Category Archives: hope

Who Would Jesus Bomb?

It’s President’s Day, which for all college professors means–as do all Monday holidays in the middle of the semester–“catch up day.” It’s the Spring semester’s version of Columbus Day. I will be spending most of the day catching up on the grading that never seems to end, particularly since I have this nasty habit of assigning my students a lot of writing assignments. But it’s also a time to think about Presidents–not the current one, if I can help it–as well as social policy and politics.

There are many things that I love about visiting our friends Mike and Suzy. Included among those things are the various and random items spread about their house that make me think. We usually enter their house through the garage; next to the door into the house is an extra refrigerator/freezer containing, amongst other thing, the better-than-Bud-and-Miller beer that Michael always makes sure is on hand for my visits. I take full responsibility for raising Michael’s beer awareness over the years and proudly survey the contents each visit.

For all of the years we have been visiting, two bumper stickers on the outside of this refrigerator have frequently caught my attention. The first: When Jesus said “Love your enemies,” I think he probably meant don’t kill them. The second: Who Would Jesus Bomb?  Striking, provocative, and very timely. Although our country always seems to be wondering who to go to war with, these bumper stickers particularly came to mind a few years ago as the most “do-nothing” U. S. Congress in recent memory debateed what should be done in response to events on the other side of the world—the Syrian government’s apparent use of chemical weapons on its own citizens. Do-Nothing-Congress1[1]This was (and continues to be) a Congress whose members had become so constitutionally incapable of true discussion and compromise that they would rather use each other’s toothbrushes than try to understand each other’s arguments. Yet they were strangely united by the question of what is the best and most appropriate violent response to violence. Although possible diplomatic solutions were proposed, the tenor of the conversation seemed to be not so much whether to respond with violence, as when and how. And the Syrian conflict continues unabated.

I do not pretend to know what is in the best interest of the United States or of those in the Middle East. Whatever votes are taken, whatever decisions are made, and whatever actions are endorsed are always fraught with uncertainty and subject to endless second-guessing. I am also strongly committed to the separation of religion and politics in the sense that public policy should not be fashioned with any particularly religious framework in mind. But over the past few years I have begun to explore the parameters of my Christian faith in new ways, discovering over and over again that these parameters are more expansive and flexible than I could have ever imagined. wwjd-bracelet[1]Questions like whether or how to respond to what the Syrian government allegedly did to its own citizens jerk me up short when considered in the light of my Christian beliefs. Because I find absolutely no justification in the seminal texts of my faith to justify violence under any circumstances, even if such violence is proposed as a measured and proportional response to violence of a different order entirely. And this concerns me.

Truth in advertising requires that I reveal that my natural tendencies lean strongly toward pacifism and non-violence. I grew up in the sixties in the midst of the Vietnam War; my brother, three-and-a-half years older than I, was a conscientious objector. The draft lottery ended just as I became old enough to be subject to it; had it continued, I would have followed in my brother’s footsteps as a conscientious objector or perhaps in the footsteps of others to Canada.Vietnam_War_Protest_in_DC,_1967[1] So it is not surprising that I resonate with the non-violence and pacifism of the Gospel texts—they align with and confirm my natural tendencies. For exactly these reasons, I am very cautious about making claims concerning the appropriate Christian position to take in cases such as Syria. The philosopher in me knows that human beings, myself included, have a very strong tendency to interpret texts through subjective lenses and then treat that interpretation as if it was objectively true.

But I challenge anyone to find in the Beatitudes, the Sermon on the Mount, Jesus’s parables, or his teachings from the Gospels anything that justifies responding to violence with violence, regardless of the nature of the violence that demands a response. This is what makes even sketching the outlines of a consistent Christian position in cases such as Syria so maddeningly difficult. Jesus in the Gospels continually stresses the importance of caring for the poor, the widows, the orphans, the sick—the disenfranchised and powerless, in other words. _143081042209598[1]And could there be a more blatant example of abusing the powerless than killing innocent civilians, particularly children, by using chemical weapons?

A text I have used frequently in classes over the past several years is Lest Innocent Blood Be Shed, Philip Hallie’s riveting account of how the villagers of Le Chambon, a small Protestant village in southeastern France, saved the lives of thousands of Jewish refugees, many of them children, under the noses of the Gestapo and the Vichy police during World War II. Inspired by the Gospel in action as taught to them by their dynamic pastor, Andre Trocme, the villagers hid and cared for refugees in their homes, farmhouses, shops and places of worship until they could safely be taken across the nearby border into neutral Switzerland. And they did all of this, at the continual risk of their own lives, in the open while fully dedicated to non-violence.

Hallie reports that upon the publication of his book recounting the story of Le Chambon, the author of one of the first letters he received sought to remind him of just how limited and insignificant the Le Chambon story really was in the larger context of World War II and the Holocaust. “Le Chambon wasn’t even in the war,” the author of the letter wrote. “Reverend Trocme and a miniscule number of equally eccentric kindred-spirits had no effect,” and mattered only to mushy-minded moralists. Only vast forces “make history,” forces energized by power that overwhelms moral niceties over and over again. Le-Chambon-before-the-war-634x397[1]“Nothing happened at Le Chambon,” the letter concluded, at least nothing worth paying much attention to.

Hallie admits that “the moral brilliance of the villagers does not light up the moral darkness around the village as much as it makes that vast darkness seem darker by contrast.” Individual and collective acts of moral bravery in the face of inhumanity, terror, and violence often appear to have no greater impact than spitting into the face of a hurricane. Force can only be met by greater force, violence often can only be thwarted by violence. Hallie himself was a combat artilleryman in the European theater during World War II, and writes “I knew that decent killers like me had done more to prevent the mass murders from continuing than this pacifist mountain village had done.” So in the real world, a world in which no one loves their enemies and no one turns the other cheek, why even try to think through violence within a framework of non-violence?

The world in which we live does not accommodate non-violence as a response to violence, peace as a response to aggression, apparent weakness as a response to power. Every attempt to institutionalize goodness and organize moral behavior ends up playing the same sort of power game that is supposedly being opposed. The message of the gospel is gutted every time it is joined to recognizably effective tools of power, even with the best of intentions. As followers of Jesus, we are saddled with a perspective and a call that is guaranteed to be a failure. Teachings_of_Jesus_6_of_40._parable_of_the_leaven._Jan_Luyken_etching._Bowyer_Bible[1]And this should not be a surprise, since the whole Christian story is rooted in weakness, suffering, loss and apparent failure.

But this is what makes the presence of true faith and belief in this world so crucial. We are told in the gospels that “The kingdom of God is like yeast that a woman took and mixed into about sixty pounds of flour until it worked all through the dough.” Despite its apparent insignificance, yeast over time works its apparent magic on the lump of dough, changing it incrementally into something entirely different. Who would Jesus bomb? No one, because that is not the divine response to even the most horrific of evils. We are called to be present in the midst of it all, not proposing policies that God would endorse or solutions stamped with divine approval, but rather as witnesses of hope, of the possibility of transformation, and of an insistence that a better way is possible. As Philip Hallie wrote to his letter-writing critic, “thanks for your point of view. But something really did happen there.” We are called to be catalysts for changes that often are so small as to seem invisible. But as the proverb reminds us, “he who saves one life saves the entire world.”

Religionless Christianity

Now that the New Year is upon us, I’m anxiously awaiting word that my latest book, written during my 2015-16 sabbatical and under contract since last May, has successfully made it through the editing process at my publisher (it’s supposed to be coming my way for final revisions this month or next). It’s like waiting for a kid to be born.

