Category Archives: grace

We Had Hoped

imagesCAGSCZK4“Now abide faith, hope, and love; but the greatest of these is love.” These concluding words from chapter thirteen of Paul’s First Letter to the Corinthians are heard at many, perhaps most, weddings. Everyone wants to believe that love is the greatest, especially on their wedding day. Faith seems to be part of my DNA—challenging it, trying to get rid of it, redefining it, being confused by it, and generally struggling with the “f-word” (as I call it in the classroom) has shaped me for as long as I can remember. I’m not so sure about hope. A few years ago I asked Jeanne what she thought the opposite of faith is. She first answered “despair,” then immediately took it back saying “I guess despair’s the opposite of hope.” After a quick check on Google, I found that she was right (again). imagesCAY3WHMWThe immediate etymological root of  “despair” is the Old French despoir: hopelessness. So what is hope?

Although Easter is certainly about love and faith, I think it is mostly about hope. There is no shortage of material to consider on Easter—the empty tomb, Peter and John racing to take a look, the authorities scrambling to explain what happened, the poignant exchange between Mary Magdalene and Jesus. Perhaps my favorite Easter-related story is Luke’s account of the disciples on the road to Emmaus.On-the-road-to-Emmaus[1] It’s such a human story—the bitter sadness and devastation of Cleopas and his unnamed companion (call him George) is palpable. The usual spin on the story is, of course, that Jesus is risen and walking with them, and Cleopas and George are either too dense or blinded by tears to know it’s him. Jesus gives them a free theology lesson, and as soon as they recognize him after he breaks the bread at lunch he vanishes. What a guy—the amazing, vanishing Jesus! It says something (I’m not sure what) about me that I always thought the ending of the story was funny when I was young. Young Baptist boys have to get their laughs where they can find them. But three words are particularly resonant: despair[1]We had hoped that it was He who was going to redeem Israel.” We had hoped. And our hope was in vain.

Hope is a tough nut to crack—of the big three at the end of the passage in I Corinthians,  love and faith strike me as easier to get a handle on. Every human life is marked by “we had hoped” moments that we never quite get over. I hoped that I would be concert pianist. Jeanne hoped she would marry someone who knows how to dance. But the dashed hopes of Cleopas and George are far more crushing. It’s easy to criticize Cleopas and George for failing to recognize that what they had hoped for was walking with them for seven miles, but that’s actually not true. True, Jesus does turn out to “redeem Israel,” and everybody else for that matter, but that’s not the redemption Cleopas, George and others were hoping for, a political redemptionThe_Road_To_Emmaus[1] and establishment of an earthly kingdom by the Messiah. And it’s very telling that the Jesus-guided tour through the Old Testament touching on prophetic texts indicating that the Messiah would suffer and die doesn’t do anything for Cleopas and George. It’s not until the three of them have a meal, a human experience rather than a classroom experience, that they see it’s been Jesus all the time.

That is where the story usually ends, but it gets even more interesting. Cleopas and George run back to Jerusalem and report to the disciples what happened; in the middle of their story, the amazing, vanishing Jesus reappears! risen[1]And another human, all too human moment—Cleopas, George, the eleven disciples, and everyone else are scared shitless. They think he’s a ghost. It’s not until Jesus lets them check out his body with its scars and eats a piece of fish in front of them that they realize it’s really him. The whole story is fraught with humor, fallibility, and humanity. Entertaining, yes; but what is God up to?

Amazing-Grace-Norris-Kathleen-9781573227216[1]In her wonderful book Amazing Grace, Kathleen Norris asks “Does it ever surprise you that God chooses to be revealed in so fallible a fashion?” Well as a matter of fact, Kathleen, yes it does. All the time. Even when our greatest hopes are satisfied, it’s always in some sideways, back door, behind the scenes, fuzzy and oblique sort of way. And that can be frustrating. As I participated in the various Holy Week services this past week, it continually struck me that Jesus’ resurrection, the most spectacular and crucial event in human history, is surrounded by so many instances of mistaken identity, fumbling around, uncertainty, and missteps that it is truly comical.

But it makes perfect sense, and brings the central pillars of the Christian faith—the Incarnation, the Crucifixion and the Resurrection—together. The whole idea of incarnation, of God becoming human through and through, is outrageous and ludicrous at its core. What self-respecting creator of the universe would do it this way? Only one that loves what was created so much that becoming part of it, miraculously, is not only not a step down but is actually the only way to accomplish what has to be accomplished. We know that we are flawed, incomplete, jumbled and messed up creatures, so why should we be surprised that our hopes get addressed in that way? 100_0373The divinely infused cycle of death and resurrection is around us everywhere, in nature coming alive after a long winter, in church services populated by octogenarians and toddlers, in the annual arrival of new late teens ready to be taught on campus, just to name a few examples from my own daily life. It is not at all surprising that the resurrected Jesus, the hope of the world,  was revealed in the midst of the daily and mundane rather than in power and glory. Kathleen once again: “In a religion based on a human incarnation of the divine, when ideology battles experience, it is fallible, ordinary experience that must win.”

Clean Hands

Who shall ascend the hill of the Lord? And who shall stand in his holy place? Those who have clean hands and pure hearts, who do not lift up their souls to what is false, and do not swear deceitfully. Psalm 24

magdaAs she waited for the ceremony to begin in Jerusalem, Magda Trocmé might have remembered the above lines from Psalm 24. This is a psalm of “ascent,” sung by ancient pilgrims as they climbed to Solomon’s great temple at the top of Mount Zion. Magda was there in 1972 to participate in the ceremony awarding her husband André—posthumously—the Medal of Righteousness. Those recognized as “Righteous Among the Nations” are non-Jews who risked their lives or liberty to save Jews during the Holocaust. There is a tree in Israel for each of the “Righteous Among the Nations”; part of this ceremony was the planting of a tree in André’s memory. During the ceremony, one of the speakers said something that Magda would never forget: “The righteous are not exempt from evil. The righteous must often pay a price for their righteousness: their own ethical purity.” Magda knew all about this.

Andre and MagdaMagda and André Trocmé were the heart and soul of Le Chambon, a tiny, unremarkable town in south-central France that, during the later years of World War II, “became the safest place for Jews in Europe.” Between 1940 and 1943, the villagers of Le Chambon, with full knowledge of the Vichy police and the Gestapo, organized a complex network of protection through which they hid and saved the lives of at least five thousand Jewish refugees—most of them women and children. I wrote in this blog a few days ago about this seemingly insignificant town that shone like a beacon in the midst of some of the darkest days in human history.

http://freelancechristianity.com/come-in-and-come-in/

When I shared this story with a church group that I lead on a monthly basis, several members of the group were astounded by the moral excellence of these simple French peasants, wanting to know where they could get their hands on the full story. The Trocmés, indeed all of the Chambonnais interviewed in the subsequent decades concerning their remarkable story, insisted that their actions were nothing special, clean handsthat they were not moral giants or saints, and that anyone would have done the same. Humility aside, Magda learned something during those years when she helped save the lives of strangers in the face of imminent danger—in this world, no one has clean hands or a pure heart. Even apparent moral heroes find themselves sinning no matter what their intentions are. The best we can do is acknowledge the price that has to be paid in order to be good and lessen the collateral internal damage as much as possible.

