding that even my most fixed beliefs not only are regularly under scrutiny, but that constant adjustment and change is a symptom of a healthy faith. Christian Wiman puts this insight better than anyone I’ve read:

WimanIt is why every single expression of faith is provisional—because life carries us always forward to a place where the faith we’d fought so hard to articulate to ourselves must now be reformulated, and because faith in God is, finally, faith in change.

I am frequently reminded in a number of ways by various Mores that a Cromwellian embrace of change is dangerous in that it leads to the brink of the worst of all abysses, a relativistic world with no absolutes and no fixed points. I admit that it can be disconcerting to find that one’s most reliable cornerstones have crumbled or shifted, but I have learned to find stability in commitment rather than in content. Within the well-defined banks of commitment to what is greater than us, the river of faith sometimes flows swiftly, sometimes pools stagnantly, and always offers the opportunity to explore uncharted waters. The terrain of commitment looks very different from various vantage points, and in my experience spongseldom provides confirmation of what I have believed in the past without change and without remainder.

I remember several years ago that I came across one of John Shelby Spong’s books in Borders with the provocative title Why Christianity Must Change or Die. I read the book and found that the changes that Spong, the liberal retired Episcopal bishop of New Jersey was calling for were not changes I was willing to make then—or now. But I fully resonate with the energy of his book’s title. The Christian faith that I profess has not only changed greatly over the past few years (and promises to change even more going forward), but the Christianity I was taught in my youth would have died long ago if it had not changed. And this is as it should be. As James Carse writes,

carseThis is Christianity’s strongest feature: it tirelessly provokes its members to object to prevailing doctrines without having to abandon the faith . . . Neither Christianity nor any of the great religions has ever been able to successfully erect barriers against the dreaded barbarian incursions of fresh ideas. 

One of the things I’ve learned over the past few years is to stop criticizing or belittling those who build their belief systems in the manner of More, shaping all new experiences and information in the image of their most fixed and unchanging commitments. There are a number of Mores among my friends and family, and I’ve learned not only to appreciate them (usually), but find myself occasionally envying them. But at heart I’m happy being Cromwell as I watch the corners get knocked off my certainties.

One Heart and Soul

In my “Markets and Morals” colloquium no long ago, our text was a co-authored volume in which two economists, who happened to also be persons of Christian faith, alternated essays and responses on a number of important issues. markets and moralsAs their weekly writing assignment in preparation for seminar, I asked students to select a point of disagreement between the authors (the disagreements were legion), describe briefly the position of each author on the selected issue, then take a side supported by argumentation. Two-thirds of the way through the semester, my sophomores should be able to do this—identify issues, fairly and accurately describe various arguments, and take a position that is both fair to other relevant positions and supported by evidence and argument. So I was disappointed when more than one student ended their essay with something like “I prefer X’s position because Y sounds a lot like socialism.”

Sigh. In my comments on such papers, I always include something like “That’s a description, not an argument. It’s related to another sort of description masquerading as an argument: ‘I disagree with Z, therefore Z is wrong.’” Divided linePart of my job as a professor is to convince my students that a liberally educated human being earns the right to have her opinions. Unearned opinions are like body parts—everybody has them. Plato lists “opinion” low on his ladder representing the climb from ignorance to wisdom. Moving up this ladder one or two rungs from “opinion” to something closer to knowledge involves learning that just believing something does not make it true, realizing that disagreement is the beginning of justifying one’s beliefs, not the end. It’s always discouraging to realize that someone can make it to almost half way through their undergraduate college career and not have learned this.

But I digress. What got me to thinking about this most recently was a story from The Acts of the Apostles that will be one of the Sunday texts in a couple of weeks :Acts 4

Now the whole group of those who believed were of one heart and soul, and no one claimed private ownership of any possessions, but everything they owned was held in common. With great power the apostles gave their testimony to the resurrection of the Lord Jesus, and great grace was upon them all. There was not a needy person among them, for as many as owned lands or houses sold them and brought the proceeds of what was sold. They laid it at the apostles’ feet, and it was distributed to each as any had need.

It’s one of my favorite passages from the New Testament—as I heard it, I thought of my student. “Dude!” I thought, “It’s a good thing you didn’t hear this—because this really sounds like socialism!” In the past I have used this text in class to poke at the unquestioned assumptions carried by students who, often coming from a faith-based upbringing in an upper middle class or wealthy household, believe communismthat somehow their capitalist free-market attachments and their background framework of religious values will fit seamlessly together as if by magic. “They sound like a bunch of communists!” more than student has remarked in shock, and indeed they (anachronistically) do. Welcome to the lifelong task of trying to live a life of coherent belief and commitment!

This passage from Acts is sometimes linked to the familiar story of “doubting Thomas” that was yesterday’s gospel reading from John. In spite of the bad rap Thomas has gotten over the centuries for being the one disciple loser who refused to believe that Jesus had risen until he had seen him and touched him first person (of course, none of the other disciples believed until they had first-hand contact either, but let’s not go there), he is one of my all-time heroes. By both personality and profession I am naturally skeptical–Imontaigne think that doubt is closer to godliness than cleanliness. Just as I take the great skeptic Michel de Montaigne as a model for how to do philosophy, I consider Thomas as one of my models for how to approach the spiritual life, something I share with many of my spiritual guides ranging from Kathleen Norris, Christian Wiman and Joan Chittister to Anne Lamott, roawn williamsRowan Williams and Barbara Brown Taylor. Most homilies about this gospel draw the moral of the story from Jesus’ gentle criticism of Thomas’ attitude: “Have you believed because you have seen me? Blessed are those who have not seen and yet have come to believe.” But there is seeing and then there is seeing. Except for a select few, those who have committed themselves to Jesus in any way have never seen him physically. But without a direct encounter—without truly seeing something worth committing to—faith commitment can easily become sterile religion.

Why, I have often wondered (and have often asked my students), did the early Christian communities choose to organize themselves economically in the manner described in Acts? They are close enough in time to Jesus’ physical presence that undoubtedly some of their members actually knew him in the flesh, or at least knew some people who did. But if the vision is not going to fade, such communities cannot rely on first-hand remembrance of the source. Practices and attitudes reflective of the values the community is committed to must be embedded in the very fiber and structure of the common life of the group. the wayAt some point, given that a new community of followers of the Way was seeking both stability and faithfulness to the message, someone must have asked “How would Jesus have organized this community if he were here?” Somebody remembers the parables, another person recalls the Beatitudes, and pretty soon they become a small, primitive laboratory for the Gospel.  How to truly become Jesus in community form? By putting into action what the man supposedly said and lived. Feed the hungry. Clothe the naked. Shelter the homeless. Love each other as God loves us. This wasn’t church for them—this was life. Most likely their very survival depended on it.