WIrisorking on this book project during sabbatical put me back into direct conversation with a writer who over the past fifteen or so years has been as influential on my thinking and overall development as any other—Iris Murdoch.In preparation for the book I thought I was going to write during my previous sabbatical in spring 2009, I read all of her twenty-plus novels and her most important philosophical essays; over the past three months I have been reviewing well over a hundred pages of single-spaced notes I took as I wandered through her extensive body of work. Iris came into my life when I discovered that Simone Weil—a thinker so influential on my intellectual and spiritual development that Jeanne calls her my “mistress”—was similarly influential for Iris Murdoch. In her last completed work (she died in 1999 after several years of descent into the hell of Alzheimer’s), Murdoch asks a question that is arguably the central issue explored in both her fiction and her philosophical work—“What can we do now that there is no God?”

Writing in the decades after the Second World War, Murdoch assumes that human beings are required to grapple with a difficult world lacking the tools provided by traditional Christianity (or any other traditional religious framework). Yet she is by no means a happy atheist along the lines of Richard Dawkins, Sam Harris or Daniel Dennett.ddh Murdoch believes that the traditional conception of the divine, along with the various frameworks that have traditionally surrounded that conception, is meaningless, yet points out that while it is easy to say that there is no God, it is not so easy to believe it and to draw the consequences. Human beings are not the sorts of creatures that can simply fill the vacuum created by the absence of God with the closest thing available. We are incapable, by sheer force of will, of addressing the spiritual hunger and need that now-defunct frameworks and vocabularies were intended to address. There is something in the human heart that needs to believe in something greater than ourselves.

The search for the transcendent, for what is greater than ourselves, in Murdoch’s hands becomes a high-wire act with no safety net. She sets for herself the task of finding out what can be preserved of belief in the transcendent and in moral goodness without the trappings of religion that have supported such beliefs—a “Religionless Christianity” if you will. She preserves the notion of faith, but without guarantees—persons with such faith intuit something greater than themselves but refuse to embrace traditional descriptions of this something. Murdoch calls such a person a “mystical hero”:e and m

The man who has given up traditional religion but is still haunted by a sense of the reality and unity of some sort of spiritual world. . . . This hero is the new version of the man of faith, believing in goodness without religious guarantees, guilty, muddled, yet not without hope. This image consoles by showing us man as frail, godless, and yet possessed of genuine intuitions of an authoritative good.

Such a person, Murdoch believes, will exhibit many of the characteristics that traditionally religious people might aspire to.

Our life is an interconnected whole and a religious man would feel responsible for the quality of all his thoughts and experiences . . . This sort of–perpetual work–seems to me what religion is . . . It’s humility, and unselfishness–and setting yourself aside to make room for other things, and people.nones

I thought of Murdoch’s mystical hero not long ago when reading an article describing how more and more of the students enrolled at various divinity schools across the country are unaffiliated with any religious denomination. Such students are called “nones” (pronounced “nuns”), since they are the sorts of people who check “None” when asked about their religious affiliation on a survey.

Secular Students Turn to Divinity School

I think this is very cool, but something tells me that many people would stop reading after finding out early in the article that nones are predominantly found at places inclined toward theologically and politically liberal Protestantism like Harvard Divinity School and Chicago Theological Seminary. “Well of course,” the complaint might go. “Such places are bastions of secular humanism with words like ‘Divinity’ or ‘Theological’ on their letterhead for show.” Such concerns are not unique to the Protestant flavor of Christianity; cinoI have taught for the past twenty-one years at a Catholic college that, at least according to its current President, seeks to thread the needle between extreme conservative Catholic campuses and larger Catholic Universities (usually Jesuit) that many judge as CINO (Catholic in name only).

The game of “who is more faithful to the message” is usually zero sum, though, and leaves little room for phenomena such as the nones. What might an agnostic or even an atheist find attractive about divinity school? Several of the nones interviewed in the article provide clear answers. “I am attracted to the search for social justice and for spiritual meaning. And I recognize those things as the fruits of religious tradition,” one none said. “So it makes sense to go to a place where you can study religious tradition.” Another could have been channeling Iris Murdoch: “If you were simply looking for the skills, you might go to the Kennedy School of Government . . . and philosophy and liberal-arts fields have given up on the project of finding a moral language, an articulation of values. That language isn’t found in many places. And when you find it, it’s not easy to abstract it. You have to connect it to a tradition.” I am currently leading a discussion group at church using a text about knowing God written with millennials in mind; current research shows that one-third of millennials are nones. Where are such persons to find a spiritual home or community? If Iris Murdoch is right, the answer to that question will require great creativity and courage across the board, even in traditional places where such creative and courageous challenges to the status quo seem to strike at the very heart of what the place stands for.eckhart

I am not a none, but only because I believe that the Christian tradition is broad and resilient enough to accommodate outliers with the nerve to call themselves freelance Christians. And a “heads up” to the nones who are deliberately placing themselves in the atmosphere of divinity school—you never can tell what might happen. Meister Eckhart, a medieval Dominican monk who almost lost his life due to his out of the box theology, wrote that “God begets his Son in you whether you like it or not, whether you sleep or wake—still God is at work.” And more recently, Lutheran pastor Nadia Bolz-Weber reported that a person wrote her a worried email:

I think I’m having a crisis of faith . . . I think I believe in Jesus.

nadiaTo which Nadia replied:

I’m so sorry. But sometimes Jesus just hunts your ass down and there’s nothing you can do about it.

The Sun and the Other Stars

RuaneOn the west side of the stone entryway to the beautiful humanities center on my campus, in only its fourth year of operation, is carved a memorable saying from the Gospel of John: You will know the truth, and the truth will set you free. On the top of the opposite east side of the entryway is the equally memorable closing line from Paridiso, the final book of Dante’s The Divine Comedy: Ruane DanteThe Love which moves the sun and the other stars. In my estimation the choice of this passage for such an exalted position on the building is controversial; when the building was still in the planning stage, I made the tongue-in-cheek argument that nothing more appropriate could be inscribed on the front of a classroom building than what is written over the gates of Hell in Canto III of Inferno, the first book in Dante’s masterwork: Abandon hope, all ye who enter here. But I lost the argument and had to settle for printing that line off and taping it on my office door. It must have worked, because very few students come to visit me in my office.

Dante’s vision at the end of Paridiso is the climax of an agonizing journey through Hell, then Purgatory, and finally Heaven. This capstone experience, strangely enough for a guy who is never at a loss for words, is one that he struggles mightily to convey. Beatific visionOne gets the impression that words fail him and his linear thought process is dissolved as he is subsumed into his long-awaited encounter with the Divine. But I’ve never found Dante’s vision compelling, simply because it’s just that. A vision. And it’s so Catholic, with multitudes of saints, angels, and Mary swirling around in a choreographed dance. I actually resonate more fully with Dante and his guide Virgil as they pick their way through the horrors of Hell and the trials of Purgatory—these portions of the journey I can resonate with because they remind me of the world I actually live in with all of its contradictory beauty and ugliness. That’s the world in which I will be embedded this coming semester that begins in two weeks with a bunch of sophomore students as we explore grace, truth and freedom in the Nazi era, finding glimmers of hope and nuggets of wisdom in the middle of the worst that humanity can devise.bonhoeffer

We will spend some of the semester with Dietrich Bonhoeffer, a German Protestant pastor and theologian who, imprisoned in Berlin’s Tegel Prison for more than a year because of his involvement in a failed attempt to assassinate Adolf Hitler, found himself in his isolation fending off despair and realizing that whatever God is, God is none of the things he had always thought and taught. In letters to his best friend Eberhard Bethge, Bonhoeffer put his fears, his concerns, his hopes, and his life itself on display in language that is shocking and disturbing in its directness. We will consider two passage in a letter from Bonhoeffer to Bethge both in class and in on-line discussion forums letters from prison.

What is bothering me incessantly is the question of what Christianity really is, or indeed who Christ really is, for us today. The time when people could be told everything by means of words, whether theological or pious, is over, and so is the time of inwardness and conscience—and that means the time of religion in general.