One of the most important features of the network of protection in Le Chambon was the constant need to make false identity and ration cards for the Jewish strangers who showed up in the village at all times of the day and night. Identity cards were needed to protect against roundups, when identity cards were usually checked; ration cards protected against hunger, since the basic foods were rationed and the Chambonnais were so poor that they could not share their own food with refugees and hope to ration cardssurvive themselves. Magda remembers that “Jews were running all over the place after a while, and we had to help them quickly. We had no time to engage in deep debates. We had to help them—or let them die, perhaps—and in order to help them, unfortunately we had to lie.”

During the first winter of the Nazi occupation, Magda recalls Edouard TheisEduard_Theis, André Trocmé’s assistant pastor, coming into the presbytery and telling her about the making of the first counterfeit card. “I have just made a false card for Monsieur Lévy. It is the only way to save his life.” Magda remembers her horror at that moment: duplicity, for any reason, was simply wrong. Neither she nor any of the other leaders in Le Chambon doubted for a moment the need for counterfeit identity and ration cards, but none of them ever became reconciled to making the cards, though they made hundreds of them during the occupation. Until her death many decades later, she found her integrity diminished when she thought about those cards. She remained sad over what she called “our lost candor.” André was even more troubled by the necessity to lie, fearing that he was “sliding toward those compromises that God has not called upon me to make.”

It is very easy, looking back, to minimize this conflict since everyone “knows” that when the directive “do not lie” and the directive “help those in need” are in conflict, “do not lie” gives way. But this immediate and often facile ranking of moral directives is often an exercise in justifying or excusing moral failings, an exercise André and Magda refused to participate in. They did not excuse themselves from the moral principle of truth-telling by saying that “in circumstances such as these that principle does not apply.” Rather, they did what they could to save lives all the time carrying the heavy heart that always accompanies deliberate and conscious wrongdoing. They learned that they could not dissolve the contradiction by neat, clear logic. In such situations, one must simply bet upon a certain course of action—one must, in an act of faith, throw oneself into action in a certain direction. And in doing so, one’s hands often are made dirty and one’s heart sacrifices its purity.ethics

In Dietrich Bonhoeffer’s major work Ethics, compiled by his best friend from scattered notes found in Bonhoeffer’s study and in his prison cell after Bonhoeffer’s execution by the Nazis, Bonhoeffer writes that

Ethical discourse cannot be conducted in a vacuum, in the abstract, but only in a concrete context. Ethical discourse, therefore, is not a system of propositions which are correct in themselves, a system which is available for anyone to apply at any time and in any place, but it is inseparably linked with particular persons, times and places.

And while systems of propositions can be arranged in a relational hierarchy with close to mathematical precision, human existence cannot. Hence the struggle of the Chambonnais with life-saving tainted with lying. Hence Bonhoeffer, a dedicated pacifist and advocate of nonviolence, becoming involved with various plots to assassinate Adolf Hitler, involvement that led to his arrest and, two years later, his death.Doblmeier

In his powerful documentary Bonhoeffer, director Martin Doblmeier includes a brief vignette from an interview with Archbishop Desmond Tutu, whose life and thought have been shaped by the life and work of Dietrich Bonhoeffer. tutuIn response to the question “how does one know what the will of God is?” Tutu replies that

There is no shaft of light that comes from heaven and says to you “Okay, my son or my daughter, you are right.” You have to hold on to it by the skin of your teeth and hope that there’s going to be vindication on the other side.

Perhaps on that “other side” clean hands and pure hearts will be available. But not before.

Come In, and Come In

Once many years ago, a couple I was close friends with was having marital problems. For the first (and only) time in my life, I found myself frequently playing the role of telephone confessor and therapist for each of them—I’m quite sure that neither was aware that I was doing this with the other. imagesThe phone calls became so frequent that one evening as I talked to the male in the relationship, the woman beeped in on call waiting. Toward the end of their relationship, she complained to me one evening that “There is no problem so great that he can’t ignore it!” These informal therapy sessions were unsuccessful; the couple soon divorced, one of them remarried, and both seem to have spent the past twenty years far happier than they were when together. Maybe that means my input was successful after all.

My friend’s complaint about her husband was, unfortunately, all too recognizable as a typical human reaction to information or truths that we don’t want to hear. il_570xn_240184042In the Gospel of John, Jesus is reported as having said “You will know the truth, and the truth will set you free.” I don’t think so. I think the real situation is more like what one of my students wrote in a recent intellectual notebook entry: “The truth doesn’t set a person free, but it does complicate their life.” So what is one to do when the truth about something is so obvious that it cannot be ignored—and you don’t want to deal with it?

  Along with a colleague from the history department, this semester I am in the middle of a colloquium entitled mein kampf“‘Love Never Fails’: Grace, Freedom, and Truth during the Nazi Era.” After several weeks of immersion in the world of the Nazis, including Mein Kampf and Albert Speer’s Inside the Third Reich, I could tell that everyone was feeling the same way I was—worn out by exposure to human pain, suffering, and evil and how these are facilitated by deliberate ignorance and evasion created through the choices we make. LIBBSWe returned from Spring Break to a different sort of story altogether: Philip Hallie’s Lest Innocent Blood Be Shed. The subtitle of Hallie’s remarkable book is “The Story of the Village of Le Chambon and How Goodness Happened There.” It is, in many ways, more challenging and disturbing than being immersed in the depths of human depravity.

Hallie’s book is the little-known story of Le Chambon-sur-Lignon, a small and insignificant Protestant village in south-central France that, during the later years of World War II, “became the safest place for Jews in Europe.” Le ChambonBetween 1940 and 1943, the villagers of Le Chambon, with full knowledge of the Vichy police and the Gestapo, and at great risk to their own safety and lives, organized a complex network of protection through which they hid and saved the lives of at least five thousand Jewish refugees—most of them women and children. As a woman whose three children’s lives were saved by these villagers told Philip Hallie decades later, “The Holocaust was storm, lightning, thunder, wind, rain—and Le Chambon was the rainbow.” Hallie comments that Rainbow“The rainbow reminds God and man that life is precious to God, that God offers not only sentimental hope, but a promise that living will have the last word, not killing. The rainbow means realistic hope,” a hope that was incarnated in Le Chambon.

It is a beautiful story, one that is virtually unknown in comparison to more familiar and dramatic narratives. Everyone who cares about the human spirit should read it—I dare you to make it through with dry eyes. My first question to the thirty-some students in the colloquium at our first class on this text yesterday was simply “How did this happen?” There is nothing special about Le Chambon—there are hundreds of similar rural villages throughout Europe. There were dozens of them within a short train ride of Le Chambon. Yet none of them did anything like what the Chambonnais did; indeed, many of them collaborated with the Vichy police and turned their Jewish neighbors and Jewish refugees in to the authorities as the occupying Nazis demanded. What made Le Chambon different? Andre and MagdaHow did goodness happen here?

According to the Chambonnais in virtually every interview Hallie conducted, there was nothing special about what they did at all. After being described as a “hero” or simply as “good,” Magda Trocmé, wife of the village’s dynamic pastor André Trocmé, asked in annoyance

How can you call us ‘good’? We were doing what had to be done. Who else could help them? And what has all this to do with goodness? Things had to be done, that’s all, and we happened to be there to do them. You must understand that it was the most natural thing in the world to help these people. Who else would have taken care of them if we didn’t? They needed our help and they needed it then. Anyone else would have done the same thing.