Two thousand years later, persons who profess a Christian faith share a lot in common with these early followers of Jesus. We have not seen Jesus in the flesh, just as most—and pretty soon all—of the members of these early communities had not. micahWe are bound together by having seen Jesus in ways far deeper and more profound than physical vision. And our challenge is the same as theirs, to figure out what it means to actually live it rather than just say it. As I often do, I fall back here on the prophetic words of Micah who asked, just as these early communities did, just as we do today, “What does the Lord require of us?” Do justice. Love mercy. Walk humbly with your God. And, I might add, doubt is an appropriate seasoning for each of these.

Dodge City Ethics

Bein’ born is craps. How we live is poker. Doc Holliday

sparrowOf the dozens of novelists whose books I have read over the years, Mary Doria Russell is one of the least likely favorites. I’m not a big science fiction fan (I much prefer mysteries), but her debut novels The Sparrow and Children of God, about a Jesuit missionary expedition in outer space (you can’t beat Catholics in space!) are both beautifully written and thought-provoking. Dreamers of the Day, set in Egypt during the post-World War One partitioning of Palestine, is much better than I expected it would be. And I’ve avoided her most recent novels, Doc and Epitaph, which follow Doc Holliday and the Earp brothers through late nineteenth-century Dodge City and Tombstone, for quite a while since I’ve never been a fan of Wild West fiction. But a recent reread of Dreamers of the Day reminded me of what a wonderful writer Russell is; I was looking for a new novel, so Doc and Epitaph it is. I highly recommend  them.doc

Doc is set in 1878 Dodge City where the genteel and consumptive dentist John Henry “Doc” Holliday finds himself scratching out a living as a card shark by night and a sometimes-dentist for cowboys who have never seen a toothbrush by day. A Northern-educated Southern gentleman who headed west hoping that the dry Plains air might be good for his lungs, Doc finds himself in a violent world where life means little and in which most of his acquaintances can barely read, let alone appreciate his conversational references to Vergil and Dostoevsky. One exception is Morgan Earp, the youngest of three Earp brothers in town, who is a policeman along with his older brother Wyatt. Wyatt can barely read, but Doc happily loans Morgan favorite volumes from the library he brought with him from Georgia, including Crime and Punishment and Oliver Twist.

One morning Morgan is in Doc’s dentist office as Doc extracts several teeth from a chloroformed Wyatt, Doc and Morgan discuss the novels Morgan is reading.holliday

  • Doc: Morgan, how are you and Mr. Dickens getting along?
  • Morgan: I lie him better than Dostoevsky. Oliver Twist reminds me of Wyatt when he was a kid.
  • Doc: You met Mr. Fagin yet?
  • Morgan: Yeah. Ain’t made up my mind about him. He’s good to feed all those boys, but he’s teaching them to be pickpockets too. That don’t seem right.
  • Doc: But that is just what makes Fagin interestin’. Raskolnikoff, too. Fagin does his good deed with a bad purpose in mind, but the boys are still fed. Raskolnikoff kills the old woman, but he wants to use her money to improve society. As Monsieur Balzac asked, May we not do a small evil for the sake of accomplishin’ a great good?
  • Morgan: I don’t know. It’s still an evil.
  • Doc: And yet, that seems to be the principle behind the crucifixion. Sacrifice the Son, redeem humanity.

posterAnd there, in a dentist office in dusty, dirty Dodge City, is the heart of one of the greatest quandaries in ethics. Do the ends ever justify the means? Is it ever morally permissible to act immorally in the attempted achievement of a great moral good?

Philosophers love this stuff. The other day when I tried to get a colleague and friend from the English department to choose whether she would choose to support our Providence Friars basketball team or the University of Virginia Cavaliers (UVA is her beloved alma mater) if they played in the Final Four, she asked “Is this one of those philosophy games where you give someone completely unrealistic hypotheticals and then force them to make a choice?” She undoubtedly had heard philosophy puzzles such as

Suppose an out-of-control train is running down the tracks directly at a bus full of 30 people stalled on the track. You have the opportunity to redirect the train to another track where one person is stalled in a car on the track. trolleyIf you don’t pull the switch to redirect the train, thirty people will die. If you do, one person will die and thirty people’s lives will be saved. Do you pull the switch?

To complicate matters, suppose that the one person on the second track is a brilliant scientist who is on the edge of discovering a cure for cancer. Does that make a difference? What if he or she is a homeless person? You get the point.

Surprisingly, non-philosophers don’t always enjoy playing such hypothetical games (by the way, my colleague said she would cheer for UVA, which almost ended our friendship instantly). But the issues raised by Morgan and Doc’s conversation still hold. c and pWas it morally permissible for Raskolnikov to murder the useless old miserly woman in the interest of distributing the millions of rubles she was hoarding to hungry and needy people? Does Fagin’s feeding of dozens of hungry children lose its positive moral strength when we find out that he is training them to be pickpockets and becoming rich in the process?

Many philosophers and theologians have noted that in an unpredictable world filled with evil, no one’s hands are ever morally pure—regardless of their intentions. Doc and Morgan’s conversation moves in this direction.

  • Doc: We’re none of us born into Eden. World’s plenty evil when we get here. Question is, what’s the best way to play a bad hand?
  • Morgan: The road to hell is paved with good intentions.
  • Doc: Infinitely sad, but damnably true. Bein’ born is craps, but how we live is poker. The question is how to play a bad hand well.

The great Stoic philosopher Epictetus could not have said it better: “For this is your business, to play well the part you are given; but choosing it belongs to another.

But in first week of Easter, I would be remiss if I did not return for a moment to Doc’s characterization of the events of Good Friday and Easter: “That seems to be the principle behind the crucifixion. Sacrifice the Son, redeem humanity.” hyacinthMaybe, but something tells me that a utilitarian number-crunching calculus is not the motivating factor behind Easter. At the heart of the story is radical love—God responds to our flawed human condition by becoming one of us, taking on everything that defines us including pain, injustice, suffering, and death. The new life of Easter emerges from the worst that our world can offer, just as the hyacinths are poking their heads out of the seemingly dead grass in my front yard. No matter the hand we’re dealt, that’s the way to play it.

God and Darwin Walk into a Bar . . .