Later in the letter, he repeats that “the time of Christianity is over.” Students in past versions of this course have been shocked that a Protestant pastor could write such a thing. But Bonhoeffer’s point is that none of the old formulas or descriptions work anymore, not in a world in which millions of human beings are disappearing as smoke and ashes from death camp chimneys. In a second letter a few weeks later to Bethge, Bonhoeffer continues the theme.

So our coming of age leads us to a true recognition of our situation before God. God would have us know that we must live as people who manage our lives without God. The God who is with us is the God who forsakes us. The God who lets us live in the world without the working hypothesis of God is the God before whom we stand continually.

God wants us to live in the world as if God does not exist, Bonhoeffer writes. What can this possibly mean? Once a student commented in our discussion forum how sad it was that Bonhoeffer had lost his faith. To which I replied, “This is not a man who has lost his faith. flossenburgThis is a man for whom faith has come to mean something entirely different from what you are accustomed to.”

A few short months after he wrote this letter, Dietrich Bonhoeffer was executed in Flossenburg Prison, just a handful of weeks before Germany surrendered to the Allies. Far from losing his faith, Bonhoeffer exemplifies a willingness to let faith evolve rather than crumble in the face of the greatest and most intense challenges. Shortly before his death he wrote a poem entitled “Who Am I?” in his notebook which ends in a place that provides hope for all persons of faith.

Weary and empty at praying, at thinking, at making,

Faint, and ready to say farewell to it all. . . .

Who am I? They mock me, these lonely questions of mine.

Whoever I am, you know, O God, I am yours!

Not long ago as I was driving to the 8:00 early show at church I caught a few minutes of Krista Tippett’s show “On Being” on NPR. Her guest was Margaret Wertheim, a physicist described in the promo as “a passionate translator of the beauty and relevance of scientific questions.”

http://onbeing.org/program/margaretwertheim-the-grandeur-and-limits-of-science/7472

Toward the end of the conversation Tippett notes that Wertheim, who was raised Catholic, has been described in the media as an atheist. “Are you an atheist?” Tippett asked. WertheimWertheim’s response brings us full circle back to Dante.

I’d like to put it this way: I don’t know that I believe in the existence of God in the Catholic sense. But my favorite book is the Divine Comedy. And at the end of the Divine Comedy, Dante pierces the skin of the universe and comes face to face with the love that moves the sun and the other stars. I believe that there is a love that moves the sun and the other stars. I believe in Dante’s vision. And so, in some sense, perhaps I could be said to believe in God. And I think part of the problem with the concept of, “Are you an atheist or not?” is that our conception of what divinity means has become so trivialized and banal that I think it’s almost impossible to answer the question without dogma.

I love Wertheim’s answer because it is infused with Bonhoeffer’s energy. Dogmas and religious formulas will always fail because God is bigger than that. Seeking the love that moves the sun and the other stars will always take us to places we do not expect, places of beauty and darkness, a search energized by a faith that cannot be lost.

We Are Not Alone

Jesuit priest and author James Martin recently said in an interview that we as a culture have sanitized the Christmas story. This is worth paying close attention to during this current Christmas season which seems more dissonant than most, with violence across the globe,, dealing with a controversial Presidential election, and the usual jostling for air space with department store muzak and familiar stories from the pulpit. During a conversation with a number of friends the other day I was reminded that the juxtaposition of promise and death, of expectation and suffering, is nothing new. The Coventry CarolThis dissonance is built into the fabric of the stories that we tend to tell selectively and sanitize for public consumption at this time of year. The text of one of my favorite carols, the Coventry Carol, is a case in point. Its text is focused on yesterday’s gospel from Matthew, a story that you will definitely not see represented in anyone’s creche or on anyone’s front lawn.

The Coventry Carol is written in a minor key, appropriate for the shocking event that is its central concern. In Matthew’s gospel the early focus is not on the birth of Jesus (Luke’s more familiar story takes care of that), but on events occurring soon after. “Wise men from the East” have arrived in Jerusalem following a star that they believe portends the birth of a new king. After they refuse to take the current king Herod’s bait and choose to return home after visiting the Holy Family’s house (they’ve apparently moved out of the stable some time earlier) without revealing to massacre of the innocentsHerod where the infant threat to his throne is living in Bethlehem, Herod orders the murder of all the male children under two years of age in Bethlehem. This is the theme of the Coventry Carol, so named because it is part of a cycle of 16th century songs that were performed in that city as a pageant dramatization of the birth narrative in Matthew.

Herod the king, in his raging,
Charged he hath this day.
His men of might, in his own sight,
All young children to slay.

Mary, Joseph, and Jesus escape the massacre because Joseph is tipped off by an angel of the danger. They escape to Egypt where the family stays until Herod dies. The Coventry Carol reminds us that even the Incarnation, the divine taking on human form, does not guarantee a respite from darkness, evil, and death. Indeed, this particularly horrible event—the massacre of innocent children—would not have even happened had it not been for the miraculous event of Jesus’ birth. coventryAgain and again we learn that goodness and evil abide together in a complex tangle that belies our hopes and dreams of a world in which all is goodness and light. Whatever is promised by the narrative of the Incarnation, it is not that.

The city of Coventry after which the carol is named was the location of yet another extraordinary mixture of hope and darkness during World War II. An industrial city in the West Midlands of England, Coventry was the target of numerous Luftwaffe bombing raids. The worst of these occurred on November 14, 1940; the devastation included the almost total destruction of Coventry’s gothic Saint Michael’s Cathedral that was built during the late 14th and early 15th centuries. ruinsVarious researchers revealed some decades later the likelihood that because the German secret “Enigma” code had just been broken by cryptographers at Bletchley Circle, British war authorities knew that Coventry had been targeted for a Luftwaffe fire-bombing raid some days before the raid occurred. These authorities chose not to alert the citizens of Coventry ahead of time because doing so would have revealed to the Germans that their supposedly unbreakable code had been cracked. Sir William Stephenson, the chief of all Allied intelligence during WWII, wrote that both Franklin Roosevelt and Winston Churchill were aware that Coventry was going to be bombed; cathedral old and newChurchill reportedly told Stephenson after the war that letting Coventry burn aged him twenty years.

Others have challenged Stephenson’s story, but situations of overall good requiring destruction and death are disturbingly commonplace. A new Coventry Cathedral was built next to the ruins of the one destroyed in 1940, incorporating into its modern architecture the remains of the previous edifice as a testament to both hope and despair, triumph and sacrifice. The theme of the dedication, and the continuing ministry of St. Michael’s Cathedral to this day, is reconciliation. Its art work, commissioned from all over the world, makes use of remnants of the old cathedral as well as materials not usually incorporated in religious art—the wreckage of automobiles, refuse from landfills—thehigh altar cross last places we normally look for intimations of the sacred.

Paying attention to the Christmas narrative reveals that the planners and parishioners of the cathedral in Coventry are on to something. When the divine enters the world, we may often look in vain for immediate evidence. Violence and suffering still occur, human beings continue to perpetuate atrocities on each other and on the world in which we live. The difference before God enters human reality and after is so subtle as to often be unnoticeable. But as a wise person once told me, this is not a God who intervenes. AudenThis is a God who indwells. In his lengthy Christmas poem “For the Time Being: A Christmas Oratorio,” W. H. Auden expresses this sentiment through Simeon, the old man who gets to see the infant Jesus just before he dies.

And because of His visitation, we may no longer desire God as if He were lacking: our redemption is no longer a question of pursuit but of surrender to Him who is always and everywhere present. Therefore, at every moment we pray that, following Him, we may depart from our anxiety into His peace.