“Is she right?” I asked my students? “How many think anyone else would have done the same?” Not a hand was raised—certainly not mine. So the question remains. How did this happen? How did goodness happen here?

As with a giant jigsaw puzzle, a possible answer can be assembled from various facts throughout Hallie’s book. 130528-004-C0524E59The Chambonnais, for instance, are Huguenots, descendants of French Protestants who were a persecuted minority from the sixteenth century forward in predominantly Catholic France. What it means to be in danger and what it means to resist, to stubbornly stand for something in the face of persecution and death, is embedded in the DNA of these villagers. Le Chambon was also blessed during the war years and the decade before with the daring and lived leadership of men and women who by example showed them what it means to be a true community. But the most important reason that goodness happened in Le Chambon is so simple and basic that it cannot be overlooked. The Chambonnais believed one fundamental thing concerning human beings—that all human life, whether French, Jewish, or Nazi, is fundamentally precious and must not be harmed. Period. Many people, then and now, profess to believe this; the Chambonnais not only believed it—they acted on it. Consistently and regularly. Without questioning or equivocation. For such people, Hallie describes, “The good of others becomes a thing naturally and necessarily attended to, like any of the physical conditions of our existence. For certain people, helping the distressed is as natural and necessary as feeding themselves.” TrocmeThe villagers of Le Chambon were such people.

The source of this simple but powerful lived commitment depended on the person. For Pastor André Trocmé, on the one hand, his commitment to nonviolence and active goodness was rooted in his commitment to emulate Jesus and to take seriously, in a remarkably straightforward way, the message of the gospel. During his theological training, for instance, he was taught by his professors that the 6a00d8341bffb053ef0134818071ae970c-500wiSermon on the Mount is intended to be read as an allegory or as a standard set impossibly high so we can understand our sins and failures more clearly. André had no patience for such evasions. In a book written shortly after the end of the war, he asks

If Jesus really walked upon this earth, why do we keep treating him as if he were a disembodied, impossibly idealistic ethical theory? If he was a real man, then the Sermon on the Mount was made for people on this earth; and if he existed, God has shown us in flesh and blood what goodness is for flesh-and-blood people.

André’s wife Magda, on the other hand, had no patience for doctrine, religion, or any esoteric debate that might take her attention away from what was right in front of her. MagdaShe did not believe that something was evil because it violated God’s commands. She believed that something is evil simply because it hurts people. A person’s need was the basis of her moral vision, not any sentimental love she might or might not feel for the person in need, and certainly not any calling to moral or religious excellence. There is a need and I will address it was her motivating energy. Simple as that.

I have taught this book a number of times in ethics classes, but not for a few years. As I worked through the story with my students yesterday, I realized with a new depth just how disturbing and shocking the story of Le Chambon is. “I think I know why I haven’t taught this book in a while,” I told them. “These people make me uncomfortable. They let me know just how wide a gap there is between what I say I believe and what I actually do.” When the truth of what I profess is laid out in front of me in a way that I cannot ignore, I want to look away. I shift into philosopher mode—“This is idealistic, this won’t work in real life, real human beings won’t treat each other this way,” and so on. And my students would have been very happy to be told all of this, because they were just as uncomfortable with the Chambonnais as I was and am. 14992918595385727520But goodness did happen there in the midst of some of the worst evil humans have ever manufactured. Real people created goodness in the midst of evil by actually taking what they believed seriously enough to do it. I have another two-hour class with my students tomorrow afternoon that will continue our exploration of this book. The best I can do, which is perhaps a lot better than I could have done not long ago, is to make Hallie’s closing words in Lest Innocent Blood Be Shed my own and invite my students to come along.

I, who share Trocme’s and the Chambonnais’ beliefs in the  preciousness of human life, may never have the moral strength to be much like the Chambonnais or like Trocmé; but I know I want to have the power to be. I know that I want to have a door in the depths of my being, a door that is not locked against the faces of all other human beings. I know that I want to be able to say, from the depths, “Naturally, come in, and come in.”

St. Joseph the Worker

In my religious tradition, we didn’t do saints. We did do Christmas pageants—big time. I remember in various pageants being an angel, a wise man, a shepherd—all of the usual male roles. My most triumphant pageant appearance, though, was the year I got to be Joseph. Wearing a white dish towel on my head secured with a bathrobe belt, I gazed with a holy aspect at the plastic headed Jesus in the make-shift manger while the narrator read the Christmas story. Actually, I was gazing at Mary, played by Bonnie, whom I was planning to marry in 15-20 years. It was my usual pattern when I was in single digits of age. If I thought a girl was cute, I’d think “you’re cute—I wonder what our children will look like.” Of course I always thought these things—I never said them.

Today is the Feast of St. Joseph the Worker. Until I became familiar as an adult with what Catholics do, I didn’t know that Joseph had his own day. I wonder if he minds competing with St. Patrick, who is feted with corned beef, soda bread, parades, and green beer just two days earlier. Joseph didn’t get a lot of play (other than hanging around and looking holy in the Christmas pageant) when I was growing up. He was a necessary part of the story, doing carpenter things, banging on the doors of inns with “No Vacancy” signs, having important dreams (maybe the best dreamer in the Bible other than his namesake in Genesis)—more than a bit player, but no more than supporting cast. I’ve come to admire him more than just about anyone else in the Bible, though. I know he was the earthly father of Jesus and all, but what impresses me was that he was Jesus’ stepfather.

I’m not a step-parent, but I’ve observed one from close range for close to thirty years. On the day before Thanksgiving in 1987, my sons (ages eight and five) and I met Jeanne, a red haired, green eyed ball of energy (she’s been called a “force of nature”) at my parents’ house. My parents had known her for a number of years. I was recently divorced, nature took its course, and Jeanne and I were together just a few short weeks afterwards. But with me Jeanne got a “three-fer.” She did it willingly—I even remember her telling me that she always thought she’d end up marrying someone who already had kids. But there’s no more difficult role for any human being to step into, no more thankless task. That’s why I love Joseph, because he makes me think about the person I love the most.

I wonder how Joseph processed being handed an impossible job, with no blueprint or instruction manual. All he wanted to do was marry the person he loved. God said, “Okay, but here are a few other things you get to do too.” I wonder if Joseph and Mary, overwhelmed with the task before them, threw themselves so wholeheartedly into the process of making this stepfamily work that they neglected for long periods of time to pay attention to their own relationship with each other. Did Joseph ever wonder when it would be “his time,” when he would be valued for who he was rather than for what he could do for Jesus, or Mary, or God? I wonder if Joseph ever saw “you’re not my real dad” in Jesus’ eyes or actions. Did Joseph ever resent Jesus’ biological connection with Mary, something that nothing Joseph ever did or said could possibly balance out? I wonder if Jesus ever told Joseph, at least when he had grown up, that he appreciated Joseph and that he apologized for the times he’d been a jerk.

In Santa Fe, there is a little church called the Loretto Chapel, which contains a “miraculous staircase,” built by a stranger with a donkey and a toolbox who showed up in answer to the prayers of the Sisters of Loretto. The newly built chapel needed a staircase to the choir loft; those who knew about such things said it would have to be a ladder, since a regular stairway would be too invasive of the chapel space. The stranger built an architectural marvel, a spiral staircase containing two 360 degree turns with no visible means of support and held together with wooden pegs rather than nails. The stranger disappeared without being paid after completing the staircase; not surprisingly, legend has it that the donkey-riding stranger was none other than St. Joseph, patron saint of carpenters.

