Category Archives: Jeanne

Wolf Hall

ICromwell am a great lover of historical fiction; it doesn’t come any better than from Hilary Mantel. Mantel fans are eagerly awaiting the third installment of her honored trilogy that immerses us into the world of Henry VIII as seen through the eyes of his consigliere Thomas Cromwell. Wolf Hall and Bring up the Bodies, the first two parts of the proposed trilogy each won the Man Booker Prize (the British version of the Pulitzer Prize for fiction). Mantel is only the third author to win the prize twice, and the first to win with a sequel, Bring up the Bodies in 2012 following Wolf Hall’s victory in 2009.wolf hall I recently reread Wolf Hall  and, as often happens, found both that I had forgotten how good it is and that there are many great passages I missed the first time around. Early in the novel, Cromwell provides us with a flashback to when he was a young star in Cardinal Wolsey’s orbit, a firmament containing another, brighter star—Thomas More—who in Mantel’s treatment becomes one of Cromwell’s opponents and competitors for the attention of the great and powerful. But more importantly, Cromwell reveals a fundamental difference between him and More that raises issues transcending this particular story:

He [Cromwell] never sees More . . . without wanting to ask him, what’s wrong with you? Or what’s wrong with me? cromwell and moreWhy does everything you know, and everything you’ve learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more. With every month that passes, the corners are knocked off the certainties of this world: and the next world too. Show me where it says, in the Bible, “purgatory.” Show me where it says “relics, monks, nuns.” Show me where it says “Pope.”

Or, someone might add, show me where it says “liturgy” or “dogma” or any number of other things that are staples of Christian tradition even outside Catholicism. I have no idea whether Mantel’s characterization of Cromwell and More is accurate (neither does she, for that matter), but I am so strongly aligned by nature with fictional Cromwell in this passage that I share his utter astonishment with the fictional Mores among us. Wolf Hall is set during the early decades of the sixteenth century when the revolutionary impact of the Protestant Reformation is already making itself known in England. Thomas More is the epitome of religious certainty, imagined by Mantel as a vigorous, devout, hair-shirt-wearing and frequently inflexible defender of Catholic orthodoxy.

wolseyAlthough Cromwell rises to influence as the right-hand man of the powerful Cardinal Wolsey, he is far more comfortable with situational flexibility than with pre-established beliefs and principles. When Wolsey falls from grace because of his failure to facilitate the king’s desire to divorce Catherine of Aragon in order to marry Anne Boleyn, Cromwell’s ability to quickly adjust to changing circumstances and maneuver creatively brings him into the king’s inner circle. But he always keeps the Mores of his world in view, simultaneously envious and wary of anyone’s unflinching commitment to principle.

I hedgehog and foxfrequently find myself inadvertently dividing my fellow human beings into various categories (introvert/extrovert, high-maintenance/low-maintenance, Platonic/Aristotelian, hedgehog/fox, and more); Cromwell/More is another important distinction, especially when religious belief is under discussion. The older I get, the more Cromwellian I become, finding that even my most fixed beliefs not only are regularly under scrutiny, but that constant adjustment and change is a symptom of a healthy faith. Christian Wiman puts this insight better than anyone I’ve read:

WimanIt is why every single expression of faith is provisional—because life carries us always forward to a place where the faith we’d fought so hard to articulate to ourselves must now be reformulated, and because faith in God is, finally, faith in change.

I am frequently reminded in a number of ways by various Mores that a Cromwellian embrace of change is dangerous in that it leads to the brink of the worst of all abysses, a relativistic world with no absolutes and no fixed points. I admit that it can be disconcerting to find that one’s most reliable cornerstones have crumbled or shifted, but I have learned to find stability in commitment rather than in content. Within the well-defined banks of commitment to what is greater than us, the river of faith sometimes flows swiftly, sometimes pools stagnantly, and always offers the opportunity to explore uncharted waters. The terrain of commitment looks very different from various vantage points, and in my experience spongseldom provides confirmation of what I have believed in the past without change and without remainder.

I remember several years ago that I came across one of John Shelby Spong’s books in Borders with the provocative title Why Christianity Must Change or Die. I read the book and found that the changes that Spong, the liberal retired Episcopal bishop of New Jersey was calling for were not changes I was willing to make then—or now. But I fully resonate with the energy of his book’s title. The Christian faith that I profess has not only changed greatly over the past few years (and promises to change even more going forward), but the Christianity I was taught in my youth would have died long ago if it had not changed. And this is as it should be. As James Carse writes,

carseThis is Christianity’s strongest feature: it tirelessly provokes its members to object to prevailing doctrines without having to abandon the faith . . . Neither Christianity nor any of the great religions has ever been able to successfully erect barriers against the dreaded barbarian incursions of fresh ideas. 

One of the things I’ve learned over the past few years is to stop criticizing or belittling those who build their belief systems in the manner of More, shaping all new experiences and information in the image of their most fixed and unchanging commitments. There are a number of Mores among my friends and family, and I’ve learned not only to appreciate them (usually), but find myself occasionally envying them. But at heart I’m happy being Cromwell as I watch the corners get knocked off my certainties.

We Had Hoped

imagesCAGSCZK4“Now abide faith, hope, and love; but the greatest of these is love.” These concluding words from chapter thirteen of Paul’s First Letter to the Corinthians are heard at many, perhaps most, weddings. Everyone wants to believe that love is the greatest, especially on their wedding day. Faith seems to be part of my DNA—challenging it, trying to get rid of it, redefining it, being confused by it, and generally struggling with the “f-word” (as I call it in the classroom) has shaped me for as long as I can remember. I’m not so sure about hope. A few years ago I asked Jeanne what she thought the opposite of faith is. She first answered “despair,” then immediately took it back saying “I guess despair’s the opposite of hope.” After a quick check on Google, I found that she was right (again). imagesCAY3WHMWThe immediate etymological root of  “despair” is the Old French despoir: hopelessness. So what is hope?