Anxiety and fear are natural human responses to evil and suffering. But we do well to remember one of the promised names of the infant to come—Immanuel—means “God is with us.” massacre 2We will look far and wide for reminders of Herod’s massacre of the Innocents in nativity sets in houses and front yards this Christmas season, but maybe such reminders should be there. They are just as much a part of the story as angels singing to shepherds. In the darkest depths of despair, the promise is that God is with us, choosing to become part of the mess and transform it from within rather than impose solutions from the outside. As I heard someone say this morning, “we need to stop listening to fear and calling it wisdom.” At the heart of the beautiful and transformative story is, as Winston Churchill might have described it, “a mystery wrapped in an enigma.” The baby in a manger, as well as the dead babies in the streets of Bethlehem, call us to embrace hope when things are darkest. We are not alone.

Bring It On

In a recent interview with Krista Tippett on NPR’s On Being, Jesuit author and spiritual advisor James Martin spoke of how we have sanitized the Christmas story into something appropriate for polite conversation, crèches, cards, and movies.

I think it’s been tamed. It’s not only been commodified and commercialized; it’s been tamed. It’s a nice, pretty story about two nice, good-looking people, usually white, who had a pretty baby in a manger. But in a sense, it’s a terrifying story in terms of what they had to undergo. And it’s also—I have to say—it is a shocking story. It’s not just a baby. It is God being born in human form. And I think we’ve tamed it. And in a sense, it doesn’t demand our belief. We can just kind of look on it, and say, “Well, that’s cute” . . . And I actually have to say, I am really getting to the point where I’m starting to loathe the Christmas season.

One of the ways to avoid loathing the Christmas season is to pay close attention to what the gospel narratives actually tell us about the people chosen to usher Jesus into the world. They are just like we are—normal, challenged, hard-working human beings, just living their lives, who unexpectedly found themselves in the middle of events larger than they could comprehend.

Each new lectionary year begins with Advent, and each year a different gospel is on display. This year, Year A in the three-year lectionary cycle, we get the first of the four gospels, Matthew. It is a book written by a Jew for Jews about a Jew. Scholars tell us that this gospel was written 30-40 years after Jesus’ ascension; its author’s primary focus is to look back to events a half century past and convince a Jewish audience that Jesus, a Jewish man who was crucified as a common criminal, was actually the promised Messiah. The author’s intentions are clear from the start when the gospel begins with a genealogy that traces Jesus’ ancestry all the way back from Joseph through King David—from royal tribe of Judah from which the Messiah is to come—to Abraham. The author even points out some interesting details in this genealogy that the well-versed Jewish reader or listener would not miss.

It turns out that there are some questionable women in Joseph’s family tree. Salmon, David’s great-grandfather, for instance, marries Rahab whose story is told in the book of Joshua from the Jewish scriptures. The invading children of Israel send spies into the Promised Land to scout out the area; they end up in Jericho, a walled fortress that is the most important and powerful city in Canaan. They end up in the house of a prostitute named Rahab (what were they doing there?), who hides them from the king of Jericho and helps them escape from the city by dropping a rope from her window so they can climb down the wall to safety in the middle of the night. For her efforts, this non-Israelite prostitute and her family are the only inhabitants of Jericho spared when Joshua and his army, using information from the spies Rahab saved, conquers and destroys Jericho a few chapters later.

Salmon and Rahab’s son is Boaz. Perhaps it is because he is a half-breed that he is willing to marry the foreign widow Ruth. The story of Ruth and Boaz is beautifully told in the Book of Ruth, a hidden and seldom-read gem in the Hebrew Scriptures. During a famine, Naomi and her husband Elimelech leave Judah with their two sons in search of sustenance, which they find in the neighboring land of Moab. The sons marry Moabite women, Orpah and Ruth, something which the Mosaic Law prohibited (just as it prohibited Salmon from marrying a foreigner, let alone a prostitute). But all of the men in the story die. Devastated by loss and with no means of support, Naomi sets out to return to Bethlehem after saying goodbye to her former daughters-in-law. Orpah sadly heads back to her family home, but Ruth will not leave Naomi, touchingly saying “Where you go, I will go; where you lodge, I will lodge; your people shall be my people, and your God my God.”

It’s the beginning of an unexpected love story—foreign woman meets wealthy Jewish guy (Boaz). Ruth and Boaz’s grandson, Jesse (who is no more than half Jewish), has eight sons. The eighth son and runt of the litter, consigned to writing poems and killing lions while tending sheep, is David whom Samuel anoints as the second king of Israel. The line continues through Solomon, who is the product of David’s adulterous relationship with Bathsheba. Even the Messiah’s line has its questionable elements and characters—which should tell us something about the divine plan and priorities.

The birth of Jesus is set up by Matthew not with the women of the story, Elizabeth and Mary, in central roles but rather with Joseph, the descendant of David. He is the central character both in today’s gospel reading as well as the text in two weeks when he runs to Egypt in the middle of the night with his young family to escape King Herod’s murderous plans. What do we learn from Matthew and from Luke, the only other gospel in which Joseph appears, about Joseph? First, Joseph is the strong, silent type. While other major players in the stories of Jesus’ birth and formative years get major speaking parts, we have no record of Joseph ever saying anything. Mary gets the Magnificat, angels are singing and messaging at the drop of a hat, John the Baptist gets to yell “Repent,” Zachariah has the “Song of Zachariah,” the wise men have a brief speaking role, and even the minor character Simeon gets to contribute a song before he dies. But Joseph is silent. In reality, I suspect, he was capable of speech when necessary, such when he’ trying to find a place to stay in Bethlehem for his wife who has gone into labor, but he gets no gospel speaking role.

Second, Joseph is in touch with his inner self in a way that would make modern therapists proud. He pays attention to his dreams and acts on them. Mary briefly argues with the angel at the annunciation in Luke, but Joseph hears an angel in a dream, wakes up, and acts on what he’s heard, both in this week’s gospel and two weeks from now. No questions asked. In fact, he’s perhaps the greatest dreamer in the Bible other than his namesake and distant ancestor Joseph from Genesis. The difference between them is that Joseph in Genesis is not the strong, silent type, can’t stop blabbing about his dreams to everyone, and ends up in a well. Joseph knows that some things are meant to be acted on and not talked about.

Third, Joseph clearly is flexible and able to roll with the punches. One would think that the angel Gabriel might have made the annunciation to Mary and Joseph together, but no. Only Mary gets the message. We aren’t told if Joseph finds out that Mary is pregnant because she tells him her story or because he happens to notice that she’s putting on weight, but because he is a “just man” he chooses to break their betrothal privately rather than making a public display of it as the law would have allowed. Finally, an angel gets around to telling Joseph in a dream and the betrothal is back on—but no sex until Jesus is born. The New Testament and tradition indicate that Mary and Joseph did have several children in the years after Jesus was born, so at least that worked out.

Finally, Joseph was a stepfather. As part of a “blended family” for the past three decades, I have had the opportunity to observe the challenges of the impossible job of step-parenting from close range. I wonder how Joseph processed being handed an impossible job, with no blueprint or instruction manual. All he wanted to do was marry the person he loved. God said, “Okay, but here are a few other things you get to do too.” I wonder if Joseph and Mary, overwhelmed with the task before them, threw themselves so wholeheartedly into the process of making this step-family work that they neglected for long periods of time to pay attention to their own relationship with each other. Did Joseph ever wonder when it would be “his time,” when he would be valued for who he was rather than for what he could do for Jesus, or Mary, or God? I wonder if Joseph ever saw “you’re not my real dad” in Jesus’ eyes or actions. Did Joseph ever resent Jesus’ biological connection with Mary, something that nothing Joseph ever did or said could possibly balance out? I wonder if Jesus ever told Joseph, at least when he had grown up, that he appreciated Joseph and that he apologized for the times he’d been a jerk.