Several years ago I spent a sabbatical semester at an ecumenical institute on the campus of a Benedictine university in the Midwest. Several of the Benedictines at the abbey on site were liaisons between the abbey and the institute, and were part of our regular lunches and discussions. Wilfred, one of the Benedictines, was recently retired from several decades of teaching physics at the university as well as the prep school nearby. During one lunch conversation Wilfred noted that “Darwin taught us more about God than all of the theologians put together.” I am in the final weeks of leading an Honors colloquium this semester; my students and I have discovered just how insightful Wilfred’s comment was.

The colloquium—“Beauty and Violence: The Problem of Natural Evil”—is an exploration of what we might be able to say about what is greater than us through close observation and study of the natural world. My students, the majority of whom are products of parochial school education, have found on an weekly basis that the God they were taught to believe in simply does not square very well with what we find in front of our faces. oasA central part of the course was two weeks with Darwin’s The Origin of Species, one of the most important books ever written. None of my students, even the two bio majors, had ever read the book—they just had heard a lot about it. I often challenge my students to put persons who supposedly disagree sharply about important matters in conversation with each other. So suppose God and Darwin walk into a bar. The Almighty orders his usual 21-year-old Balvenie neat (it’s an upscale bar), and Charles orders a rum and orange juice (really—he drank that). What might they talk about?

Darwin: I read the other day that between one-third and one-half of the people in the U.S. don’t believe in the theory of evolution. Why do people hate me so much?

God: That’s because they haven’t taken the time to have a drink with you! You have the same public relations problems that I have—people assume things and make judgments about us without ever taking the time to get to know us.

Darwin: I am aware, though, that a lot of good Christians believe that the theory of natural selection, if true, undermines many of the features that Christians traditionally have attributed to you.

God: Like what? I always find it sort of amusing when people get into fights over the details of my personality on the basis of third-hand and partial information.

Darwin: Oh, for instance that you are omnipotent and created the world with a specific plan in mind. Since chance and randomness are central features of evolution, an all-powerful God who plans all of the details of creation out ahead of time doesn’t fit evolution very well.I invented it

God: No kidding! But who ever said that I’m into control and planning in the first place?

Darwin: Uh . . . just about everyone? Put that together with your being all good, as well as omniscient, and the traditional portrait of God Almighty is pretty well filled out.

God: You tell me, Charles. Does that portrait strike you as anything like what you know me to be?

Darwin: Not everyone gets to have an occasional drink with you like I do. For the most part, the ideas that people have about you are guesswork and projections based on what they have direct access to. Your followers, for instance, have thought for ages that observing the world around us can help us intelligently speculate about what you are like. And the theory of evolution didn’t help.

God: Why not?

Darwin: All I can do is tell you how the theory of natural selection affected my own belief in you over the decades that I was developing the theory. The more I studied the natural world, the more appalled I was by the violence embedded in every part of it, along with the extraordinary beauty and diversity of living things. Then Annie, my eldest and favorite daughter died after a long illness, despite my wthank god for darwinife’s and my prayers and the continuing efforts of the best medical people. I tried for many years to square my own experiences and knowledge with what I was supposed to believe about God. An omniscient and omnipotent God who allows pain and suffering to run amok throughout creation? I just could not believe in a God like that anymore.

God: Good, because I don’t believe in that God either. But you’re no atheist. An atheist could not have written your final lines in The Origin of Species: “There is grandeur in this view of life . . . having been breathed into a few forms or into one; and whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”

Darwin: That was inspired, wasn’t it? I think I’m an agnostic—I just don’t know what to think about God—you, I mean. Having a drink with you makes you seem so normal, but as soon as you’re gone I have far more questions than answers.

God: But that’s a good thing. A rabbi I know says that he would rather be on earth with the questions than in heaven with the answers.

Darwin: Really? But what are we supposed to do when what we thought we knew about you just doesn’t fit with what we are learning about ourselves and the world around us?

God: I always say that if you don’t like the answers you are getting to your questions, change the questions! Forget for a minute everything you’ve ever been told about what I’m like and start over. Let’s suppose that your theory of evolution by natural selection is largely correct (it is, by the way). On the basis of what that theory tells you about the world, what might you speculate about me?

Darwin: My first guess is that you like change more than stability, and novelty more than the familiar. Annie Dillard, who is almost as astute an observer of the natural world as I am, wrote that “not only did the creator create everything, but he is apt to create anything. God and evolutionHe’ll stop at nothing. There is no one standing over evolution with a blue pencil to say: ‘Now, that one, there, is absolutely ridiculous, and I won’t have it.’” I’d guess you also favor process over finality and imperfection over perfection.

God: And why would I value imperfection over perfection?

Darwin: Because as every artist knows, imperfections are fundamentally necessary to beauty. Charles Baudelaire wrote that “That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity–that is to say, the unexpected, surprise and astonishment, are an essential part and characteristic of beauty.”

God: And Baudelaire was pretty good, wasn’t he? This reminds me of something a physicist-turned-Anglican-priest said recently in an interview: “God is not the puppet master of the universe, pulling every string. God has taken, if you like, a risk. Creation is more like an improvisation than the performance of a fixed score that God wrote in eternity.” John Polkinghorne is right, because I really am more like Ella Fitzgerald than Beethoven.

Darwin: Most importantly, you apparently are committed to freedom and creativity above everything else—not just in human beings, but in everything. Within very broad parameters, life never stops recreating itself in new forms.teilhard

God: One of my favorite guys, Teilhard de Chardin (how can you not like a Jesuit paleontologist?) hit the nail on the head when he wrote that “Properly speaking, God does not make: He makes things make themselves.” But of course this is risky . . .

Darwin: No kidding! Freedom, open-endedness, radical creativity, a “hands off” attitude—that raises a whole bunch of other questions: the problem of evil, is there a point to all of this, what faith amounts to, can science and religion cooperate . . .

God: Stop! Stop! I’m not sure of the answers to some of those questions myself! (checks his phone)god so loved—Shit! Look what time it is! Can you pick up the tab this time, Charles? I forgot my wallet back home . . .

Darwin: Again? Okay, but now you owe me big time . . .

God: In more ways than you know. Wilfred was right. You’ve taught people more about me than all of the theologians put together!