Although Easter is certainly about love and faith, I think it is mostly about hope. There is no shortage of material to consider on Easter—the empty tomb, Peter and John racing to take a look, the authorities scrambling to explain what happened, the poignant exchange between Mary Magdalene and Jesus. Perhaps my favorite Easter-related story is Luke’s account of the disciples on the road to Emmaus.On-the-road-to-Emmaus[1] It’s such a human story—the bitter sadness and devastation of Cleopas and his unnamed companion (call him George) is palpable. The usual spin on the story is, of course, that Jesus is risen and walking with them, and Cleopas and George are either too dense or blinded by tears to know it’s him. Jesus gives them a free theology lesson, and as soon as they recognize him after he breaks the bread at lunch he vanishes. What a guy—the amazing, vanishing Jesus! It says something (I’m not sure what) about me that I always thought the ending of the story was funny when I was young. Young Baptist boys have to get their laughs where they can find them. But three words are particularly resonant: despair[1]We had hoped that it was He who was going to redeem Israel.” We had hoped. And our hope was in vain.

Hope is a tough nut to crack—of the big three at the end of the passage in I Corinthians,  love and faith strike me as easier to get a handle on. Every human life is marked by “we had hoped” moments that we never quite get over. I hoped that I would be concert pianist. Jeanne hoped she would marry someone who knows how to dance. But the dashed hopes of Cleopas and George are far more crushing. It’s easy to criticize Cleopas and George for failing to recognize that what they had hoped for was walking with them for seven miles, but that’s actually not true. True, Jesus does turn out to “redeem Israel,” and everybody else for that matter, but that’s not the redemption Cleopas, George and others were hoping for, a political redemptionThe_Road_To_Emmaus[1] and establishment of an earthly kingdom by the Messiah. And it’s very telling that the Jesus-guided tour through the Old Testament touching on prophetic texts indicating that the Messiah would suffer and die doesn’t do anything for Cleopas and George. It’s not until the three of them have a meal, a human experience rather than a classroom experience, that they see it’s been Jesus all the time.

That is where the story usually ends, but it gets even more interesting. Cleopas and George run back to Jerusalem and report to the disciples what happened; in the middle of their story, the amazing, vanishing Jesus reappears! risen[1]And another human, all too human moment—Cleopas, George, the eleven disciples, and everyone else are scared shitless. They think he’s a ghost. It’s not until Jesus lets them check out his body with its scars and eats a piece of fish in front of them that they realize it’s really him. The whole story is fraught with humor, fallibility, and humanity. Entertaining, yes; but what is God up to?

Amazing-Grace-Norris-Kathleen-9781573227216[1]In her wonderful book Amazing Grace, Kathleen Norris asks “Does it ever surprise you that God chooses to be revealed in so fallible a fashion?” Well as a matter of fact, Kathleen, yes it does. All the time. Even when our greatest hopes are satisfied, it’s always in some sideways, back door, behind the scenes, fuzzy and oblique sort of way. And that can be frustrating. As I participated in the various Holy Week services this past week, it continually struck me that Jesus’ resurrection, the most spectacular and crucial event in human history, is surrounded by so many instances of mistaken identity, fumbling around, uncertainty, and missteps that it is truly comical.

But it makes perfect sense, and brings the central pillars of the Christian faith—the Incarnation, the Crucifixion and the Resurrection—together. The whole idea of incarnation, of God becoming human through and through, is outrageous and ludicrous at its core. What self-respecting creator of the universe would do it this way? Only one that loves what was created so much that becoming part of it, miraculously, is not only not a step down but is actually the only way to accomplish what has to be accomplished. We know that we are flawed, incomplete, jumbled and messed up creatures, so why should we be surprised that our hopes get addressed in that way? 100_0373The divinely infused cycle of death and resurrection is around us everywhere, in nature coming alive after a long winter, in church services populated by octogenarians and toddlers, in the annual arrival of new late teens ready to be taught on campus, just to name a few examples from my own daily life. It is not at all surprising that the resurrected Jesus, the hope of the world,  was revealed in the midst of the daily and mundane rather than in power and glory. Kathleen once again: “In a religion based on a human incarnation of the divine, when ideology battles experience, it is fallible, ordinary experience that must win.”

Actually, He Died

Several Christmas Eves ago, Jeanne, Justin and I were invited to share dinner with a friend from work and her family, which includes two precocious and very active children. On display was a beautiful crèche, surrounded by all sorts of interesting items—who knew, for instance, that there was a duck and an elephant (both roughly the same size as the baby) at the manger? My friend is from Italy; her mother annually sends new additions to the crèche scene from the homeland, often forgetting the comparative size of the items she sent in previous years. My friend’s five-year-old daughter introduced Justin to the various characters in a monologue interrupted only by a few confirming comments.

And these are some shepherds, those are goats and sheep, that’s a dog a turkey and a cow, these are some angels, and that’s the baby Jesus.

Oh, really?

Yes. Actually, he died.

Yes he did, as Good Friday somberly reminds us. It is traditional for Christians, anticipating the end of the story and what will happen in three days, to attempt a symbolic descent into the depths of pain and devastating disappointment. But there is no evidence that any person among Jesus’s family and followers expected that he would rise from the dead. The crucifixion was an unmitigated disaster and they fled in fear for their lives. Some hid in anonymous locations to escape arrest. Some simply went home. The bravest among them planned to show respect for the dead body in traditional ways. Various hopes and dreams were shattered. As the travelers to Emmaus said, “We had hoped that it was He who was going to redeem Israel.” But actually, he died. End of story—time to move on.