In Santa Fe, there is a little church called the Loretto Chapel, located for the past many years on the grounds of a downtown hotel, which contains a “miraculous staircase,” built by a stranger with a donkey and a toolbox who showed up in answer to the prayers of the Sisters of Loretto. The newly built chapel needed a staircase to the choir loft; those who knew about such things said it would have to be a ladder, since a regular stairway would be too invasive of the chapel space. The stranger built an architectural marvel, a spiral staircase containing two 360 degree turns with no visible means of support and held together with wooden pegs rather than nails. The stranger disappeared without being paid after completing the staircase; not surprisingly, legend has it that the donkey-riding stranger was none other than St. Joseph, patron saint of carpenters.

I tend to consider such stories to be apocryphal legend; we don’t even find out that Joseph is a carpenter until much later in Matthew when the people of Nazareth reject Jesus because this “carpenter’s son” claims to have fulfilled Isaiah’s prophecy concerning the Messiah. But this does sound like something that Joseph would do. There’s something spectacularly ordinary and efficient about Joseph. Something needs to be done, and he does it. After dealing with a pregnant fiancée he’s never had sex with, sleep-talking angels, a murderous king, lost reservations at the inn, delivering a baby in a barn, and being a stepfather, building a staircase that defies gravity for a bunch of nuns is nothing. Bring it on.

As I had the opportunity this semester to discuss some of the seminal texts of the Christian faith with my freshman students, I reminded them that at the heart of the Christmas story is an outrageously ridiculous, but beautifully attractive, idea: God chose to become human. God continues to engage with the world through humans. We have surrounded ourselves with all sorts of distractions in order to avoid grappling with a most basic truth, a truth worth remembering as we head into the final week before Christmas: God loves us. That changes everything.

Being a Fanatic

Both the men’s and women’s basketball teams are off to great starts, just as the soccer team completed an Elite Eight season. I am happy to reminded of why I am a sports fanatic . . .

Sunday morning kneeling at the altar rail as the communion assembly line does its thing is not a great place to be having less-than-holy thoughts. Up past midnight the night before, up at six this morning, I could think of dozens of things I’d rather be doing than being in church. The communion procession approached from my right–“The body of Christ, the body of Christ, the body of Christ . . .” I wouldn’t be here if I didn’t have to be, I thought. I am so unprepared for the discussion group I’m leading after church. I hope someone has something interesting to say, because I sure as hell don’t. My buddy Bruce, one of the morning’s chalice bearers along with his wife Cathi, approached from the right with cup in hand. “The blood of Christ, the blood of Christ, the blood of Christ . . .” go friarsI looked up as Bruce lowered the cup to me. “Go Friars!”

Bruce gets it. Eucharist celebrations come and go—I could celebrate every day if I wanted to (I don’t). But the Providence Friars basketball team winning the Big East Tournament title? That happens once every twenty years. Literally. On a March Saturday in 1994, I received the call we had been hoping and praying I would receive—the offer of a tenure-track teaching position in the philosophy department at Providence College. CBUIt was the ticket for my family of misplaced Northerners out of Memphis, the South, and the little college that was my first teaching job out of graduate school. Since it was March, it was also March Madness—the best sports month of the year. The final game of the Big East tournament was on—underdog Providence College playing the evil and strongly favored Georgetown Hoyas. A few minutes later Jeanne returned from grocery shopping—“Come watch your new basketball team on TV!” I yelled out the door toward the driveway. The Friars pulled off the big upset—their only Big East tournament championship in the thirty-five year history of the Big East conference. Until last Saturday, that is. Up well past midnight watching their victory, up early to read as many articles about it on the Internet as I could find—no wonder I was bleary-eyed at the altar rail.

I am a sports fan in the true sense of the word—a “fanatic.” This is not easily accounted for. I am not an athlete—the only sports I ever have been decent at are skiing and tennis. I grew up in northern New England, hundreds of miles from any sports beyond high school. But I was a fan of all sports from an early age, a fanaticism that has distilled, as an adult, to theBoston strong Boston Red Sox and the Providence Friars. My passion for college basketball in general, and the Friars in particular, surprised my students and colleagues when I first arrived on campus, although it should not have surprised my colleagues. During a lunch with the philosophy faculty that was part of my on-campus interview in February 1994, someone asked “why do you want to teach at Providence College?’ The honest answer was that I wanted a tenure track job somewhere other than Tennessee. I think the continuation of my marriage depended on it. The answer I actually gave included some making some noise about wanting to teach at a place that takes philosophy seriously, focuses on the history of philosophy, and so on. On a more personal level, I continued, my wife and I badly want to return to our native Northeast (she’s from Brooklyn, I’m from Vermont). I concluded my response by mentioning that Division One basketball was also a very attractive feature of working at Providence College. There were a few snickers and smiles—but I wasn’t kidding.

I’m a different person entirely at a basketball game. It’s a great place for my inner beast to come out—even introverts have one of those—in ways that sometimes even I am surprised by. Once during our second year at Providence, when my season tickets were still in an upper deck nosebleed section, we were given two seats on the court by the Admissions Director Jeanne worked for. It was not a pretty game—we were being beaten by Iona. Providence should never be beaten by Iona, so obviously it was the referees’ fault. After a particularly horrendous call, one of the zebras went trotting by our seatszebra, just a few feet away, causing me to scream in his direction, along with several thousand other fans, just what was on my mind. A few seconds later I asked Jeanne “Did I just call the ref a fucking asshole?” “Yes you did,” she replied. That’s why I love basketball games—they provide the opportunity for unfiltered expression of what I really am feeling and thinking. Later in the game I looked up toward our usual seats where my son Justin was sitting. As he screamed with a beet-red face and veins popping out of his neck, I wondered “Why is he getting so upset? It’s just a game. Where does he get that from?”

I have had two season tickets in Section 104 for the past nineteen years. Section 104 is a family sectionS of A—if your family has a “Sons of Anarchy” disposition. Once several years ago a young man a couple of rows in front of me, the son of one of the season ticket holders, was telling a story to a friend during a timeout with all the energy, volume, and foul language that a half-inebriated twenty-something male can muster. “HE SAID BLAH BLAH BLAH SO I SAID GO F%&K YOURSELF! THEN HE SAID BLAH BLAH BLAH SO I SAID  GO F%&K YOURSELF!!” After a few more GFYs, a guy in the front row of the section turned around and yelled “Hey! Knock it off! I’ve got my wife with me!” The young guy apologized—“sorry, man”—but front row guy wouldn’t let it go and kept complaining. Before long, GFY guy goes “I SAID I WAS SORRY!! GO F%&K YOURSELF!!Me on the JumbotronI love Section 104.

I knew something special was up two weeks ago, at the final home game of the season. Our opponent, as it turns out, was my alma mater Marquette Warriors who had defeated us nine straight times over the past few years. It was Senior Night, with a pre-game ceremony honoring the five seniors on what has
turned out to be my favorite Friars team of the nineteen I have followed since showing up in Providence. During the first timeout, my seat was chosen, out of 11,000 plus fans, as the “lucky seat” of the night. I was interviewed briefly, was on the Jumbotron for half a minute, and got a signed basketball. We then proceeded to win a double-overtime game that I pronounced to be the best basketball game I had ever seen. And it was. Until last Saturday night. We were, against all expectations and predictions, playing in the championship game of the Big East tournament for the first time in twenty years. We were playing Creighton University, the twelfth-ranked team in the country who had beaten the crap out of us by fifteen points just a week earlier. 1981970_950337533977_574254381_nBut it was one of those magical nights that happens every once in a while in college basketball. The Friars flawlessly executed a brilliant game plan concocted by the coaching staff, led the whole way, and won the championship. As they celebrated and cut down the Madison Square Garden nets in front of a national television audience, I had tears in my eyes.