Carpenters need a patron saint—I suppose everyone in every walk of life does. I’m sure Joseph was a fabulous carpenter, maybe even capable of building a miraculous staircase. But various websites tell me that Thomas More is the patron saint of step-parents, which makes no sense. For step-parenting is a far more impossible task than the construction of any number of miraculous staircases. Joseph took it on and pulled off a real miracle—being a parent to and, along with Mary, raising a child who was not his. And just like the Sisters of Loretto, I needed a miraculous answer to an impossible situation—how was I going to raise these kids by myself? Jeanne in my parents’ living room the night before Thanksgiving was as unexpected as a stranger on a donkey with the tools and ability to build a miraculous staircase. I made out better than the Sisters of Loretto, though, because the miracle stranger didn’t leave. I can no more repay her than the Sisters could have paid Joseph—how do you repay someone who changed three lives?

What Are You Looking At?

Almost every Sunday during the months I spent on sabbatical a few years ago in Minnesota, I saw a canine in church—I didn’t know the dog’s  name, but it looked like a Ralph220px-Suzisnow[1]. I learned several months later that the dog is a female named Caritas, but in my imagination she still is Ralph. Ralph was in church because she was a service dog—now enjoying retirement—for a regular parishioner who is profoundly deaf. The woman sat at the end of the front row so she could read the lips of the celebrant, while Ralph laid next to her, usually with her back half hanging out into the aisle. Ralph is a mutt, with a good deal of some sort of terrier, weighing probably no more than twenty-five or thirty pounds. I’m not surprised that Ralph is now retired, given how she sighed and creaked a bit when she got up or laid down; the white hair around her eyes and mouth looked more like signs of age than normal markings.

A lifelong cat lover, I’ve gained a much greater appreciation for dogs over the past many years after marrying a dog fanatic and, more recently, being unexpectedly adopted by a dachshund as her pet human. $(KGrHqN,!i8E4r(HqlcsBORy0nku+w~~0_35[1]Ralph looked as if she would love to have a pat on the head or a belly rub, but I know better—don’t mess with a service dog while she’s on the clock. But just in case I, or anyone else within range, happened to have a hard time resisting the dog-lover’s urge to touch every dog, Ralph was more in-your-face than most service dogs. She wore a vest that, on its back, said “Service dog on duty. Do not pet.”

“Look—don’t touch.”Look_But_Don__t_Touch_PSD_by_archnophobia-1[1] This used to be my mother’s automatic command every time we walked into a store of any sort, from grocery to hardware to department. Every parent worth the job description has this directive in her or his repertoire, knowing that pre-civilized human beings are inveterate grabbers. hannaarendtsudomenica16ye8[1]Hannah Arendt once wrote: “Every year the world is invaded by millions of tiny barbarians—they’re called children.” Absolutely true, and “Look, don’t touch” is one of the earliest and best tools to use for domestication purposes. In truth, though, the temptation to look and grab, rather than simply to look, is one that none of us ever truly overcomes. As soon as we see something, we want to possess it, to make it ours, to wrap it up in what Iris Murdoch calls “the avaricious tentacles of the self.”

Exhibit A is yesterday morning’s Sunday gospel, a strange story recorded in all three synoptic gospels . Yesterday was Matthew’s version. Jesus is worn out by the crowds and takes his best buddies, Peter, James, and John, with him to the top of a mountain for a break. While there, he is transfigured with Elijah and MosesRaphael Transfiguration[1], looking like a great laundry detergent ad. According to Mark’s version of this story, “His clothes became dazzling white, whiter than anyone in the world could bleach them.” Peter blurts out, “Let us put up three dwellings—one for you, one for Moses and one for Elijah.” Why does he make such a random suggestion? Luke tells us—“He did not know what he was saying.” Far be it from Peter to say nothing when he doesn’t know what to say, to look and attend to what’s going on in silence and awe, or simply to say “Whoa!” or “Holy shit!” or “Who does your laundry?” No, he has to nail it down, organize it, put walls around it, and either sell tickets or write up a doctrinal statement and confession of faith. The voice from heaven makes it clear what Peter should be doing. “This is my Son, my Chosen; Listen to him.

Scripture makes it clear that there is a time to look and a time to touch—and don’t confuse the two. In II Samuel, tuzzah-01[1]he newly crowned King David leads the army of Israel against the Philistines and recaptures the Ark of the Covenant. They place the Ark on an oxen-drawn cart and head back to Jerusalem in a parade complete with singing and musical instruments, led by David dancing in his underwear. The oxen step in a pothole and stumble, the Ark starts tipping off of the cart, and some poor guy namedfbade8d75c[1] Uzzah makes the horrible mistake of assuming that he should put his hand on the Ark to steady it, because maybe God would just as soon not see the Ark lying on its side in the mud. God strikes Uzzah dead on the spot for his efforts. “Look, don’t touch.” As a kid I thought God’s treatment of Uzzah to be a disproportionate response and grossly unfair, and I still do, but as Jeanne would say, “it is what it is.” And in John 20, the resurrected Jesus says to Mary Magdalene “Touch me not,” exactly what Ralph’s vest would have said if she spoke in King James English.

nh_old_man01[1]As a native New Englander, one of my all-time favorite stories is Nathaniel Hawthorne’s “The Great Stone Face.” It’s the story of a boy named Ernest who lives in a New Hampshire valley; on the perpendicular side of a nearby mountain hang some immense rocks which, when viewed from the proper angle and distance, “precisely resembled the features of a human countenance.Old_Man_of_the_Mountain_overlay_2[1]” The valley is Franconia Notch in the middle of the White Mountains, only forty miles or so from where I grew up, and was a regular point of destination for my family. I was crushed when I heard ten years ago that despite the best human preserving efforts, it finally fell off the mountain.

800890-M[1]According to Hawthorne’s story, there is a legend in the valley that someday “a child should be born hereabouts, who is destined to become the greatest and noblest personage of his time, and whose countenance, in manhood, should bear an exact resemblance to the Great Stone Face.” Ernest, who gazes daily with love and awe at the Great Stone Face, spends his whole life as a simple laborer in the valley. Occasionally a rumor would arise that the man resembling the Great Stone Face had appeared in town, but each candidate—a wealthy miser, a vain general, a pompous politician—turned out to be a fraud. As the years pass and Ernest becomes an old man, he is loved by his neighbors and family but sadly concludes that the legend will not come true in his lifetime.Stone-Face-by-visulogik-3001[1] Then one day as he talks simply and clearly on his front porch with a number of his friends about matters important to all of them, the setting sun strikes Ernest’s face and someone sitting next to him exclaims “Behold! Behold! Ernest is himself the likeness of the Great Stone Face!” He had become what he had spent his life lovingly looking at.

Iris Murdoch tells us that “man is a creature who makes pictures of himself and then comes to resemble the picture.” And the pictures we make will be fashioned from what we are looking at and what we see most clearly. imagesCASOE7U6In the book of Numbers, in response to yet another round of blatant disobedience, God sends snakes into the midst of the children of Israel; many of those bitten by the venomous serpents die. In response to the people’s recognition of their rebellion and penitence, God instructs Moses to make a serpent of bronze and lift it up on a pole for everyone to see. weil[1]“And so it was, if a serpent had bitten anyone, when he looked at the bronze serpent, he lived.” Simone Weil comments: “To look and to eat are two different things. The only people who have any hope of salvation are those who occasionally stop and look for a time, instead of eating. Looking is what saves us.” What are you looking at?