The idea of a suffering and dying God is not new—there are many traditions supported by myths and stories of a divinity suffering and dying for various reasons. But this story is so intimately personal, so representative of the crushed hopes and dreams, the inescapable pain and suffering, that are fundamentally part of the human experience. That’s what makes Good Friday so poignant and what made it so devastating for those who were there, those who had tied their lives to this man. He seemed to be something more, but turned out to be the same as everyone else—human, limited, subject to suffocating power and injustice, to the random events that ultimately shape each of our stories. We had hoped—and he died.

Simone Weil suggests that the entire story of redemption is contained in the Incarnation and the Crucifixion. If the story ended with Jesus executed as a criminal and dead in a tomb, we still would have reason to believe in a God of love. Our very existence, as well as the existence of the reality we inhabit, is evidence of God’s choice to create in order to love. The story of a God who becomes fully human, who lives a life in time subject to all things each human being is subject to, including suffering, pain, loss, tragedy, injustice, and death serves to drive the point deeper. No supernatural cure for suffering is offered in this story, no promise that God will take pain and loss away. Rather a supernatural use for suffering is offered. Isaiah promises that the Messiah will be called “Emanuel—God with us.” Good Friday reveals just how far the divine chooses to go with us—into the depths of despair and death.

I saw a poster recently with a dark twist on a familiar saying. “It is always darkest just before—it goes pitch black.” And God is there.

despairdemotivator[1]

Flowering Trees

Several years ago, I spent spent the early months of the year on sabbatical on the campus of a Benedictine college in Minnesota. Lining the road on the fifteen minute uphill walk from my Ecumenical Institute apartment to St. John’s Abbey in the depths of winter were any number of small, leafless trees. Judging from their shapes and sizes, I guessed that many of them were the flowering sorts of trees that are always the harbingers of spring at home in Rhode Island. But as winter slowly faded and spring emerged with the pace of a turtle, I was disappointed to see that the buds on the trees were 78461814[1]clearly just plain old leaf buds. No flowering trees after all. I complained to Jeanne on the phone, as well as to my friend from Washington DC who commiserated—“back home, the cherry trees would have been in blossom a long time ago.”

On a walk to the Abbey several days later, as young leaves were emerging, I noticed some tiny flower buds hiding behind the new growth. This is bizarre—flowers after leaves? Sure enough, the trees I had been complaining about were flowering trees after all—they were just doing it ass-backwards. “Listen,” I said to a group of these trees, “you need to get your branches out of your roots and do this right. You’ve got this backwards—it’s flowers first, then leaves. What’s the matter with you??” cdurand[1]My annoyance level raised when I asked various Minnesota natives about what was wrong with their trees—there was no consensus. “The leaves always come before the flowers,” said one acquaintance, implying that the flowers-first trees I have known were mutants of some sort. Elisa[1]Another Minnesotan offered that flowers usually come first, but the winter this year was so unusual (too warm, too cold, too long, too short, too wet, too dry—take your pick) that everything got screwed up. Worst of all was the person who said “Oh really? I never really noticed which comes first.” What do you mean, you never really noticed?? This is important!

One morning early in what has come to be known as “Holy Week,” after spending the night with Mary, Martha and Lazarus in Bethany, Jesus and his posse are talking a morning walk to Jerusalem. Jesus is hungry, sees a fig tree, and plans to have a breakfast snack. But, Matthew tells us, “He came to it and found nothing on it but leaves.” So Jesus curses the tree, “and immediately the fig tree withered away.” My goodness. I can imagine the disciples as the events unfold—several are trying to point out that this isn’t fig season, Andrew offers Jesus a bite of his bagel, Judas is looking in the community purse to see if there’s enough to buy Jesus some breakfast at the restaurant down the road, and Peter is going into immediate damage control. “What happens at the fig tree stays at the fig tree, right? Right??”, but Matthew is already making mental notes to put into his memoirs later.

cable[1]Imagine the stir if this happened today with 24-7 media coverage. “Jewish Holy Man Kills Innocent Tree in a Display of Temper.” Environmentalists would be outraged, talking heads from anger management therapists to tree-friendly carpenters to Pharisees to a cult of fig-worshippers would debate the topic on FOX, CNN, and MSNBC. Everyone would be trying to get an interview with Jesus, but no one’s gotten an interview with him ever, not even Rachel Maddow or Lester Holt. Peter, the spokesman for the group, tells some convoluted story about Jesus doing it as an illustration of what any of us can do with just a tiny bit of faith, but that sounds like a lot of spin.

In such situations, there’s always someone who’s looking for fifteen minutes of fame, claiming to have seen exactly what happened. “We’re talking with Fred bar-William, a local Jerusalem tanner. Fred, you were an eyewitness to what happened at the fig tree, right?” “Yeah, man, I was just sort of hangin’ around to see what was goin’ on, him being famous and all. He stopped with a bunch of guys by the treeFig-Tree-cursing-Tissot-300x225[1]—I couldn’t hear everything, but he was obviously pissed and dropped an F-bomb or two on the tree, then went on and stopped at the restaurant a ways down the road. I thought that was kinda harsh, and now look at it—it’s all, like, withered up and disgusting. I mean, we knew the guy had a temper with what happened in the temple market and all, but this is ridiculous. Like, you’d think a guy from the sticks would know when it’s fig time and when it ain’t.”