Why am I a fanatic? There are all sorts of reasons a basketball obsessed academic might come up with. College basketball at its best is teamwork, dedication, solidarity, hope, and dreams on display. I have a colleague who teaches a “Philosophy of Sport” course, although I’ve never seen him at a game. I could teach that course. But for me this is personal. I suspect that my youngest son’s top five memories of his childhood involve being at a basketball game with me. I organize my memories of the past two decades by reference to memorable games and teams. fanaticsThere’s something excitingly visceral and primal about being in a crowd of several thousand cheering so loudly that the building vibrates. But bottom line I love being a fan because it reminds me that I’m more than a brain, more than the sum total of the roles I play, even though I love every one of them. Being a fan reminds me that there is still a kid inside who can get inexplicably excited, to the point of hyperventilation and tears, over something that makes no sense other than that I love it. Forty years from now, when I have just turned 100 in a nursing home, I will probably die of a heart attack as the Friars win their first national championship with a buzzer beating three-pointer. I’m good with that.

That Hopey Changey Thing

Although I was raised in the most non-liturgical version of Christianity imaginable, I love liturgy. When I was introduced to the annual liturgical cycle when I encountered the Episcopal church in my twenties, I found that I particularly resonated with Advent, the four weeks between Thanksgiving and Christmas that kicks off the liturgical year. Advent is the season of hope and expectation, which this year is particularly welcome. Because for many of us, hope is a particularly scarce commodity these days.Cyprian

Cyprian Consiglio, the Benedictine monk, theologian, hermitage prior and musician who ran the retreat I attended in Minnesota a couple of years ago, defines “liturgy” as “ideology in action.” Annie Dillard defines it as a collection of words and phrases that human beings over the centuries have been able to address to God without getting killed (she also suggests that we should wear crash helmets to church).

Annie Dilard I like both of these definitions. I have a deep resonance with liturgy, especially liturgy expressed in music, something surprising given that there was none in my Baptist world growing up. Although “ideology” is usually something I accuse people I disagree with of embracing, Cyprian’s definition reminds me that at its core, ideology is simply the collection of beliefs, stories, ideas and commitments, some conscious and some unconscious, that guides a person’s actions and frames a person’s life. We are all ideologues. Liturgical frameworks provide a container that shapes this collection with reference to what is greater than us. Annie’s definition is a reminder that the very attempt to say or do anything with content and meaning referring to what is greater than us is at best misguided, at worst ridiculous.

004Of the many varieties of liturgical celebration I have encountered over the past several years, including a number of them at St. John’s Abbey in Minnesota (the Benedictines know how to do liturgy better than anyone), the most striking is the Good Friday morning prayer service I have experienced twice with the monks at the Abbey. On Good Friday afternoon there is the large, austere three-hour service permeated primarily with silence and capped by kissing the cross that certain sorts of Christians are fond of (I’m not one of them). But at 7:00 in the morning, the Good Friday morning prayer service sets the tone for the day as a solitary monk chants the entire book of Lamentations from the Jewish scriptures. lamentationsNot familiar with that book? That’s probably because it’s the most depressing book in the Bible—perhaps anywhere. Lamentations is a litany of five poetic dirges over the destruction of Jerusalem. Traditionally attributed to the prophet Jeremiah, the tone of the poems is bleak: God does not speak, the degree of suffering is presented as undeserved, and expectations of future redemption are minimal. In Psalm 129 the Psalmist writes “Plowmen have plowed my back and made their furrows long”—Lamentations is page after page of that sentiment.

Exactly two years ago I found myself sitting toward the back of Providence College’s main chapel waiting for the beginning of a service in memory of our beloved colleague and friend Siobhan who died far too soon in an automobile accident the day before Thanksgiving. As I sat with the several hundred persons who closed offices and cancelled classes in the middle of the day to honor ross-siobhan-headshotSiobhan and celebrate her life, I noticed in the program that the Old Testament reading was from Lamentations. “That’s appropriate,” I thought. “At least there’s nothing in Lamentations that will tell us we should not feel the devastating loss and sadness that we share right now.” But I had forgotten that just about half way through the poems, Jeremiah comes up briefly for air.

I will call this to mind, as my reason to hope:

The favors of the Lord are not exhausted, his mercies are not spent;

They are renewed each morning, so great is his faithfulness.

My portion is the Lord, therefore will I hope in him.

Good is the Lord to one who waits for him, to the soul that seeks him;

It is good to hope in silence for the saving help of the Lord.

IHopey Changeyt seem like only a short time ago that a dynamic, fresh new face burst onto the American political scene promising “Hope and Change”; not long afterwards Sarah Palin, not particularly enamored of this new guy, snarkily asked “How’s that hopey changey thing working out for ya?” Politics aside, it’s a good question. The Apostle Paul famously wrote “Now abide faith, hope and love—but the greatest of these is love.” The editor of First Corinthians took out something else Paul wrote: “But sometimes the toughest of these is hope.”

Advent is the liturgical season of hope—my favorite of all the liturgical seasons because it means that the semester is almost over, I like purple, enjoy the Advent carols that only come around once a year, appreciate the opportunity to do something other than slog through the interminable Ordinary Time that has been going on since May, and because I am by nature a very hopeful person. But it has been a bit of a tough sell for many of us lately, with seemingly daily evidence that the world is a mess, no one has the capacity or wants to do anything about it, our country has elected a spectacularly unqualified person to be our next President, sprinkled with regular and tragic reminders that human life is fleeting and even the best can be taken away in a moment. “NPRThe world really sucks,” my lovely wife commented as we listened to NPR the other morning on the way downtown to the bus station so she could catch a ride to NYC for a weekend with her sister whose husband just died. And it does suck. But if we are willing to poke our heads even momentarily up from the shit, Lamentations tells us that hope is always appropriate—and is a choice.

Providence College’s annual Advent Lessons and Carols Service, an annual early December event, always opens with a beautiful hymn:lessons and carols

O come, divine Messiah!

The world in silence waits the day

When hope shall sing its triumph,

And sadness flee away.

Dear Savior haste;

Come, come to earth,

Dispel the night and show your face,

And bid us hail the dawn of grace. 

Who doesn’t want sadness to flee away? Who doesn’t want to see the dawn of grace that will drive away the night? But when the sadness is palpable, when the night is especially dark, what hope can a song offer? More importantly, in the midst of Advent, do we have any reason to believe that what we hope for—a divine presence in the midst of human sadness and darkness—is anything more than a fairy tale we repeat regularly in order to convince ourselves that there is a glimmer of meaning in a horribly dark world?

According to Lamentations, we have reason to hope if we choose to have it. And the reason to hope will not be found in external events, which will be as they will be. Hope finds its home in waiting, in silence, in emptiness, and in the conviction that there is more going on than meets the eye. There are as many ways to nurture the space of quietness and silence within as there are people containing that space. Our task is to be ready, to prepare a space for hope and promise to be nurtured, even when every external indicator is that there is no reason to hope. As Lao Tzu wrote,lao tzu

We shape clay into a pot,

but it is the emptiness inside that holds whatever we want.

We hammer wood for a house,

but it is the inner space that makes it livable.

I was taught as a child that I should find a place for the Christ child in my heart. I don’t exactly use that language any more, but I know what it means.

You come in peace and meekness,

And lowly will your cradle be;

All clothed in human weakness

Shall we your Godhead see.

As Good As We Make Them

The gospel reading for last Sunday was the Beatitudes from Matthew’s gospel. It seems appropriate to return there in the aftermath of Tuesday’s election . . .