Mortals Die, and are Laid Low

tumblr_ma8azfhZEg1rgpruxo3_r3_1280[1]A couple years ago in a course that I was team-teaching with two other colleagues, the final seminar text of the semester was Shakespeare’s King Lear. One of my teaching colleagues, an accomplished Shakespeare scholar, described the play on the syllabus as simply “the greatest play ever.” I love Shakespeare and find his plays more insightful about human nature and the human condition than any other texts (certainly more insightful than any philosophical tomes I have read), but had not read this particular tragedy in its entirety since I was an undergraduate the age of our current eighteen and nineteen year old freshmen. The play blew me away, disturbed me, and made me wonder whether we perhaps should have sent our students off into the summer with something slightly less dark.

King Lear pushes to the limit a hypothesis that has a long and complicated pedigree: We live in a universe that is malign, at the very least indifferent, and human life within this universe is brutal, wretched, and meaningless. As various nasty and morally awful characters—including Lear’s two older daughters—apparently prosper from their rejection of their father, those characters with even a shred of dignity, honor, or love—including Lear’s youngest daughter—are rejected and ultimately destroyed. By the end of the play, the stage is littered with the bodies of both the good and the bad, while a handful of dazed survivors are left to pick up the pieces. Naked in a driving storm in the middle of a Scottish heath, Lear rages that human beings are nothing but “poor, bare forked animals,” living on a “great stage of fools.” Lear demands an answer to the question “Is man no more than this?” The blinded Gloucester despairingly directs his accusations heavenward:

As flies to wanton boys are we to th’gods; They kill us for their sport.imagesCAOCS0RP

And have a nice day.

King Lear took me back to a Holy Saturday liturgy a few years ago. At our Episcopal church, our rector Marsue decided for the first time in her many years as a priest to do the Holy Saturday liturgy. Holy-Saturday-e1364654989214[1]It’s a tough sell to get people to church on any Saturday except for a wedding or funeral, particularly during Holy Week when the most dedicated may have already been in church two or three times in the previous few days. I was one of only a few people present; if any of us had possessed the presence of mind to check the prayer book before coming, we probably wouldn’t have bothered. It’s a very dark liturgy. Jesus is dead in the tomb, the altar is stripped bare, and everything in the rubric is intended to get you notjob[1] to think about what is coming the next day. A central line in one of the prayers that day was “In the midst of life we are in death” Most striking that afternoon, however, was the following from the book of Job:

A mortal, born of woman, few of days and full of trouble comes up like a flower and withers, flees like a shadow and does not last . . . For there is hope for a tree, if it is cut down, that it will sprout again, and that its shoots will not cease . . . But mortals die, and are laid low; humans expire, and where are they? As waters fail from a lake, and a river wastes away and dries up, so mortals lie down and do not rise again; until the heavens are no more, they will not awake or be roused out of their sleep.

These lines would have been appropriate in the mouths of any number of characters in King Lear, but they predate Shakespeare by thousands of years. The earliest text my interdisciplinary class studied this academic year, the gilandenki[1]Epic of Gilgamesh, is infused with similar energies—fear of death, as well as impotence in the face of forces we cannot control.

In the middle of Easter season, it is easy for Christians to immediately address these dark realities with the story of divine suffering and redemption that lies at the heart of Christian belief. And that is the message—God has overcome darkness and death, a victory that we are the beneficiaries of.  Yet it is so easy for this powerful story to become little more than a superficial panacea for all the darkness and loss that surrounds each of us, a truism that can blind us to an otherwise inescapable truth: mortals die, and are laid low. And during its short duration, human life is often filled with nothing but suffering, pain, and meaninglessness.

The great eighteenth-century essayist and philosopher Voltaire once provocatively wrote that “If God did not exist, it would be necessary to invent him.”voltaire_if_god_did_not_exist_necessary_to_invent_postcard-r747d414000d64546b6a280ed3f476a5d_vgbaq_8byvr_210[1] This statement shook up a number of Voltaire’s contemporaries, leading many to imagine that any person who could write such a thing seriously must be an atheist. The statement remains provocative, and it is clear from his body of work that whatever Voltaire might have been, he was not a traditional religious believer in any sense of the word. But with the apparent meaninglessness of human existence and reality in view, Voltaire’s famous claim is absolutely true. There is something about the darkest and most sobering parts of human reality that cry out for, actually demand, a response. The human epitaph cannot be “Life’s a bitch, and then you die.”

All sorts of responses, ranging from religious through philosophical and literary to political, have been offered over the centuries, responses that often conflict with each other and even more frequently fail to take the fundamental problem on squarely. Which of these stories is true? More importantly, how can we know if any of them are true? How can we be sure that these stories are anything more than a collection of tunes human beings have written to whistle in the dark until the night overwhelms them? I submit that we cannot be sure. Yet billions of people have been willing to shape their lives, to stake their very existence at least virtually, sometimes literally, on the truth of one or more of these stories. Simone_Weil-11[1]Why? Because there is something in the human heart that has to believe them, something that has to hope. And it is that very longing and hope that is perhaps most convincing. As Simone Weil reminds us, “if we ask our Father for bread, he will not give us a stone.”

The third and final portion of Handel’s Messiah,handels-messiah[1] immediately following the “Hallelujah Chorus,” begins with “I Know That My Redeemer Liveth,” a soaring, spectacularly beautiful soprano solo setting of the following text from Job, with a concluding sentiment from First Corinthians:

I know that my redeemer liveth, and that he shall stand at the latter day upon the earth;

And though worms destroy this body, yet in my flesh shall I see God.

For now is Christ risen from the dead, the first fruits of them that sleep.

From the depths of despair, literally from the middle of a pile of ashes, Job clings to a hopeful story, that there is a transcendent and triumphant divine response to human incapacity, despair, and hopelessness. It’s a wonderful story. How can I not believe it? I hope and pray that it is true. It had better be.

Actually, He Died

Several Christmas Eves ago, Jeanne, Justin and I were invited to share dinner with a friend from work and her family, which includes two precocious and very active children. On display was a beautiful crèche, surrounded by all sorts of interesting items—who knew, for instance, that there was a duck and an elephant (both roughly the same size as the baby) at the manger? My friend is from Italy; her mother annually sends new additions to the crèche scene from the homeland, often forgetting the comparative size of the items she sent in previous years. My friend’s five-year-old daughter introduced Justin to the various characters in a monologue interrupted only by a few confirming comments.

And these are some shepherds, those are goats and sheep, that’s a dog a turkey and a cow, these are some angels, and that’s the baby Jesus.

Oh, really?

Yes. Actually, he died.