220px-TheByrdsTurnTurnTurnAlternate[1]The writer of Ecclesiastes and The Byrds remind us that “To everything there is a season, A time for every purpose under heaven.” But seasons work differently in different places and times are unique to each person. Eventually, of course, the flowering trees along the walk to the Abbey flowered into glorious bloomflowering-tree-on-april-4-2011-bike-ride[1], and a less observant person than I would not even know that they became beautiful in an entirely unconventional and non-traditional fashion. To the casual observer, they’re just pretty trees, but I know their history. It’s a sort of organic, arboreal Goldilocks story, where each tree, and each one of us, survives through seasons of winter; we bloom in our own way only when things are “just right.” Those who are “happy indeed,” claims Psalm 1,

are like a tree that is planted

beside the flowing water

that yields its fruit in due season

and whose leaves shall never fade;

and all they do shall prosper.

To Die For

BonhoefferWhat is bothering me incessantly is the question of what Christianity really is, or indeed who Christ really is, for us today. The time when people could be told everything by means of words, whether theological or pious, is over—and that means the time of religion in general. Dietrich Bonhoeffer, Letters from Prison

A couple of years ago, after a week at work that completely wore me out, I was strongly tempted to skip church on Sunday morning for the first time in months. But it was Palm Sunday, Jeanne was scheduled to be chalice bearer at the altar, so my Protestant guilt kicked in and off to church I went. At least it was going to be the first Sunday service in weeks in which I had nothing to do but sit in the pew—no seminar to lead, no scripture to read, and no organ to play. h19_18559141I would try to enjoy the dramatic reading of the Passion narrative that is always part of the Palm Sunday service before returning home to finish our taxes. What fun.

As I entered the back of the church, our rector and my good friend Marsue was looking dramatic in her chasuble, appropriately red for Palm Sunday, as she waited to process with the servers, readers, and choir. Motioning me over, she whispered “do you want to read?” “Not really,” I thought as I looked to see what roles for the upcoming Passion reading were still available. Just about all of them, as it turned out, including the role of Jesus. “I’ll be Jesus,” I sighed. “I’ve never gotten to read his part.”

“I’ll be Jesus.” That’s really what it boils down to for those of us who have signed on to the project of trying to live out a serious Christian faith commitment. Holy Week is a time that many try to virtually “walk in the steps of Jesus” liturgically in the various special services during the week. But to actually be God in the world, to be the vehicle through which the divine makes contact with our human reality—that’s nuts. No wonder we are so creative in finding ways to make the demands of the life of faith more manageable. But my own attempts to avoid the challenges of what I claim to take seriously have been most recently exposed by the prison letters of twentieth-century Lutheran pastor and theologian Dietrich Bonhoeffer.

imagesCAK5RWXSIn the months between his imprisonment and his execution by the Nazis, Bonhoeffer wrote dozens of letters to his best friend Eberhard Bethge, letters in which he explored and pressed the boundaries of his Christian faith, a faith for which he would eventually die, in ways that have challenged and shocked readers ever since. Facing imminent death has a tendency to focus one’s attention and to clearly reveal what is important and what isn’t. As Bonhoeffer asks, “What do we really believe? I mean, believe in such a way that we stake our lives on it?” These letters are causing me to think about and look at the Holy Week narrative very differently.

Underlying the liturgies and activities between Palm Sunday and Easter is a shocking story in which “God lets the divine self be pushed out of the world onto the cross.” God is apparently either unwilling or unable to engage with the suffering and pain of the world other than to become part of it. If the dramatic events of Jesus’ final days are models for our lives in a suffering and distressed world, it is clear that “Christ helps us, not by virtue of his omnipotence, but by virtue of his weakness and suffering.” I remember a rather dramatic solo that my aunt used to sing in the church of my youth almost every year at some point leading up to Good Friday that includes the line “he could have called ten thousand angels, but he died alone for you and me.” If we take all of the accretions of dogma and doctrine out of the picture, the story of Jesus’ last days is a disaster—as I read that Palm Sunday morning during the Passion narrative as Matthew presents it, the final words Jesus gasps from the cross are “My God, my God, why have you forsaken me?” Precisely the question Bonhoeffer must have been asking from his prison cell.

photo-1-e524059dbea1cebfe788ab374f45a37680085cdc-s40-c85

“Jesus the Homeless” statue, Davidson N.C.

I’ll be wrestling with some of this here this week; at the moment, I’m focused on the following from one of Bonhoeffer’s last letters:

To be a Christian does not mean to be religious in a particular way, to make something of oneself . . . but to be a person—not a type of person, but the person that Christ creates in us. It is not the religious act that makes the Christian, but participation in the sufferings of God in the secular life.

How to do that? That is the question. See you in a couple days when Jesus kills a fig tree.

Your Heart’s Desire

I received the welcome news this past week that my forthcoming book, which has been at the publisher for a few months patiently waiting in the editorial queue, has passed editorial muster and has been passed on to the typesetters. As my editor told me in the email, “things are rolling now,” rolling quickly enough that I might be holding a hard copy of the book by the end of May, early June at the latest. This will be my fourth book; when compared with other great events in a life–the birth of one’s children, great sex, eighteen-year-old Balvenie neat, the Boston Red Sox winning the World Series, the Patriots winning yet another Super Bowl, getting your first tattoo–nothing beats seeing your book in print for the first time.

The forthcoming book is what I have to show for my 2015-16 sabbatical, along with a still occasionally sore ankle that I broke while on a sabbatical bike ride. The email from my editor reminded me of a dinner that I had with Jeanne at P. F. Chang’s in March 2015, just a few months before the beginning of my sabbatical. “This thing better have good news in it,” I said as I unwrapped my P. Ffortune cookie. Chang’s fortune cookie at the end of dinner. And it did.

You will receive your heart’s desire

“Great,” I thought. “I wonder what the hell that is.