It is a scene so familiar in our imaginations that it has become iconic. In films, on television, the subject of countless artistic renditions, we are transported back two thousand years. It is a beautiful, cloudless day. 453a34c850f8_sf_3Hundreds, perhaps thousands, of people have gathered in the countryside from miles around; some have walked for hours. On the top of a hill in the middle of the impromptu gathering is the man everybody has been talking about and has gathered to check out. He doesn’t look any different from any number of other guys in the crowd. In spite of the stories that seem to pop up everywhere this guy goes, you would not have been able to pick him out of a crowd. Then he opens his mouth, and the world is forever changed.

Blessed are the poor in spirit, for theirs is the kingdom of heaven.
Blessed are those who mourn, for they will be comforted.
Blessed are the meek, for they will inherit the earth.
Blessed are those who hunger and thirst for righteousness, for they will be filled.
Blessed are the merciful, for they will receive mercy.
Blessed are the pure in heart, for they will see God.
Blessed are the peacemakers, for they will be called children of God.
Blessed are those who are persecuted for righteousness’ sake, for theirs is the kingdom of heaven.
Blessed are you when people revile you and persecute you and utter all kinds of evil against you falsely on my account.

Rejoice and be glad, for great is your reward in heaven.

We don’t know the details of the setting, of course—the traditional images are evocations of centuries of imagination. Maybe it was a cloudy and windy day. Maybe these words were spoken inside someone’s home or a synagogue. Maybe they were shared in private only with a few intimate friends and confidants. Maybe the man never spoke these words at all and they are intended as a brief summary, written decades after the fact, of how he lived and called others to live. beatitudesBut the Beatitudes, the opening lines of Jesus’ Sermon on the Mount in Matthew’s gospel account, are so beautifully poetic, so rich yet sparse, so gentle yet powerful, so all-encompassing and embracing that over the centuries they have seeped into the Christian ethos as the summary expression, as the “mission statement” if you will, of a religion and all it professes to stand for. In many ways the Beatitudes are as familiar as the Lord’s Prayer and the Twenty-Third Psalm—and this is unfortunate. For the beauty and familiarity of the language can easily disguise what is most remarkable about the Beatitudes—they are a crystal clear call to radically uproot everything we think we know about value, about what is important, about prestige, about power, and even about God. Rome-4They are a challenge to fundamentally change the world.

The Roman-dominated world into which these words came like a lightning-bolt was not that different from our own. One’s status or rank in the social hierarchy depended on power, birth, economic status, education, gender, race—usually some combination of the above. Those who lacked these qualities, whether through their own fault or because of matters entirely outside their control, had little opportunity to rise above their lowly state. And this, it was assumed then as it often is now, is simply the way of the world, the way things work. In a matter of a few brief, poetic lines Jesus turns it all upside down. In God’s economy, none of our assumptions can be relied upon and none of our common sense arrangements work. God’s values are apparently the very opposite of those produced by our natural human wiring. 240px-TissotBeatitudesThroughout the rest of the Sermon on the Mount, and consistently throughout virtually everything we have that is attributed to Jesus in the gospels, the point is driven home. God is most directly found in the poor, the widows, the orphans, those for whom pretensions of being something or having influence are unavailable. The gospels are clear that the one thing guaranteed to make God angry is to ignore such persons. The infrequent times that Jesus talks about hell is always in the context of people who spend their life ignoring the unfortunate.  Because in truth we all are impoverished, we all are abandoned, we all are incapable of taking care of ourselves, let alone anyone else. The poor, widows and orphans simply no longer have the luxury of pretending otherwise.

Every once in a while we hear on the news or read online about a community, usually somewhere in the South, in which a debate has arisen over whether it is permissible to put a plaque or a statue containing the TenCommandmentsAustinStateCapitolTen Commandments in a law court, a state house, or a public school. Because of the commitment to separation of church and state established in the United States Constitution, such attempts are invariably rejected as unconstitutional. And this is a good thing—I’m intensely grateful for the sharp separation of church and state. But imagine a community or a society with governing practices and policies infused with the energy, not of the Ten Commandments, but of the Beatitudes. Imagine a legislative body whose guiding north star was the mercy and compassion of the Beatitudes rather than the cold and clinical justice of the Ten Commandments. How would such a community’s or society’s attitudes and policies concerning the poor, the disenfranchised, those who are struggling, those who have fallen through the cracks, change as it learned to see such “unfortunates” not as a problem, but rather as the very face of God?

An intriguing thought experiment, but ultimately the Beatitudes are not about transformed social institutions. They are about a transformational way of being in the world. The Beatitudes are far more than a beautifully poetic literary statement. They are the road map for how to carry our faith into the real world. The world we live in is no more naturally attuned to the challenge of the Beatitudes than was the world in which they were first spoken. Chittister Impersonating Catholic copyIndividuals infected with the energy of the Beatitudes are those whose responsibility it is to help transform reality. As Joan Chittister writes,

Having made the world, having given it everything it needs to continue, having brought it to the point of abundance and possibility and dynamism, God left it for us to finish. God left it to us to be the mercy and the justice, indexthe charity and the care, the righteousness and the commitment, all that it will take for people to bring the goodness of God to outweigh the rest.

Or as Annie Dillard tersely puts it, God’s works are as good as we make them. The Beatitudes are a call to get to work.

The Weight of this Sad Time

It’s not often that I’m at a loss for words, but I am this morning. This post from several months ago sort of captures my mood at the moment; as Wittgenstein wrote, “of that which we cannot speak, we must remain silent.”

Speak what we feel, not what we ought to say. Shakespeare, King Lear

Last week I spent a couple of mornings and part of an afternoon participating in a faculty end-of-the-year workshop held annually for the honors faculty. It is always held the week after Commencement; with sabbatical just around the corner, I considered not attending this year. Cost of DiscipleshipBut the two morning seminars were on King Lear and Dietrich Bonhoeffer’s The Cost of Discipleship, two worthy texts that should be on everyone’s top whatever list. That, along with a reasonable stipend, was enough for me to sign up.

The King Lear seminar, led by a Shakespeare scholar from the English department, was a welcome return to a text that I find both strikingly dark and strangely compelling every time I read it. I love Shakespeare and find his plays more insightful about human nature and the human condition than any other author (certainly more insightful than any philosopher I have read), but had not read this particular tragedy for a couple of years. tumblr_ma8azfhZEg1rgpruxo3_r3_1280[1]As it always does, the play blew me away, disturbed me, and left me wondering whether my colleagues might find some glimmers of hope and redemption that have always escaped me.

King Lear pushes to the limit a hypothesis that has a long and complicated pedigree: We live in a universe that is malign, at the very least indifferent, and human life within this universe is brutal, wretched, and meaningless. Furthermore, Shakespeare sets the play in an early England that as yet has not been “Christianized”—typical and familiar moralizing and redemptive language is as out of place here as it would have been in Ancient Greece or Rome. As various nasty and morally awful characters—including Lear’s two older daughters—apparently prosper from their rejection of their father, those characters with even a shred of dignity, honor, or love—including Lear’s youngest daughter—are rejected and ultimately destroyed. By the end of the play, the stage is littered with the bodies of both the good and the bad, while a handful of dazed survivors are left to pick up the pieces. Naked in a driving storm in the middle of a Scottish heath, Lear rages that human beings are nothing but “poor, bare forked animals,” living on a “great stage of fools.”imagesCAOCS0RP Lear demands an answer to the question “Is man no more than this?” The blinded Gloucester despairingly directs his accusations heavenward:

As flies to wanton boys are we to th’gods;

They kill us for their sport.

Lear 2008My colleagues and I ended two morning hours of seminar and another afternoon hour by viewing the final act of the play on screen with the 2008 version starring Ian MacKellan as Lear. It is a stark production with Beckett-like sparse staging toward the end. As character after character dies—Lear’s three daughters, the evil Edmund, and ultimately Lear himself—and the stage is littered with corpses, the play ends with Edgar’s final lines:

The weight of this sad time we must obey,

Speak what we feel, not what we ought to say.