Yes he did, as Good Friday somberly reminds us. It is traditional for Christians, anticipating the end of the story and what will happen in three days, to attempt a symbolic descent into the depths of pain and devastating disappointment. But there is no evidence that any person among Jesus’s family and followers expected that he would rise from the dead. The crucifixion was an unmitigated disaster and they fled in fear for their lives. Some hid in anonymous locations to escape arrest. Some simply went home. The bravest among them planned to show respect for the dead body in traditional ways. Various hopes and dreams were shattered. As the travelers to Emmaus said, “We had hoped that it was He who was going to redeem Israel.” But actually, he died. End of story—time to move on.

The idea of a suffering and dying God is not new—there are many traditions supported by myths and stories of a divinity suffering and dying for various reasons. But this story is so intimately personal, so representative of the crushed hopes and dreams, the inescapable pain and suffering, that are fundamentally part of the human experience. That’s what makes Good Friday so poignant and what made it so devastating for those who were there, those who had tied their lives to this man. He seemed to be something more, but turned out to be the same as everyone else—human, limited, subject to suffocating power and injustice, to the random events that ultimately shape each of our stories. We had hoped—and he died.

Simone Weil suggests that the entire story of redemption is contained in the Incarnation and the Crucifixion. If the story ended with Jesus executed as a criminal and dead in a tomb, we still would have reason to believe in a God of love. Our very existence, as well as the existence of the reality we inhabit, is evidence of God’s choice to create in order to love. The story of a God who becomes fully human, who lives a life in time subject to all things each human being is subject to, including suffering, pain, loss, tragedy, injustice, and death serves to drive the point deeper. No supernatural cure for suffering is offered in this story, no promise that God will take pain and loss away. Rather a supernatural use for suffering is offered. Isaiah promises that the Messiah will be called “Emanuel—God with us.” Good Friday reveals just how far the divine chooses to go with us—into the depths of despair and death.

I saw a poster recently with a dark twist on a familiar saying. “It is always darkest just before—it goes pitch black.” And God is there.

despairdemotivator[1]

Watching for an Hour

Some people can sleep anywhere. One of those people was a student in one of my seminars a few semesters ago. Bob (his name has been changed to protect the innocent) is a bright but apparently less-than-motivated student whose verbal work, such as participation in seminar, vastly exceeds his written or objective work, such as reading quizzes and the midterm exam. imagesCA4P0ANMHe’s one of those students who always has something to say that is relevant and insightful, carefully crafted to disguise the fact that he has probably only skimmed the reading, if he looked at it at all. After twenty-five years I recognize this sort of student more easily than he or she might wish. More important, I recognize this sort of student because on rare occasions I was “that guy” as an undergraduate myself (although not as frequently or as successfully as Bob). And he dozes off in class—frequently. The seminar rooms in our wonderful Ruane Center for the Humanities are equipped with circular tables, so it’s not as if anyone can sleep in the back row. There is no back row. But that doesn’t deter Bob—if he needs a catnap he takes one. More power to him, I say; I often would like to do the same.

themerchantofveniceebookdownloadOne week our seminar text was Shakespeare’s The Merchant of Venice. Following a setup lecture the previous day by my colleague from the English department, I decided to have students volunteer for the nine speaking roles in the dramatic Act Four trial scene and spend the majority of our two hours reading Shakespeare aloud, with pauses for commentary and general discussion as the spirit moved. Bob volunteered to read the part of Portia, the most important role in Act Four other than Shylock. In this act Portia and her sidekick Nerissa are pretending to be young men, a lawyer and his assistant. Since in Shakespeare’s world all female roles were played by guys, Portia and Nerissa in Act Four would have been played by guys playing women who are pretending to be guys. maxresdefaultRight up Bob’s alley, as it turned out—he was excellent in the role.

Until it came time for Portia’s famous “The quality of mercy is not strained/ It droppeth as the gentle rain from heaven” speech, that is. Instead of the opening lines of Portia’s eloquent appeal to Shylock’s mercy, there was an uncomfortable silence. Bob had fallen asleep. The girl playing Antonio sitting next to Bob elbowed him in the ribs, Bob’s head jerked up—“Oh! Sorry!”—and he proceeded to read Portia’s twenty-five line speech beautifully and with feeling. Pretty impressive—and he managed to stay awake for the rest of the act. Bob might suffer from narcolepsy, but my suspicion is that he simply doesn’t get enough sleep—a malady shared by most freshmen in college. So he grabs forty winks in class when he needs to. At least he shows up.

Today is Maundy Thursday, a part of Holy Week so full of drama and intrigue that it is very easy to miss some of the most interesting details in the narrative. After dinner, Jesus heads to the Garden of Gethsemane for some one-on-one conversation with his dad, while the disciples tag along. botticelli_sleeping_apostles_2_smallHe wants to be alone and asks them to stay and wait for him as he walks on a bit further. Jesus’ distress and agony as well as his fear of what is to come are palpable and are understandably the focus of most discussions of this part of the Holy Week drama. A less discussed, but equally important, detail is that the disciples fall asleep. They literally cannot keep their eyes open. On three different occasions, Jesus returns to them and finds them catching some Zs. The gospel account is very “high church” sounding, but Jesus is clearly pissed when he finds them asleep. DUDES! Really?? I’m over here literally sweating drops of blood, I’ve never been so scared and worried, and you’re ASLEEP?? WTF?? Wake the hell up! Can’t you at least do that much?

I’m sure their collective reaction was something like Bob’s when he was caught sleeping as he should have been channeling Portia. “Whaa? Oh! Sorry, man! James! Andrew! I can’t believe you guys fell asleep! It won’t happen again, dude!” But it does—three times.

On the few occasions I have heard this scene discussed, the focus is always on the disciples, so human, so weak, or so disinterested that they fall asleep at the switch. I’m more interested in Jesus’ reaction. He hasn’t asked the disciples to do anything for him; he doesn’t even want them around him. So why is he so upset to find them sleeping? What’s the difference between sitting on one’s ass doing nothing and being asleep? In one of his letters to Eberhard Bethge from Tegel prison, BonhoefferDietrich Bonhoeffer uses this little scene to illustrate a profound insight.

Jesus asked in Gethsemane, “Could you not watch with me one hour?” That is a reversal of what the religious person expects from God. We are summoned to share in God’s sufferings at the hands of a godless world.

We expect God to do stuff, to solve problems, to kick ass and take names, but this God is not any of that. The only way this God can be in the world is to experience everything it has to offer, to suffer the worst it can do. The least that the disciples can do is be there, to pay attention, to be in solidarity with this man whom they love, whom they have followed, and whom they absolutely do not understand. Jesus feels alone and abandoned by everyone and everything; finding the disciples asleep simply confirms that what he is feeling is the truth.