It had not been a good day. That morning I had received a rejection letter from the ##### Foundation to whom I had applied for sabbatical funding the previous fall. In typical rejection letter style, I was informed that “We received 76 applications and awarded 10 grants. The quality of the grant proposals made the work of the selection committee challenging indeed. I regret to inform you . . . blah, blah, blah and so on.” Tsabbatical proposalhis sucked big time because of the two funding proposals I had sent out, this was the one I thought I had the much better shot at. Two weeks later, the other funding place rejected me as well.

I do not handle rejection well—not that I’ve had a lot of it in my career. I have never been an adjunct professor. Both of my teaching positions have been tenure track. Both times that I actually got an on-campus interview, I got the job. My ascent of the tenure and promotion ladder had only one easily correctable glitch. I have spent the past twenty-two years teaching at the same college, loving every minute of those years (or at least 95% of the minutes). Three books, a number of articles, a teaching award, two significant administrative posts—I'm OkayI’m not writing this to impress anyone, but rather to illustrate my inner dialogue every time I do get rejected. I immediately start trying to convince myself that I’m really okay, despite the fact that the ##### Foundation did not deem my sabbatical project worth spending a dime on.

These are the times when I am grateful both for my training in classical music and for being forced to memorize lots of verses from the Bible in my growing up years. As soon as I read the cookie’s promise that I will receive my heart’s desire, my memory tapes started playing a song I don’t believe I had thought of in years, perhaps decades. It is a solo from Felix Mendelssohn’s oratorio Elijah, with the seemingly appropriate (but very difficult to actually do) title “O Rest in the Lord.” I hate it when this happens, because the last thing I felt like doing that day was waiting or resting. My heart’s desire was to have funding for my sabbatical project, and what felixI considered to be my most likely source of that funding just said “thanks for playing, but no.” So “rest in the Lord, wait patiently for him, and he shall give thee thy heart’s desires”? Whatever—I don’t think so.

Mendelssohn’s Elijah is a dramatic musical treatment of various episodes from Elijah’s life as described in the Jewish scriptures, including his getting to ride in a flaming chariot to heaven once his prophesying work was over. In Part One of the oratorio Elijah has one of the greatest and most spectacular successes any prophet of God ever has or will experience. In a high stakes contest with the prophets of Baal on top of Mount Carmel, God has shown up in impressive fashion, as Elijah calls down fire that consumes the sacrifice, the wood on the altar, the stones that the altar is made out of, and the water surrounding it.elijah All this after five hundred prophets of Baal failed to arouse even a spark or a whiff of smoke out of their god after hours of praying, chanting, dancing, and self-mutilation. The people fall on their faces and cry “The Lord, He is God! The Lord, He is God!” In the exhilarating glow of spectacular success, Elijah has the five hundred prophets of Baal taken down the mountain to a brook and executed.

But then King Ahab reports to his wife, Queen Jezebel—a woman who in terms of evil and just plain nastiness puts Lady Macbeth to shame—what has happened to her prophets and everything changes. Jezebel sends a message to Elijah saying “So let the gods do to me, and more also, if I do not make your life as the life of one of them by tomorrow about this time.” elijah and angelBy the beginning of Part Two, Elijah is fleeing for his life into the wilderness. Exhausted, he eventually collapses into a fetal position under a broom tree and has a classic drama queen moment: “It is enough; now, O LORD, take away my life, for I am no better than my ancestors.” And for once, God does something practical. While Elijah sleeps, an angel makes him breakfast; when Elijah stirs, the angel serves him the meal, then entertains him by singing a lovely setting of Psalm 37—which three thousand years or so later makes it into Mendelssohn’s Elijah as “O Rest in the Lord.”

Mendelssohn’s text rearranges a few of the verses from Psalm 37, but captures the point perfectly. For those who are fretting and stressed about what the future holds, the Psalmist provides a set of simple promises.

Take delight in the Lord, and he will give you the desires of your heart.

Commit your way to the Lord; trust in him, and he will act.

Be still before the Lord, and wait patiently for him;

Do not fret over those who prosper in their way,

Over those who carry out evil devices.

Although this text is steeped in a religious perspective that I became familiar with before I learned to walk, the Psalmist’s advice sounds remarkably like what the ancient Stoics tell us—be clear about what is in your control and what is not. Don’t waste energy trying to control the latter and create your moral and spiritual home out of the former. What I can control is how I will respond to what the largely uncontrollable world hands me—disappointment, dashed hopes, unexpected opportunities, and a hell of a lot of the mundane, daily grind. The verbs in Psalm 37 are telling: trust, commit, be still, be patient, don’t worry, and take delight. These are the core of a life of centeredness and peace—something available even when things don’t go my way.Psalm 37

As I venture into the last third of my years on earth, I realize that I have often received my heart’s desire, and it almost never has been what I would have predicted. That day two years ago at P. F. Chang’s,  I did not even know what my heart’s desire was–I just knew that what I thought it was had just been shot down. As it turned out, I stayed home for my sabbatical year, spent more time with Jeanne (who happened to be unemployed and therefore home as well) than I have in years, cultivated my new bicycling obsession, got a tattoo, planned several new courses, recovered from a decade of intense administrative work, and wrote a book. You can’t make this stuff up, nor can you predict it–so “rest in the Lord” might be pretty good advice after all.