God Might Actually Enjoy Us

A candle flame looks beautiful in the light of morning . . . It seems to me to be a metaphor for the human soul, the singular light within the great general light of existence. Marilynne Robinson, Gilead

In the academic world, teaching schedules are usually planned and assigned more than a year in advance; accordingly, I found out over a month ago what I will be teaching during the Spring 2018 semester. One of my assigned classes is “Contemporary Women Philosophers,” a course  I team-taught once a number of years ago and specifically requested when our preferences for the next academic year were solicited, so I’m pumped. I mentioned this to a colleague as we waited for our monthly department meeting a couple of weeks ago; my colleague asked “which philosophers are you going to use?” Off the top of my head I mentioned Simone Weil, Iris Murdoch, and Hannah Arendt . . . “What about Marilynne Robinson?” he asked. Great idea–Robinson’s essays and fiction are brilliant, and she happens to be the author of the book that is closest to perfect of any I have read.

GileadThe front and back covers, as well as the opening pages, of best-selling and award-winning books are often filled with excerpted and edited reviews from various publications, reviews so similar from book to book and so over the top that I often wonder if there is a central-clearing house where authors and editors can order canned reviews to their liking. But sometimes the reviewers capture a book’s essence perfectly—such is the case with Marilynne Robinson’s Pulitzer Prize winning Gilead. Described as “so serenely beautiful and written in a prose so gravely measured and thoughtful, that one feels touched with grace just to read it,” and as

A book that deserves to be read slowly, thoughtfully, and repeatedly . . . I would like to see copies of it dropped onto pews across our country, where it could sit among the Bibles and hymnals and collection envelopes. It would be a good reminder of what it means to lead a noble and moral life—and, for that matter, what it means to write a truly great novel,

Amen.midwest-church

In Gilead, a rural Congregational minister in his late seventies is writing a memoir for his young son, an only child unexpectedly born to Reverend Ames and his much-younger wife when Ames is seventy. Ames expects to die long before the child is grown, and Gilead is his love letter to his son containing as much guidance and wisdom as Ames can muster. The prose is measured and profound. Ames writes that for him “writing has always felt like praying, even when I wasn’t writing prayers, as I was often enough. You feel that you are with someone.” On my best writing days I have this in mind as a standard.Grammie and Grandpa (2)

I have often thought that if my maternal grandfather, a potato farmer with an eighth-grade education who was the wisest and best man I ever met, had been a character in a novel, he would be Reverend Ames. One of Ames’ greatest continuing insights concerns the sacredness of all things. As he nears the end of his life, he pays close attention to the mystery and miracle of things most of us dismiss as “ordinary.”

It has seemed to me sometimes as though the Lord breathes on this poor gray ember of Creation and it turns to radiance—for a moment or a year or the span of a life. And then it sinks back into itself again, and to look at it no one would know it had anything to do with fire, or light. . . . Wherever you turn your eyes the world can shine like transfiguration. dillardYou don’t have to bring a thing to it except a little willingness to see. Only, who has the courage to see it?

For Reverend Ames, everything is a sacrament with intimations of holiness. And for this Calvinist preacher, the Divine Being he has served and conversed with for decades is still a mystery.

I don’t remember how Gilead came to me, or even when I read it for the first time (at least a half-dozen reads ago), but the Reverend’s struggles with the austere doctrine of his Calvinist faith are familiar. His is the religious world of my youth, a world that I have struggled mightily at different times to understand, to incorporate, or to leave.Calvin One passage in particular shook me to my core:

Calvin says somewhere that each of us is an actor on a stage and God is the audience. That metaphor has always interested me, because it makes us artists of our behavior, and the reaction of God to us might be thought of as aesthetic rather than morally judgmental in the ordinary sense. How well do we understand our role? With how much assurance do we perform it? . . . We all bring such light to bear on these great matters as we can. I do like Calvin’s image, though, because it suggests how God might actually enjoy us. I believe we think about that far too little.

The simple image of God as the audience for the artistic performance of the human drama and comedy, rather than the authoritative judge who is taking note of every single one of our failures, was transformative for me. I recall a similar moment early during my 2009 sabbatical when, d100_0230uring a noonday reading of daily psalms with a couple dozen Benedictine monks, we read in Psalm 149 that “the LORD takes delight in his people.” Who knew? Reverend Ames is right—we do think about this far too little.

Reverend Ames also provided me with a new angle on rational proofs for the existence of God, something I have grappled with both as a philosophy professor and as a human being for as long as I can remember. His advice is that belief in God isn’t about proofs at all. As a matter of fact, making rational proofs the basis for either defending or challenging one’s faith will eventually erode whatever faith one has.

In the matter of belief, I have always found that defenses have the same irrelevance about them as the criticisms they are meant to answer. I think the attempt to defend belief can unsettle it, in fact, because there is always an inadequacy in argument about ultimate things. . . . ladder to moonCreating proofs from experience of any sort is like building a ladder to the moon. It seems that it should be possible, until you stop to consider the nature of the problem. So my advice is this—don’t look for proofs. Don’t bother with them at all. They are never sufficient to the question, and they’re always a little impertinent, I think, because they claim for God a place within our conceptual grasp.

If someone asked me to identify and summarize the attitudes underlying my ruminations about the interplay of philosophy and faith in this blog, I would point to this passage. Thanks, Rev.

In the final pages of Gilead, Reverend Ames bumps into Jack, the prodigal son of Ames’ best friend who is leaving town on the bus. Jack asks Ames to say goodbye to his father for him. Ames agrees to do so, but then says “The thing I would like, actually, is to bless you.” Aaronic-blessingHe uses his favorite text from the Jewish Scriptures, Aaron’s blessing from the Book of Numbers:

The Lord bless you and keep you. The Lord make His face to shine upon you and be gracious unto you. The Lord lift up His countenance upon you and give you peace.

Gilead has been that sort of blessing to me, more than any book I have ever read. I am most grateful.

Gentle Drizzle

IOresteian the interdisciplinary program I teach in and used to direct, the first semester faculty have to make many tough choices. Iliad or Odyssey? What texts from the Hebrew Scriptures? The New Testament? What to use from Plato and Aristotle–or, God forbid, Plato or Aristotle? And no less challenging—which of the triumvirate of great Greek tragedians? Usually it is a toss-up between the profundity of Sophocles and the brilliance of Euripides, but last fall my teammate and I opted for the first of the trio, Aeschylus. We spent a week with sixty-five freshmen in The Oresteia, a trilogy with enough violence and dysfunctional family intrigue to hopefully satisfy the most scandal-hungry eighteen year old. Perhaps some of the playwright’s profound insights into the human condition seeped in as well.

RFKClose to fifty years ago, early lines from Agamemnon, the first play of Aeschylus’ trilogy, were quoted by Robert F. Kennedy in Indianapolis toward the end of a brief, impromptu eulogy of Martin Luther King, Jr. who had been assassinated in Memphis earlier in the day. Kennedy, who would himself be killed by an assassin’s bullet just two short months later, included these lines from the Chorus’ first speech in the play as a sobering piece of one of the great speeches in American history:

Even in our sleep, pain which cannot forget
falls drop by drop upon the heart until,
in our despair, against our will,
comes wisdom through the awful grace of God.