What would it mean to watch and not fall asleep, to share in God’s sufferings? Where exactly is God suffering in our world? Everywhere that a human being has a need of any sort, God is in the middle of it. There is so much suffering that it can be overwhelming. No one of us, not even any one group of us, no matter how well-meaning, can make a significant dent. But Jesus isn’t asking the disciples to do anything other than to be aware, to be attentive, and not to tune out. If the answer to “what can I do to help” is “nothing,” at least the question was asked. Asking someone to bear the weight of the world alone is asking a lot—even of God.photo-1-e524059dbea1cebfe788ab374f45a37680085cdc-s40-c85

To Die For

BonhoefferWhat is bothering me incessantly is the question of what Christianity really is, or indeed who Christ really is, for us today. The time when people could be told everything by means of words, whether theological or pious, is over—and that means the time of religion in general. Dietrich Bonhoeffer, Letters from Prison

A couple of years ago, after a week at work that completely wore me out, I was strongly tempted to skip church on Sunday morning for the first time in months. But it was Palm Sunday, Jeanne was scheduled to be chalice bearer at the altar, so my Protestant guilt kicked in and off to church I went. At least it was going to be the first Sunday service in weeks in which I had nothing to do but sit in the pew—no seminar to lead, no scripture to read, and no organ to play. h19_18559141I would try to enjoy the dramatic reading of the Passion narrative that is always part of the Palm Sunday service before returning home to finish our taxes. What fun.

As I entered the back of the church, our rector and my good friend Marsue was looking dramatic in her chasuble, appropriately red for Palm Sunday, as she waited to process with the servers, readers, and choir. Motioning me over, she whispered “do you want to read?” “Not really,” I thought as I looked to see what roles for the upcoming Passion reading were still available. Just about all of them, as it turned out, including the role of Jesus. “I’ll be Jesus,” I sighed. “I’ve never gotten to read his part.”

“I’ll be Jesus.” That’s really what it boils down to for those of us who have signed on to the project of trying to live out a serious Christian faith commitment. Holy Week is a time that many try to virtually “walk in the steps of Jesus” liturgically in the various special services during the week. But to actually be God in the world, to be the vehicle through which the divine makes contact with our human reality—that’s nuts. No wonder we are so creative in finding ways to make the demands of the life of faith more manageable. But my own attempts to avoid the challenges of what I claim to take seriously have been most recently exposed by the prison letters of twentieth-century Lutheran pastor and theologian Dietrich Bonhoeffer.

imagesCAK5RWXSIn the months between his imprisonment and his execution by the Nazis, Bonhoeffer wrote dozens of letters to his best friend Eberhard Bethge, letters in which he explored and pressed the boundaries of his Christian faith, a faith for which he would eventually die, in ways that have challenged and shocked readers ever since. Facing imminent death has a tendency to focus one’s attention and to clearly reveal what is important and what isn’t. As Bonhoeffer asks, “What do we really believe? I mean, believe in such a way that we stake our lives on it?” These letters are causing me to think about and look at the Holy Week narrative very differently.

Underlying the liturgies and activities between Palm Sunday and Easter is a shocking story in which “God lets the divine self be pushed out of the world onto the cross.” God is apparently either unwilling or unable to engage with the suffering and pain of the world other than to become part of it. If the dramatic events of Jesus’ final days are models for our lives in a suffering and distressed world, it is clear that “Christ helps us, not by virtue of his omnipotence, but by virtue of his weakness and suffering.” I remember a rather dramatic solo that my aunt used to sing in the church of my youth almost every year at some point leading up to Good Friday that includes the line “he could have called ten thousand angels, but he died alone for you and me.” If we take all of the accretions of dogma and doctrine out of the picture, the story of Jesus’ last days is a disaster—as I read that Palm Sunday morning during the Passion narrative as Matthew presents it, the final words Jesus gasps from the cross are “My God, my God, why have you forsaken me?” Precisely the question Bonhoeffer must have been asking from his prison cell.

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“Jesus the Homeless” statue, Davidson N.C.

I’ll be wrestling with some of this here this week; at the moment, I’m focused on the following from one of Bonhoeffer’s last letters:

To be a Christian does not mean to be religious in a particular way, to make something of oneself . . . but to be a person—not a type of person, but the person that Christ creates in us. It is not the religious act that makes the Christian, but participation in the sufferings of God in the secular life.

How to do that? That is the question. See you in a couple days when Jesus kills a fig tree.

The Hungry Person’s Bread

311878_web_vo.Capitalist-Christian_colI have been known to make extreme statements for effect in the classroom. For instance, I have been known to tell my students that It is not possible to be a good capitalist and a good Christian at the same time. Outside of class, I share this truth only with people who I am virtually sure are of like mind. I was pleased to find out as I prepared for seminar a few weeks ago that the big guy agrees with me.

I have written about my love/hate relationship with Thomas Aquinas on this blog before—despite my best efforts to avoid his looming presence on campus, he is undoubtedly the most important theologian/philosopher of the medieval world.

The Big Guy and Me

St-Thomas-Aquinas1In addition, I frequently teach in an interdisciplinary course that addresses material from Charlemagne to the seventeenth century, two of the disciplines to be addressed in this course are philosophy and theology; guess what, dude—you’re doing Aquinas! The last time I taught this course we did roughly two weeks on Aquinas, the first on his thought concerning the relationship of faith and reason, the second on the nature of law. My theology colleague chose the appropriate texts from the Summa Theologicasumma-theologica for seminar, and I got to spend a couple of hours of seminar time—twice!—working on the big guy’s work with eighteen second-semester freshmen who were less than thrilled to spend yet another precious 100 minutes of their lives with a dead white guy, especially one who is both a philosopher and a theologian, for God’s sake.

But the “Aquinas on Law” seminar turned out to be one of the liveliest I have had all semester, indeed one of the liveliest in recent memory. That’s because wedged into the middle of several articles on various law-related topics, Aquinas asks a very practical and contemporary-sounding question: “Whether it is lawful to steal through stress of need?” His answer caused my young students, most at least marginally Catholic and more-than-marginal budding capitalists, to learn something they should have learned from watching Not like the otherSesame Street—some things just don’t go together.