The Lazarus Cycle

In the liturgical year, the last Sunday of Lent focuses on Jesus’ signature miracle–the raising of Lazarus. Hearing it read yesterday made me nostalgic for various Hollywood treatments of Jesus’ life from my youth. During my childhood, we did not go to movies—that was something, along with a bunch of other things, that good Baptists didn’t do. But we did watch television—MV5BMTkyODYyNzE0NV5BMl5BanBnXkFtZTcwOTc1OTM2MQ@@._V1_SX214_[1]except on Sundays. So my brother and I occasionally saw movies on television, after careful censoring by my parents. We always looked forward to the weeks leading up to Easter with great anticipation—not because it was Lent followed by Holy Week (I never even heard of Lent until I was an adult), but because that was when the networks might be showing Hollywood epic treatments of stories either from or related to the Bible: “The Ten Commandments,” “Ben Hur,” “Quo Vadis,” “The Robe,” and others. Particularly favored was king-of-kings-movie-poster-1961-1020206924[1]“King of Kings,” a full-blown life-of-Jesus movie. These movies, despite their questionable accuracy by King James Version standards, were guaranteed to be approved by the parental censors. My mother, brother, and I popped popcorn and watched the Bible come to life in living black-and-white.

Then in 1966, when I was 10 years old, United Artists released imagesCAEO0LCK“The Greatest Story Ever Told,” one of the last of the great Hollywood biblical epics, directed by George Stevens. The cast was full of current as well as up-and-coming stars, included Max Von Sydow, in his first English-speaking role, as Jesus; Biblical epic superstar and future president of the NRA Charlton Heston as John the Baptist; Claude Rains, iTelly-Savalas-as-Pontius--003[1]n his final movie appearance, as Herod the Great; Martin Landau, the master of disguise in the “Mission: Impossible” of my youth, as Caiaphas; Telly Savalas of “Kojak” fame as Pontius Pilate,  imagesCA6OFXJKDavid McCallum (formerly one of the stars of “The Man from U.N.C.L.E,” currently starring as Ducky in “NCIS”) as Judas Iscariot; and my favorite: John Wayne as the Centurion at the foot of the cross, who delivers his one line—“Truly this man was the son of God!”—with all the sensitivity of a cowboy.

imagesCAVTYVXRStevens’ directorial choice is to hinge the whole three-hour-plus spectacle on the raising of Lazarus, which takes place just over half way through the movie. It is a remarkable piece of cinematography—instead of focusing on Jesus and Lazarus, the camera focuses on the reactions of those present. Shocked faces, stunned silence, a woman drops to her knees, a man bursts into tears. the_greatest_story_ever_told_movie_trailer[1]One witness runs down the road, grabbing random people and sharing the news—“Jesus of Nazareth . . . I saw it, I saw it with my own eyes! Lazarus was dead, and now he’s alive!” “The Messiah has come! A man was dead, and now he lives!” And indeed this is a blockbuster miracle, worthy of a predictable Hollywood musical effect, the rapturous singing of the final measures of the “Hallelujah” chorus from Handel’s Messiah in the background. As the witness nears the walls of Jerusalem, he is joined by two men healed by Jesus earlier in the movie: “I was crippled, and now I walk!” “I was blind, and now I see!” “Who has done this?” shouts a Roman centurion from the walls of the city. “The Man Called Jesus!” Remarkable. Astounding.

But the gospel text is very puzzling, raising more questions than it answers. If this is, indeed, Jesus’ signature, career-defining miracle, why is it only reported in one of the four canonical gospels? Why do Matthew, Mark, and Luke not consider the story important enough to include in their accounts? Why does Jesus deliberately delay travelling to Bethany upon hearing that his friend is deathly ill, dawdling along the way in order to ensure that Lazarus is dead by the time Jesus arrives? imagesCANUX8Y0What exactly is the depth and nature of the Jesus and Lazarus friendship? We know a lot about Jesus with Lazarus’s sisters Mary and Martha, but this is the first time we’ve heard about Lazarus. Is he the domineering older brother of Mary and Martha, or the spoiled younger brother on whom they dote? Why does Jesus weep? And why is Lazarus still wrapped in his grave-clothes when he emerges from the tomb?

The gospel author mentions Lazarus only one other time, in the next chapter just before Jesus’ triumphal entry into Jerusalem. The crowds around Jesus have increased exponentially, as much to gawk at Lazarus as to see Jesus. The chief priests, plotting behind the scenes as always, plan to see both Jesus and Lazarus dead—this time there won’t be any resurrection. And Lazarus dissolves into our imaginations. What happened to him? How did he live out the rest of his life?

These are questions worthy of discussion, as are the questions raised by the account of the miracle itself. But Lazarus is not a museum piece to be dusted off and talked about once in a while. The story of Lazarus is our story, the story of everyone who seeks, in individual and unique ways, to be friends with Jesus.

ValleyofDryBones-620x3101[1]In the liturgical year, the story of Lazarus is accompanied by the prophet Ezekiel’s vision of valley of dry bones in the Hebrew Scriptures. We all, I suspect, have spiritually experienced a valley of dry bones season. Dry bones are the remaining evidence of something that was once alive, but hasn’t been for a long time. Lazarus in the tomb is well on his way to becoming a pile of bones—“Lord, already there is a stench because he has been dead four days.” Here’s how this sort of experience, a season of dry bones. goes for me.

I claim to be a follower of Jesus, but the internal flame has slowly decreased to an ember that is threatening to die out. I haven’t seen or talked with Jesus, really spent time with him, for a while. So I send out a call for help to the last place I saw Jesus, where rumor reports he is currently hanging out. And nothing happens. “Hey! I’m dying here!” I silently cry. Those closest to me might realize that something’s wrong, but are unable to help. Nothing but silence. 173185024_c1419b6266[1]And I know this is not just a dry period, a time in the desert. I say to myself “I’ll come out of this, he’ll show up, I’m just in a down time, sort of taking a long spiritual nap.” But I know deep in my soul that I’m lying to myself. The spiritual ember flickers out, leaving a cold, empty space full of ashes at my core. This is real death, from which there is no return. “Lazarus is dead.”