I was reminded of both Dr. King and Bobby Kennedy , as well as these lines from Aeschylus as I was listening to “The Moth Radio Hour” on NPR the other day.

Sala Udin on “The Moth”

Sala UdinOne of the story-tellers at the Moth event was Sala Udin who told of how as a Freedom Rider in Mississippi fifty years ago he came within an inch of losing his life after being stopped and then viciously beaten by the Mississippi State Police. In his jail cell, as he looked at his battered and disfigured face in the mirror, he thought “I don’t know why they didn’t kill me, but they should have. Now I’m committed. I’m clear. I will never stop fighting racism and injustice.Kasisi-Sala-Udin-copy I’m going to be a Freedom Rider for the rest of my life.” Udin and thousands like him were some of those drops upon the heart that Aeschylus wrote of over two millennia ago. Because of persons like Udin, change in the direction of wisdom incrementally but inexorably comes “against our will,” a change that although real is nowhere near complete.

I was born in 1956 and was too young to be directly involved in the early days of the Civil Rights movement, but have often wondered whether I would have wanted to be a Freedom Rider if I had been old enough and had been given the opportunity. I have no reason to believe that I would have, but take a small amount of comfort in the belief that once the habit is developed, courage tends to be available in the amounts needed by present circumstances. I have never been faced directly with the question of what I would be willing to stake my life on and possibly die for, amazing gracebut can at least hope that faced with the decision to act on what things are worth risking or even losing my life for, I would not immediately run away.

Jeanne and I recently watched one of our favorite movies—”Amazing Grace”—with a good friend who had not seen it before. The 2007 movie includes fine acting performances from various rising young actors who now are the hottest performers going—Ioan Gruffudd, Benedict Cumberbatch, Rufus Sewell, Romola Garai—the wonderful Ciaran Hinds (who knew that Julius Caesar was in the House of Commons?), and two of my favorite older actors, Michael Gambon and Albert Finney. images3FS0ITV3“Amazing Grace” is the story of William Wilberforce’s twenty year campaign to end the slave trade in England, finally accomplished in 1807 (the movie is a celebration of the bicentennial of that legislation). I have no idea how historically accurate the movie is, but as my good friend and colleague Rodney used to say, if it isn’t true it should be. It’s a great story.

Although there are certainly “good guys” and “bad guys” in the movie, no one is close to saintly or perfect. Wilberforce’s (played by Gruffudd) dogged attempts to end slavery meet with resistance for reasons that sound unfortunately familiar. Ending the slave trade will be devastating economically, there is “evidence” that the slaves in the colonies live better than the poor in Engwilberforce and newtonland, non-whites in the colonies are “the white man’s burden,” as Rudyard Kipling will write decades later, and so on. As he encounters multiple defeats and disappointments, Wilberforce is on the brink of despair when he has a conversation with his childhood minister, John Newton (played by Finney). Before becoming a member of the clergy years earlier, Newton had been a successful captain of a slave ship; through various powerful and transformative experiences, he recognized the evil underlying his profession, and famously wrote a poem that he set to a familiar and popular tune. The result was “Amazing Grace,” perhaps the most beloved song in the hymnal, in which the now-blind Newton wrote “I once was lost, but now am found; was blind, but now I see.”

In the middle of their conversation, Newton mentions he has heard that Wilberforce is returning to the faith of his youth; Wilberforce confirms the rumor, but says that while he badly needs divine inspiration and help, there have been no inspirational lightning bolts thus far. newton“Ah,” replies Newton, “but God sometimes does his work through gentle drizzle rather than storms.” It is many more years before Wilberforce and his supporting cohorts from all walks of life land on a strategy that finally works, confirming Newton’s insight. The frontal attacks of previous years, energized by righteous anger, eloquent statesmanship, and the best of moral intentions have failed again and again. It is not until an obscure lawyer in Wilberforce’s entourage of like-minded persons suggests a new strategy—essentially “we cheat”—that success is finally won. Through behind the scenes manipulation and the use of a long neglected, virtually unknown set of maritime regulations, Wilberforce does a brilliant end run on his political opponents and slavery in Great Britain soon crumbles under its own weight. It will take more than another half century and a brutal Civil War for the same to happen in the United States.

gentle drizzleGod sometimes does his work through gentle drizzle rather than storms. Ain’t it the truth? That certainly has been my experience, both in my own life and as I have observed the world around me for more than six decades. In its Latin roots, to “convert” means to “turn around,” but this turning is more often like a sunflowersunflower following the sun in its slow course across the sky than a dynamic and once-for-all event. I am an optimist at heart, something that is often difficult to sustain when I think about how much there is to be accomplished in my own life and in the world around me. But a steady rain, even a gentle drizzle, is better for my plants and grass than an inch-in-a-half-hour downpour. Beneath the layers of violence, hatred, ignorance and despair, something holy is lurking. Let the gentle drizzle and drops upon the heart release it.

The Sun and the Other Stars

RuaneOn the west side of the stone entryway to the beautiful humanities center on my campus, in only its fourth year of operation, is carved a memorable saying from the Gospel of John: You will know the truth, and the truth will set you free. On the top of the opposite east side of the entryway is the equally memorable closing line from Paridiso, the final book of Dante’s The Divine Comedy: Ruane DanteThe Love which moves the sun and the other stars. In my estimation the choice of this passage for such an exalted position on the building is controversial; when the building was still in the planning stage, I made the tongue-in-cheek argument that nothing more appropriate could be inscribed on the front of a classroom building than what is written over the gates of Hell in Canto III of Inferno, the first book in Dante’s masterwork: Abandon hope, all ye who enter here. But I lost the argument and had to settle for printing that line off and taping it on my office door. It must have worked, because very few students come to visit me in my office.

Dante’s vision at the end of Paridiso is the climax of an agonizing journey through Hell, then Purgatory, and finally Heaven. This capstone experience, strangely enough for a guy who is never at a loss for words, is one that he struggles mightily to convey. Beatific visionOne gets the impression that words fail him and his linear thought process is dissolved as he is subsumed into his long-awaited encounter with the Divine. But I’ve never found Dante’s vision compelling, simply because it’s just that. A vision. And it’s so Catholic, with multitudes of saints, angels, and Mary swirling around in a choreographed dance. I actually resonate more fully with Dante and his guide Virgil as they pick their way through the horrors of Hell and the trials of Purgatory—these portions of the journey I can resonate with because they remind me of the world I actually live in with all of its contradictory beauty and ugliness. That’s the world in which I will be embedded this coming semester that begins in two weeks with a bunch of sophomore students as we explore grace, truth and freedom in the Nazi era, finding glimmers of hope and nuggets of wisdom in the middle of the worst that humanity can devise.bonhoeffer

We will spend some of the semester with Dietrich Bonhoeffer, a German Protestant pastor and theologian who, imprisoned in Berlin’s Tegel Prison for more than a year because of his involvement in a failed attempt to assassinate Adolf Hitler, found himself in his isolation fending off despair and realizing that whatever God is, God is none of the things he had always thought and taught. In letters to his best friend Eberhard Bethge, Bonhoeffer put his fears, his concerns, his hopes, and his life itself on display in language that is shocking and disturbing in its directness. We will consider two passage in a letter from Bonhoeffer to Bethge both in class and in on-line discussion forums letters from prison.

What is bothering me incessantly is the question of what Christianity really is, or indeed who Christ really is, for us today. The time when people could be told everything by means of words, whether theological or pious, is over, and so is the time of inwardness and conscience—and that means the time of religion in general.