Summa Theologica 2.2, Question 66, Article 7 is framed within the parameters of Aquinas’ understanding of eternal law, natural law, and human law. “Eternal law” is the Divine rational governance of the universe as a cosmic community, while “Human law” is our human version of the same activity, the project of applying rational governance to our activities as individuals and communities. “Natural law” serves as a bridge between eternal and human law; it is the imprint of the eternal Law in the nature of things. natural lawIn the big guy’s own words, “the light of natural reason, whereby we discern what is good and what is evil, which is the function of the natural law, is nothing else than an imprint on us of the Divine light. It is therefore evident that the natural law is nothing else than the rational creature’s participation in the eternal law.” At its best, human law is an objective, enforceable expression of what we know from the natural law em-bedded in our natures to be right and wrong. But, of course, things are never that simple.

Which brings us to “Whether it is lawful to steal through stress of need?” If he had been writing several centuries later, Aquinas would have illustrated his discussion with Victor Hugo’s story of Jean Valjean and Javert from Les Miserables.javert and valjean Valjean steals food to feed his starving niece and nephew, is arrested for theft and sentenced to twenty years in prison according to the applicable law. He escapes from prison and, through years of complications is pursued by an obsessively dedicated policeman, Javert. Using Aquinas’ categories of law, the conflict between Javert and Valjean reflects the tension that can arise between human law and natural law. Which one of them has “right” on his side? Valjean or Javert? After listing some preliminary objections, Aquinas is very clear about “Whether it is lawful to steal through stress of need.” “In cases of need,” he writes, “all things are common property, so there would seem to be no sin in taking another’s property, for need has made it common.” Valjean’s taking of food owned by another to save his family members trumps property rights. Javert’s insistence that the letter of the law against theft be inexorably applied is misdirected energy.

This in itself made my students uncomfortable; the big guy’s explanation of his position made some of them downright pissed. “Whatever certain persons have in superabundance is due, by natural law, to the purpose of succoring the poor.” ambroseIf you have more than you need, that extra literally does not belong to you. And in case you missed that, Aquinas quotes Ambrose:

It is the hungry man’s bread that you withhold, the naked man’s cloak that you store away, the money that you bury in the earth is the price of the poor man’s ransom and freedom.

“That sounds like communism!” several of my students complained believing, as many in our capitalist world believe, that such an accusation signifies the effective and immediate end of the conversation. “Not really,” I responded, “but you know who it does remind me of? The early Christian communities in the Book of Acts.” Acts-4.34-37These communities were so dedicated to the principle of common ownership of goods and distribution of those goods according to need that people were reportedly struck dead for claiming to be dedicated to the principle and lying about it. If the big guy had been in attendance at my seminar, the ensuing conversation might have gone something like this:

Student 1: My property belongs to me! I worked for it and no one has a right to it other than me!

The Big Guy: I agree—to a point. “Each one is entrusted with the stewardship of his own things, so that out of them he may come to the aid of those who are in need.” The purpose of property ownership is to facilitate your responsibility to ensure that those in need are taken care of.

Student 2: But I worked hard for what I own! No one has the right to tell me what to do with it!

BG: You’re assuming that you are more important than others, that the purpose of labor is your own enrichment and benefit rather than the community’s.

Student 3: I’m more than happy to consider giving of my surplus to those in need—I’m not heartless, and I usually get a tax deduction when I do. But I’m not obligated to do it.

imagesBG: According to the natural law, you are.

Student 4: But what if the person in need is lazy? Or a drug addict? Or just a loser? What if she doesn’t deserve my help?

BG: None of that matters. Why the person is in need is irrelevant. She is in need. You have the capacity to help her. End of story.

Student 4: This is ridiculous! It’s naive, unrealistic, idealistic, and will never work. Where did you ever get such a dumb idea?

indexBG: I know of a guy who gave an important talk once that’s all about this. It’s called the Sermon on the Mount. Check it out.

In one very brief article, the big guy challenges our most basic capitalist assumptions—that my property belongs to me, that I may give of my surplus to those in need if I choose but am not obligated to do so, that before I help a person in need I want to know why that person is in need, and so on. But of course Aquinas isn’t making a case for capitalism. He’s making a case for living out the directives of the gospel, directives given so often and so clearly that they can’t be missed. there but for the grace6Feed the hungry, clothe the naked, befriend the friendless, house the homeless—when you do this to the least of these, you have done it to me. I am the last person to claim that I effectively live this out—but I’ve at least become convinced that the way to deal with incompatible beliefs is not to pretend that they fit together.

The Lazarus Cycle

In the liturgical year, the last Sunday of Lent focuses on Jesus’ signature miracle–the raising of Lazarus. Hearing it read yesterday made me nostalgic for various Hollywood treatments of Jesus’ life from my youth. During my childhood, we did not go to movies—that was something, along with a bunch of other things, that good Baptists didn’t do. But we did watch television—MV5BMTkyODYyNzE0NV5BMl5BanBnXkFtZTcwOTc1OTM2MQ@@._V1_SX214_[1]except on Sundays. So my brother and I occasionally saw movies on television, after careful censoring by my parents. We always looked forward to the weeks leading up to Easter with great anticipation—not because it was Lent followed by Holy Week (I never even heard of Lent until I was an adult), but because that was when the networks might be showing Hollywood epic treatments of stories either from or related to the Bible: “The Ten Commandments,” “Ben Hur,” “Quo Vadis,” “The Robe,” and others. Particularly favored was king-of-kings-movie-poster-1961-1020206924[1]“King of Kings,” a full-blown life-of-Jesus movie. These movies, despite their questionable accuracy by King James Version standards, were guaranteed to be approved by the parental censors. My mother, brother, and I popped popcorn and watched the Bible come to life in living black-and-white.

Then in 1966, when I was 10 years old, United Artists released imagesCAEO0LCK“The Greatest Story Ever Told,” one of the last of the great Hollywood biblical epics, directed by George Stevens. The cast was full of current as well as up-and-coming stars, included Max Von Sydow, in his first English-speaking role, as Jesus; Biblical epic superstar and future president of the NRA Charlton Heston as John the Baptist; Claude Rains, iTelly-Savalas-as-Pontius--003[1]n his final movie appearance, as Herod the Great; Martin Landau, the master of disguise in the “Mission: Impossible” of my youth, as Caiaphas; Telly Savalas of “Kojak” fame as Pontius Pilate,  imagesCA6OFXJKDavid McCallum (formerly one of the stars of “The Man from U.N.C.L.E,” currently starring as Ducky in “NCIS”) as Judas Iscariot; and my favorite: John Wayne as the Centurion at the foot of the cross, who delivers his one line—“Truly this man was the son of God!”—with all the sensitivity of a cowboy.