Dietrich Bonhoeffer once wrote that “When Christ calls a man, he bids him come and die.” And death is not attractive. It isn’t pretty. No matter how beautiful the dress, how snazzy the suit, how professional the make-up job, a corpse is still a corpse. drybones[1]Spiritual corpses go through the motions, pretend that “there’s still some life left in these bones,” but deep down they know it’s a lie. I know, and after a while others know, that something smells. “Mortal, can these bones live?” I seriously doubt it. “My bones are dried up, and my hope is gone. I am cut off completely.”

But after what seems like a spiritual eternity: a rattling of bones, a puff of breath, and there are the stirrings of life. I’ve been dead for so long, I’m disoriented. I don’t recognize my surroundings, or the voice in the distance. jesus_20lazarus_20raised[1]“Come forth!” As a moth toward a flame, I’m drawn toward that sound, toward a pinpoint of light and I find that, against all odds, what was dead is alive again. I’m surrounded by those I thought I’d lost, those whom I thought I would never truly see again. “We thought you were dead!” “I was!” But I can’t move properly, can’t see clearly, I feel like a mummy who just became alive again. And I hear a commanding voice: “Loose him, and let him go.

I’ve been raised to new life—so why am I still bound by the vestiges of death, by the grave-clothes of a past that I thought was gone? Because spiritual renewal and growth are like the Darwinian evolutionary process—I drag the remnants of a past reality into my new life. Vestiges of what has died still remain. If inattentive, I will attempt to weave new garments of salvation out of old, stinking, rags that have long outlived their purpose. And I cannot remove them by myself—I need help. We need each other’s help. I need the help of those who love me and who know what it’s like to try to get one’s bearings as a newly resurrected corpse. And the Lazarus cycle goes on.

No one wants to die. But life with God is a cycle of death and resurrection, a daily, weekly, yearly Lazarus event. Dying, abandoned, buried, called back to life, emerging to new life with lots of work to do. Sometimes we’d rather not. But the message of the story of Lazarus is “Don’t be afraid to die”—especially to those things we cannot bear to even think about losing. Don’t be afraid to release even what seems most necessary—familiar thoughts, comfortable patterns of behavior, habits set in stone, OXYGEN COMMUNICATION COMPANIONwell-intentioned but self-centered expectations—the very things that for each of us seem to be the cornerstone of existence. To truly live, we have to die. Simone Weil put it beautifully:

They alone will see God who prefer to recognize the truth and die, instead of living a long and happy existence in a state of illusion. One must want to go towards reality; then, when one thinks one has found a corpse, one meets an angel who says: “He is risen.”

I Think It’s Going To Rain Today

Broken windows and empty hallways, a pale dead moon and a sky streaked with gray.

Human kindness is overflowing, and I think it’s going to rain today. Randy Newman

scandalJeanne and I are television binge-watchers. A couple of years ago, our obsession was ABC’s “Scandal,” an addictive series about a Washington “fixer” trying to break off an affair with the President she helped get elected while descending for 47 minutes on a weekly basis into the depths of depravity, violence and dysfunction that we all suspect is daily fare in the nation’s capital. It does not match my favorites—“Breaking Bad,” “Homeland,” “Downton Abbey,” “The Wire,” “The Newsroom” and more—in quality of acting, production value, or award-winning writing; it’s just addictive entertainment. “Scandal” was in its fourth season when we discovered it, so we had a lot of catching up to do via Netflix.

One late Friday afternoon when I returned home from work, the next three “Scandal” DVDs were in our mailbox. Jeanne was away in Canada on a work junket; without even pausing for a moment to consider the protocol and etiquette of whether one should by oneself watch new episodes of a show that one is watching with one’s significant other, I sat down with my dinner to pick up with Season Two, Episode Five, intending to watch it again with Jeanne when she returned without telling her that I’ve already seen it. A lot of craziness packed into 47 minutes once again, leaving the viewer hanging on a cliff and salivating for more—and playing behind the final montage was a song I probably hadn’t heard in four decades, one of my favorites from my 60s youth: “I Think it’s Going to Rain Today.” This poignant, sad Randy Newman song has been recorded by many artists over the years, from Newman himself to Judy Collins, Bette Midler, Peter Gabriel, Nina Simone, Barbra Streisand and Dusty Springfield. Here’s a recent, lovely rendition from Norah Jones:

“Scarecrows dressed in the latest styles, with frozen smiles to keep love away. Human kindness is overflowing, and I think it’s going to rain today.” Wow. I don’t consider myself to be a dark person. Frequently ironic, sometimes sarcastic, often introspective, always introverted (except when I am getting paid to be extroverted in the classroom)—yes. tin canBut not dark. Yet darkness has been coming across my radar screen for several weeks in books, on television, in movies, on the radio, in the classroom—my inner sensibilities have become tuned sufficiently over the past few years that I now take notice of such “coincidences,” wondering if someone is trying to tell me something. I have never been able to hear “I Think It’s Going to Rain Today” dry-eyed. As a young teen I thought my emotions directly challenged my manhood-to-be; now I just think it’s because I’m a human being resonating with a beautiful, artistic expression of the sadness and loneliness that is just beneath everyone’s surface.

I have long believed that if the faith I profess is going to mean anything, it has to directly touch this sadness in the human heart. And the gospels are clear that it must. But I was raised in a very different version of Christianity, one that bbtBarbara Brown Taylor accurately describes as “full solar spirituality,” which

Focuses on staying in the light of God around the clock, both absorbing and reflecting the sunny side of faith. You can usually recognize a full solar church by its emphasis on the benefits of faith, which include a sure sense of God’s presence, certainty of belief, divine guidance in all things, and reliable answers to prayer.