Fade to black. The seminar leader asked us for our feelings, our impressions of what we had just viewed, and for the first time in thirty years in academia I heard something I’ve never before heard when in the presence of twenty scholars: total silence. In obedience to Edward’s directive, no one felt obligated to say anything that “should” be said; at least for a minute or two, we were not professors ready to discuss the next topic to death, Auschwitzbut human beings stunned into silence by Shakespeare’s brilliant and disabling portrayal of a meaningless and hopeless world.

I was reminded of one of the final classes in my “Grace, Truth, and Freedom in the Nazi Era” colloquium this past semester. My colleague Ray was up front andeyeglasses ended the two-hour session with footage from the liberation of Auschwitz. The students were exposed to a variety of tough material, both in writing and on the screen, throughout the semester, but this particular footage was especially difficult to watch. There was no narration, no voice over, just hundreds of emaciated dead bodies stacked like so much wood, rooms filled to the ceiling with eyeglasses, hair, or shoes. Bulldozers pushing piles of bodies into a pit for burial just as they would push garbage into a pit at a landfill. suvivorsAnd perhaps most horrific of all were the close-ups on the faces of the just-liberated prisoners who were still barely alive. The haunting and empty gazes still float through my memory and probably will never leave. At the end of the several minute montage there was dead silence in the room. Ray wisely made no comment and simply turned off the computer and AV system, then began gathering his books and notes. This was the cue for the rest of us to do the same, and we left the room in silence.

This would have probably been the appropriate conclusion to the King Lear seminar the other day as well. But after what seemed like a very long silence, someone made a comment, then someone else followed up, and pretty soon we were doing what academics do in every context and setting—talking. Several people referenced the silence that preceded the talking and began to analyze what it was about both the play and the film adaptation that caused us not to say anything. speak what we feelBut with Edgar’s final lines in mind, our first reaction was most in keeping with “Speak what we feel”—except that our feelings were, at least for a few moments, deeper than words could express. Once we started putting what we felt into words, it was very easy to shift into “what we ought to say,” and the powerful moment was lost.Greenberg

Sometimes the best thing to say is nothing. And, as Irving Greenberg writes in Cloud of Smoke, Pillar of Fire, if we feel that something must be said, we need to be very careful about what it is.

The Holocaust challenges the claims of all the standards that compete for modern man’s loyalties.  Nor does it give simple, clear answers or definitive solutions.  To claim that it does is not to take the burning children seriously…Giotto lamentationLet us offer, then, as a working principle the following: No statement, theological, or otherwise, should be made that would not be credible in the presence of the burning children.

Horton in a Nutshell

geahDr. Seuss was a regular in our house when my sons were young—my thirty-something sons still occasionally mention how much they both loved Green Eggs and Ham in particular. Theodor Geisel’s creatively madcap work has occasionally made it into this blog over the past four years, from the star-bellied Sneetches in an early essay on heresy

Dr. Seuss and Heresy

to the environmentally-minded Lorax during an on-campus controversy over the demise of a 150-year-old oak this past summer.

I Speak for the Trees

The most recent Dr. Seuss classic to cross my radar screen involves a gentle elephant who believes that “a person’s a person no matter how small,” a couple of kangaroos with bad attitudes, and other jungle animals dedicated to making the elephant’s life difficult. Early last summer someone at a conference Jeanne was attending told her that she should read Horton Hears a Who; by late summer a large orange-covered copy had arrived at our house. I paid no attention to it until a couple of weeks ago.nutshell

As I drove across town headed for minor oral surgery (a phrase that has turned out to be oxymoronic), I listened to an interview on Boston Public Radio with Ian McEwan, one of my favorite contemporary novelists.

Ian McEwan on Boston Public Radio

McEwan was in town on a book tour promoting his new novel, Nutshell. On the basis of the interview, I ordered the book on Amazon as soon as I got home. It is a reworking of Hamlet with a few twists, including that it is narrated by an unborn child hanging upside-down in its mother’s uterus. A la Hamlet, the unborn child knows that his mother is having an affair with its uncle and that they are plotting to kill its father. The fetus is urbane, sophisticated, listens to music and podcasts vicariously through its mother, has developed a connoisseur’s picky tastes in wine, and wonders whether there is life after the uterus. This is going to be fun.

Toward the end of the segment, the two interviewers asked McEwan to read a passage from Nutshell.

Certain artists in print or paint flourish, like babies to be, in confined spaces. Their narrow subjects may confound or disappoint some: courtship among the 18th century gentry, life beneath a sail, talking rabbits, sculpted hares, fat people in oils, dog portraits, horse portraits, portraits of aristocrats, reclining nudes, nativities by the millions, and crucifixions, assumptions, bowls of fruit, flowers in vases, and Dutch bread and cheese, with or without a knife on the side. Some give themselves in prose merely to the self. In science, too, one dedicates his life to an Albanian snail, another to a virus. Darwin gave eight years to barnacles, and in wise later life, to earthworms. The Higgs Bosun, a tiny thing, perhaps not even a thing, is the lifetime’s pursuit of thousands. To be bound in a nutshell, see the world in two inches of ivory, in a grain of sand. Why not, when all of literature, all of art, of human endeavor, is just a speck in the universe of possible things? And even this universe may be a speck in a multitude of actual and possible universes. So, why not be an owl poet?horton

In the wonderfully random way that things often connect together, this passage made me think of the book that had been laying on our coffee table for the last couple of weeks: Horton Hears a Who.

Horton the Elephant, while splashing in a pool, hears a small speck of dust talking to him. He comes to realize that the voice is coming from a small person who lives on the dust speck; indeed, the speck is actually a tiny planet, home to a community called Whoville, the home of microscopic creatures called Whos. the-whosThe Whos know that they are vulnerable and exposed to possible harm in a dangerous world; the mayor of Whoville asks Horton for protection, which Horton happily agrees to provide. He places the Who-planet on a clover that he proceeds to carry in his trunk as carefully as a waiter carrying a tray of crystal champagne glasses. Horton has come to the same realization as the pre-born narrator of Nutshell: Each existing thing is the center of its own universe of interests, desires, and concerns—but each existing thing is “bound in a nutshell,” “just a speck in the universe of possible things.”

The apparent insignificance of human existence prompted seventeenth-century mathematician and philosopher Blaise Pascal to write that The eternal silence of these infinite spaces frightens me. Yet in Psalm 139 we are told that

You have formed my inward parts;

You have formed me in my mother’s womb . . .

My frame was not hidden from you,

When I was made in secret

And skillfully wrought in the lowest parts of the earth.

As both Horton and McEwan’s upside-down narrator realize, everything is at the same time both insignificant and unique. The challenge is to keep both of these in mind simultaneously.success

As Horton’s story proceeds, his fellow jungle animals refuse to believe that the Whos exist, believing rather that Horton is nuts. In scenes reminiscent of grade school playgrounds, various animals ridicule Horton, eventually managing to steal his Who-bearing clover and hide it from him in a large field of clovers. After a long search, Horton rescues the frightened and shaken Whos; at his prompting, they finally prove their existence to the still skeptical jungle animals by making as much collective noise as possible until everyone can hear them. Now convinced of the Whos’ existence, all the animals vow to help Horton protect the tiny community.

Each of us is both insignificant and infinitely precious, no matter what current circumstances might indicate. From within the confines of his mother’s womb, McEwan’s narrator gains insights into a world he’s not sure he will ever reach. The Whos, upon discovering just how vulnerable and fragile their world is, are discovered by someone greater than themselves, someone willing to put himself on the line again and again to preserve their special existence. It’s a wonderful retelling of a story that generations have embraced. “A person’s a person no matter how small,” after all.a-persons-a-person