imagesCAVTYVXRStevens’ directorial choice is to hinge the whole three-hour-plus spectacle on the raising of Lazarus, which takes place just over half way through the movie. It is a remarkable piece of cinematography—instead of focusing on Jesus and Lazarus, the camera focuses on the reactions of those present. Shocked faces, stunned silence, a woman drops to her knees, a man bursts into tears. the_greatest_story_ever_told_movie_trailer[1]One witness runs down the road, grabbing random people and sharing the news—“Jesus of Nazareth . . . I saw it, I saw it with my own eyes! Lazarus was dead, and now he’s alive!” “The Messiah has come! A man was dead, and now he lives!” And indeed this is a blockbuster miracle, worthy of a predictable Hollywood musical effect, the rapturous singing of the final measures of the “Hallelujah” chorus from Handel’s Messiah in the background. As the witness nears the walls of Jerusalem, he is joined by two men healed by Jesus earlier in the movie: “I was crippled, and now I walk!” “I was blind, and now I see!” “Who has done this?” shouts a Roman centurion from the walls of the city. “The Man Called Jesus!” Remarkable. Astounding.

But the gospel text is very puzzling, raising more questions than it answers. If this is, indeed, Jesus’ signature, career-defining miracle, why is it only reported in one of the four canonical gospels? Why do Matthew, Mark, and Luke not consider the story important enough to include in their accounts? Why does Jesus deliberately delay travelling to Bethany upon hearing that his friend is deathly ill, dawdling along the way in order to ensure that Lazarus is dead by the time Jesus arrives? imagesCANUX8Y0What exactly is the depth and nature of the Jesus and Lazarus friendship? We know a lot about Jesus with Lazarus’s sisters Mary and Martha, but this is the first time we’ve heard about Lazarus. Is he the domineering older brother of Mary and Martha, or the spoiled younger brother on whom they dote? Why does Jesus weep? And why is Lazarus still wrapped in his grave-clothes when he emerges from the tomb?

The gospel author mentions Lazarus only one other time, in the next chapter just before Jesus’ triumphal entry into Jerusalem. The crowds around Jesus have increased exponentially, as much to gawk at Lazarus as to see Jesus. The chief priests, plotting behind the scenes as always, plan to see both Jesus and Lazarus dead—this time there won’t be any resurrection. And Lazarus dissolves into our imaginations. What happened to him? How did he live out the rest of his life?

These are questions worthy of discussion, as are the questions raised by the account of the miracle itself. But Lazarus is not a museum piece to be dusted off and talked about once in a while. The story of Lazarus is our story, the story of everyone who seeks, in individual and unique ways, to be friends with Jesus.

ValleyofDryBones-620x3101[1]In the liturgical year, the story of Lazarus is accompanied by the prophet Ezekiel’s vision of valley of dry bones in the Hebrew Scriptures. We all, I suspect, have spiritually experienced a valley of dry bones season. Dry bones are the remaining evidence of something that was once alive, but hasn’t been for a long time. Lazarus in the tomb is well on his way to becoming a pile of bones—“Lord, already there is a stench because he has been dead four days.” Here’s how this sort of experience, a season of dry bones. goes for me.

I claim to be a follower of Jesus, but the internal flame has slowly decreased to an ember that is threatening to die out. I haven’t seen or talked with Jesus, really spent time with him, for a while. So I send out a call for help to the last place I saw Jesus, where rumor reports he is currently hanging out. And nothing happens. “Hey! I’m dying here!” I silently cry. Those closest to me might realize that something’s wrong, but are unable to help. Nothing but silence. 173185024_c1419b6266[1]And I know this is not just a dry period, a time in the desert. I say to myself “I’ll come out of this, he’ll show up, I’m just in a down time, sort of taking a long spiritual nap.” But I know deep in my soul that I’m lying to myself. The spiritual ember flickers out, leaving a cold, empty space full of ashes at my core. This is real death, from which there is no return. “Lazarus is dead.”

Dietrich Bonhoeffer once wrote that “When Christ calls a man, he bids him come and die.” And death is not attractive. It isn’t pretty. No matter how beautiful the dress, how snazzy the suit, how professional the make-up job, a corpse is still a corpse. drybones[1]Spiritual corpses go through the motions, pretend that “there’s still some life left in these bones,” but deep down they know it’s a lie. I know, and after a while others know, that something smells. “Mortal, can these bones live?” I seriously doubt it. “My bones are dried up, and my hope is gone. I am cut off completely.”

But after what seems like a spiritual eternity: a rattling of bones, a puff of breath, and there are the stirrings of life. I’ve been dead for so long, I’m disoriented. I don’t recognize my surroundings, or the voice in the distance. jesus_20lazarus_20raised[1]“Come forth!” As a moth toward a flame, I’m drawn toward that sound, toward a pinpoint of light and I find that, against all odds, what was dead is alive again. I’m surrounded by those I thought I’d lost, those whom I thought I would never truly see again. “We thought you were dead!” “I was!” But I can’t move properly, can’t see clearly, I feel like a mummy who just became alive again. And I hear a commanding voice: “Loose him, and let him go.

I’ve been raised to new life—so why am I still bound by the vestiges of death, by the grave-clothes of a past that I thought was gone? Because spiritual renewal and growth are like the Darwinian evolutionary process—I drag the remnants of a past reality into my new life. Vestiges of what has died still remain. If inattentive, I will attempt to weave new garments of salvation out of old, stinking, rags that have long outlived their purpose. And I cannot remove them by myself—I need help. We need each other’s help. I need the help of those who love me and who know what it’s like to try to get one’s bearings as a newly resurrected corpse. And the Lazarus cycle goes on.

No one wants to die. But life with God is a cycle of death and resurrection, a daily, weekly, yearly Lazarus event. Dying, abandoned, buried, called back to life, emerging to new life with lots of work to do. Sometimes we’d rather not. But the message of the story of Lazarus is “Don’t be afraid to die”—especially to those things we cannot bear to even think about losing. Don’t be afraid to release even what seems most necessary—familiar thoughts, comfortable patterns of behavior, habits set in stone, OXYGEN COMMUNICATION COMPANIONwell-intentioned but self-centered expectations—the very things that for each of us seem to be the cornerstone of existence. To truly live, we have to die. Simone Weil put it beautifully:

They alone will see God who prefer to recognize the truth and die, instead of living a long and happy existence in a state of illusion. One must want to go towards reality; then, when one thinks one has found a corpse, one meets an angel who says: “He is risen.”