Later in the letter, he repeats that “the time of Christianity is over.” Students in past versions of this course have been shocked that a Protestant pastor could write such a thing. But Bonhoeffer’s point is that none of the old formulas or descriptions work anymore, not in a world in which millions of human beings are disappearing as smoke and ashes from death camp chimneys. In a second letter a few weeks later to Bethge, Bonhoeffer continues the theme.

So our coming of age leads us to a true recognition of our situation before God. God would have us know that we must live as people who manage our lives without God. The God who is with us is the God who forsakes us. The God who lets us live in the world without the working hypothesis of God is the God before whom we stand continually.

God wants us to live in the world as if God does not exist, Bonhoeffer writes. What can this possibly mean? Once a student commented in our discussion forum how sad it was that Bonhoeffer had lost his faith. To which I replied, “This is not a man who has lost his faith. flossenburgThis is a man for whom faith has come to mean something entirely different from what you are accustomed to.”

A few short months after he wrote this letter, Dietrich Bonhoeffer was executed in Flossenburg Prison, just a handful of weeks before Germany surrendered to the Allies. Far from losing his faith, Bonhoeffer exemplifies a willingness to let faith evolve rather than crumble in the face of the greatest and most intense challenges. Shortly before his death he wrote a poem entitled “Who Am I?” in his notebook which ends in a place that provides hope for all persons of faith.

Weary and empty at praying, at thinking, at making,

Faint, and ready to say farewell to it all. . . .

Who am I? They mock me, these lonely questions of mine.

Whoever I am, you know, O God, I am yours!

Not long ago as I was driving to the 8:00 early show at church I caught a few minutes of Krista Tippett’s show “On Being” on NPR. Her guest was Margaret Wertheim, a physicist described in the promo as “a passionate translator of the beauty and relevance of scientific questions.”

http://onbeing.org/program/margaretwertheim-the-grandeur-and-limits-of-science/7472

Toward the end of the conversation Tippett notes that Wertheim, who was raised Catholic, has been described in the media as an atheist. “Are you an atheist?” Tippett asked. WertheimWertheim’s response brings us full circle back to Dante.

I’d like to put it this way: I don’t know that I believe in the existence of God in the Catholic sense. But my favorite book is the Divine Comedy. And at the end of the Divine Comedy, Dante pierces the skin of the universe and comes face to face with the love that moves the sun and the other stars. I believe that there is a love that moves the sun and the other stars. I believe in Dante’s vision. And so, in some sense, perhaps I could be said to believe in God. And I think part of the problem with the concept of, “Are you an atheist or not?” is that our conception of what divinity means has become so trivialized and banal that I think it’s almost impossible to answer the question without dogma.

I love Wertheim’s answer because it is infused with Bonhoeffer’s energy. Dogmas and religious formulas will always fail because God is bigger than that. Seeking the love that moves the sun and the other stars will always take us to places we do not expect, places of beauty and darkness, a search energized by a faith that cannot be lost.

We Are Not Alone

Jesuit priest and author James Martin recently said in an interview that we as a culture have sanitized the Christmas story. This is worth paying close attention to during this current Christmas season which seems more dissonant than most, with violence across the globe,, dealing with a controversial Presidential election, and the usual jostling for air space with department store muzak and familiar stories from the pulpit. During a conversation with a number of friends the other day I was reminded that the juxtaposition of promise and death, of expectation and suffering, is nothing new. The Coventry CarolThis dissonance is built into the fabric of the stories that we tend to tell selectively and sanitize for public consumption at this time of year. The text of one of my favorite carols, the Coventry Carol, is a case in point. Its text is focused on yesterday’s gospel from Matthew, a story that you will definitely not see represented in anyone’s creche or on anyone’s front lawn.

The Coventry Carol is written in a minor key, appropriate for the shocking event that is its central concern. In Matthew’s gospel the early focus is not on the birth of Jesus (Luke’s more familiar story takes care of that), but on events occurring soon after. “Wise men from the East” have arrived in Jerusalem following a star that they believe portends the birth of a new king. After they refuse to take the current king Herod’s bait and choose to return home after visiting the Holy Family’s house (they’ve apparently moved out of the stable some time earlier) without revealing to massacre of the innocentsHerod where the infant threat to his throne is living in Bethlehem, Herod orders the murder of all the male children under two years of age in Bethlehem. This is the theme of the Coventry Carol, so named because it is part of a cycle of 16th century songs that were performed in that city as a pageant dramatization of the birth narrative in Matthew.

Herod the king, in his raging,
Charged he hath this day.
His men of might, in his own sight,
All young children to slay.

Mary, Joseph, and Jesus escape the massacre because Joseph is tipped off by an angel of the danger. They escape to Egypt where the family stays until Herod dies. The Coventry Carol reminds us that even the Incarnation, the divine taking on human form, does not guarantee a respite from darkness, evil, and death. Indeed, this particularly horrible event—the massacre of innocent children—would not have even happened had it not been for the miraculous event of Jesus’ birth. coventryAgain and again we learn that goodness and evil abide together in a complex tangle that belies our hopes and dreams of a world in which all is goodness and light. Whatever is promised by the narrative of the Incarnation, it is not that.

The city of Coventry after which the carol is named was the location of yet another extraordinary mixture of hope and darkness during World War II. An industrial city in the West Midlands of England, Coventry was the target of numerous Luftwaffe bombing raids. The worst of these occurred on November 14, 1940; the devastation included the almost total destruction of Coventry’s gothic Saint Michael’s Cathedral that was built during the late 14th and early 15th centuries. ruinsVarious researchers revealed some decades later the likelihood that because the German secret “Enigma” code had just been broken by cryptographers at Bletchley Circle, British war authorities knew that Coventry had been targeted for a Luftwaffe fire-bombing raid some days before the raid occurred. These authorities chose not to alert the citizens of Coventry ahead of time because doing so would have revealed to the Germans that their supposedly unbreakable code had been cracked. Sir William Stephenson, the chief of all Allied intelligence during WWII, wrote that both Franklin Roosevelt and Winston Churchill were aware that Coventry was going to be bombed; cathedral old and newChurchill reportedly told Stephenson after the war that letting Coventry burn aged him twenty years.

Others have challenged Stephenson’s story, but situations of overall good requiring destruction and death are disturbingly commonplace. A new Coventry Cathedral was built next to the ruins of the one destroyed in 1940, incorporating into its modern architecture the remains of the previous edifice as a testament to both hope and despair, triumph and sacrifice. The theme of the dedication, and the continuing ministry of St. Michael’s Cathedral to this day, is reconciliation. Its art work, commissioned from all over the world, makes use of remnants of the old cathedral as well as materials not usually incorporated in religious art—the wreckage of automobiles, refuse from landfills—thehigh altar cross last places we normally look for intimations of the sacred.

Paying attention to the Christmas narrative reveals that the planners and parishioners of the cathedral in Coventry are on to something. When the divine enters the world, we may often look in vain for immediate evidence. Violence and suffering still occur, human beings continue to perpetuate atrocities on each other and on the world in which we live. The difference before God enters human reality and after is so subtle as to often be unnoticeable. But as a wise person once told me, this is not a God who intervenes. AudenThis is a God who indwells. In his lengthy Christmas poem “For the Time Being: A Christmas Oratorio,” W. H. Auden expresses this sentiment through Simeon, the old man who gets to see the infant Jesus just before he dies.

And because of His visitation, we may no longer desire God as if He were lacking: our redemption is no longer a question of pursuit but of surrender to Him who is always and everywhere present. Therefore, at every moment we pray that, following Him, we may depart from our anxiety into His peace.

Anxiety and fear are natural human responses to evil and suffering. But we do well to remember one of the promised names of the infant to come—Immanuel—means “God is with us.” massacre 2We will look far and wide for reminders of Herod’s massacre of the Innocents in nativity sets in houses and front yards this Christmas season, but maybe such reminders should be there. They are just as much a part of the story as angels singing to shepherds. In the darkest depths of despair, the promise is that God is with us, choosing to become part of the mess and transform it from within rather than impose solutions from the outside. As I heard someone say this morning, “we need to stop listening to fear and calling it wisdom.” At the heart of the beautiful and transformative story is, as Winston Churchill might have described it, “a mystery wrapped in an enigma.” The baby in a manger, as well as the dead babies in the streets of Bethlehem, call us to embrace hope when things are darkest. We are not alone.

Clouds of Glory

kant1[1]The great but incredibly difficult German philosopher Immanuel Kant, in a rare moment of clarity, wrote that all important human questions can be boiled down to these three: WHAT CAN I KNOW? WHAT OUGHT I TO DO?  and WHAT MAY I HOPE FOR? The Advent and Christmas seasons focus on the last of these three questions. A major figure in the seasons’ stories is John the Baptist, Jesus’ relative who once sent his disciples to ask his cousin a “What may I hope for?” question. “Are you the one who is to come, or are we to wait for another?” This is one of the many imagesCAS1UEG4poignant and excruciatingly human scenes in the gospels—John has been imprisoned by Herod Antipas and his head will be on a plate soon. He is by no means the only prophet in the land—they came a dime a dozen in those days. Nor is Jesus the only Messiah candidate around—Israel is full of them. So John’s question is not an academic one. What he really wants to know is “has my whole life been a waste?”

Jesus’ answer to John’s question relies on John’s knowledge of the prophet Isaiah. “Go and tell John what you hear and see: the blind receive their sight, the lame walk, the lepers are cleansed, the deaf hear, the dead are raised, and the poor have good news brought to them.” Hopefully the message got back to John before he was executed by Herod. The man whom you baptized is the real deal–the Messiah has truly come. That’s what John foretold and waited for.

And that’s what we wait for every Advent and Christmas season. As Christians we anticipate and celebrate what we believe to be the single most important event in human history—the Incarnation. But there’s a secret, perhaps perverse part of me that asks, “so what?” What exactly are we celebrating at Christmas? imagesCAK1O2WOWhat difference do the circumstances of Jesus’ birth make, a story told differently by Matthew and Luke and considered to be so insignificant by Mark and John that they don’t even include it? As the 13th century Dominican monk Meister Eckhart provocatively asked, “What good is it for me that Christ was born a thousand years ago in Bethlehem?”

Collegeville lecture 3During the first five months of 2009, I spent a sabbatical semester as a resident scholar at an ecumenical institute on the campus of St. John’s University, run by the Benedictine Catholic order, in Collegeville, Minnesota. My academic plans were set; a well-defined book project was ready to be written. But upon arrival, it gradually became clear to me that something else was going on. For most of my then fifty-plus years, I had struggled with the conservative, fundamentalist Protestant Christianity in which I was raised. What became clear to me in Minnesota was that what I thought was a long-term, low-grade spiritual dissatisfaction had become, without my being aware of it, a full-blown spiritual crisis. Beneath my introverted, overly cerebral surface my soul was asking John’s question—“Are you the one, or is it time to look for another?”

100_0331The answer developed quietly, subtly, unheralded, over the weeks and months. As I tested the waters of daily prayer with the monks at St. John’s Abbey, I noticed a space of silence and peace slowly opening inside of me that I had never known. No voices, no visions, no miracles—but I was writing differently. The low-grade anger that had accompanied me for most of my life began to dissipate. I felt more and more like a whole person instead of a cardboard cutout of one. The world looked different. I felt different. Eventually a few of my colleagues said “you’re not the same person you were when you first got here.” And they were right–I wasn’t. I began spending more time with the monks at prayer, often three times daily. Essays began to flow from a place I didn’t recognize, but really liked. Little had changed outwardly, but everything was changing.

As the day of returning home after four months drew near, I was worried. Would these changes be transferable to my real life? Would this space of centeredness and peace be available during a typical 80-90 hour work week in the middle of a semester? Or would these changes soon be a fond memory, to be stored in an already overfull internal regret file? 443px-Santa_Caterina_Fieschi_Adorno-dipinto_Giovanni_Agostino_Ratti[1]Two days before leaving, one of the Benedictines preached at daily mass (which I did not normally attend). In the middle of an otherwise forgettable homily, he quoted the obscure St. Catherine of Genoa, who said “My deepest me is God.” This was the answer. The space of quietness, silence and peace inside of me, the one I’d never known and had just discovered—is God. I was stunned. Tears filled my eyes. I tingled all over. I’m tingling all over right now as I write this. Because what I had been looking for is here. And it is transferable. Trust me.

I used to think that the evidence Jesus sent to John in prison—the blind see, the lame walk, and all of that—was all well and good, but I’ve never seen a blind person healed, I’ve never seen a cripple stand and walk. Faith 05[1]But I was looking in the wrong place. Because although I don’t see perfectly, I’m a little less blind than I was. My frequent tone-deafness to the needs of others is getting a little better. My inner cripple is now walking with a limp. Some days I even think I know what Lazarus must have felt like as his sisters started to unwrap his grave-clothes. A few paragraphs ago I quoted Meister Eckhart—but only half of the quote. The full quote is “What good is it for me that Christ was born a thousand years ago in Bethlehem, if he is not born today in our own time?” The answer to that pressing question? He is born today. In us.

Let’s make this Christmas season a coming home, an embracing of the true, continuingwilliam_wordsworth[1] mystery of the Incarnation. Yes, God became flesh. And God continues to be incarnated in you, in me. This is our heritage and the promise to us. Our deepest me is God. William Wordsworth expressed this truth beautifully: “But trailing clouds of glory do we come from God, who is our home.

I’m hoping that in the darkness of his dungeon cell, John remembered his father Zechariah’s words spoken at John’s naming ceremony, words that I’m sure were part of the family stories in John’s childhood. Zechariah and Elizabeth[1]The Song of Zechariah, the “Benedictus,”  is the canticle that closes every morning prayer service in the Benedictine daily liturgy of the hours. You may remember that Zechariah had not spoken for months, struck dumb because he found it difficult to believe the angel’s announcement that his wife Elizabeth, well past child-bearing years, would bear a son. When Zechariah and Elizabeth’s son is circumcised at eight days old, a family squabble breaks out over what the baby’s name will be. Most of the group votes for “Zechariah Junior.” But Zechariah motions for a tablet and writes “His name is John,” as the angel directed. His power of speech returns—the Benedictus follows. After a beautiful meditation on his new son’s role in the divine economy, Zechariah closes with a stunning promise.

In the tender compassion of our GodC-002-r%20Advent%202[1]

the dawn from on high shall break upon us,

To shine on those who dwell in darkness and the shadow of death,

and to guide our feet into the way of peace.

Let’s walk in that dawn together.