The fact that our fervent prayers often went unanswered and the presence of the divine was often undetectable didn’t matter—we were urged to live out a religious version of “Fake it ‘til you make it” because, after all, how can you not be happy when you have everything right and God is on your side?

Unfortunately I was not gifted with a full solar personality—I guess my resonance with tunes like “I Think It’s Going to Rain Today” is direct proof. I am more of a lunar than solar person, preferring the reflected light of Artemis and the moon to the solar splendor of her twin brother Apollo. galadrielTolkien’s lunar elven queen Galadriel is my favorite character in The Lord of the Rings. And I found in Barbara Brown Taylor’s description of her own spiritual orientation something very familiar.

I have been given the gift of lunar spirituality, in which the divine light available to me waxes and wanes with the season. . . . All in all, the moon is a truer mirror for my soul than the sun that looks the same way every day.

I heard on NPR not long ago that on the eve of the conclave that would elect him as the next Pope, then Cardinal Jorge Mario Bergoglio urged his fellow cardinals to remember that Christians should live by the light of the moon rather than of the sun. Followers of Christ should reflect the source of light rather than acting as if they are the source. With regard to the hierarchy of the religious structure he would soon be elected to lead, popehe said that the church exists to reflect Christ—as soon as it believes it itself is the light, disaster occurs and the church becomes an idol. Preach it, Francis. Five words I thought I’d never say: I really like this Pope.

While there might be many reasons to fear the dark, times of darkness are part of being human and spiritual darkness is central to a search for the divine. The way many persons of faith talk about darkness, you would think that it came from a whole different deity, human kindnessbut as Barbara Brown Taylor reminds us, “to be human is to live by sunlight and moonlight, with anxiety and delight, admitting limits and transcending them, falling down and rising up.” The final lines of Randy Newman’s lyrics shine a pale light into an often dark world: “Right before me, the signs implore me—Help the needy and show them the way. Human kindness is overflowing, and I think it’s going to rain today.” Here is Peter Gabriel’s version—I dare you to have dry eyes at the end.

When the Well Runs Dry

Therefore with joy you will draw water from the wells of salvation. Isaiah 12

Several years ago, during an infrequent return to northern Vermont where I grew up, Jeanne and I took a quick detour from Route 5 South to drive past the old homestead, the house in which I lived until age eleven. It was in poor repair, and seemed far smaller than when I was a kid. Most surprising was that Smith’s pasture, the cow pasture across the road that was the site of many childhood adventures, was gone. A tangle of trees and underbrush now grows where the gate to the pasture was. I’m hoping that if I had pushed through the brush I would have found Smith’s pasture on the other side, sort of like finding Narnia on the other side of the wardrobe. Because it was magic.

Growing up in the sticks has some definite plusses—how many city kids have a cow pasture at their disposal? Smith’s pasture was one of several unofficial playgrounds for my brother and me. Many were the summer mornings when my mother would pack us a lunch and we would climb over the fence into the pasture, limited only by the general directive to be back before dark. The generous Mr. Smith, whom I never met, gave my family free access to his pasture, while the evil Mr. Cole, who owned the adjacent pasture just down the road (and whom I also never met), refused such free access. Hiking, war games, superhero exploits—Smith’s pasture was the natural stage for just about anything two kids reaching double digits in age could come up with.

Vermont cow pastures bear little resemblance to the idyllic, flat pastures that bovines in other parts of the country enjoy. Smith’s pasture was a hill—a mountain in my childhood imagination—that  rose sharply from the road to a high plateau whose back boundary my brother and I never found. Large boulders and innumerable trees of all sorts were thickly spread across the hundreds of pasture acres. The slopes in portions of the pasture were steep enough that I often wondered what the dairy cows, not generally known for their mountain climbing abilities, thought of having to eke out their bovine existence in a less than congenial landscape.

Smith’s pasture was more than the regular locale for boyhood adventures. It was also the source of our annual Christmas tree. Each year in early December my brother and I would trudge up the hill in snow that was often waist deep, searching for the perfect tree. One year we returned at dusk with a tree so wide that it took us close to an hour to stuff it through the front door and so tall that our living room ceiling bent the top foot and a half over when we stood it upright. Only a special early infusion of Christmas spirit kept my mother from having a fit as we sawed off the bottom two feet in the middle of the living room rug.

It was only many years later that I put two and two together and figured out why Mr. Smith was so generous with access to his pasture. He may or may not have had a soft spot in his heart for children needing a place to explore—the real reason we had access to his pasture was the artesian well, located several hundred yards past the fence, which provided water for our house. A well-understood task accompanied our frequent treks into Smith’s pasture—don’t forget to check the well. It was my brother’s job to lift the hinged lid as high as he could—I was too small to do it—while I peered into the dim recesses below. “It looks fine!” “It’s a bit low!” or, one fateful afternoon—“It’s empty!!” This was distressing news, producing visions of no baths, no clothes or dish washing, and general aridness. The spring had widened a minor crack in the well wall into an exit route—it was many dollars and dry days later before the water was coaxed back into its proper location. When wells misbehave, life changes significantly.

One does not get very far reading in the Bible without encountering a well. In a largely desert landscape, of course, wells were both the source of life and the center of community activity. Isaac and Rebekah met at a well, as did Jacob and Rachel as well as Moses and Zipporah. Joseph’s older brothers threw him into a dried up well after he offended them one too many times. Jesus’ conversation with the Samaritan woman at the well in John 4  is one of the most fascinating texts in the New Testament. Battles were fought over wells. They are so prevalent and necessary in stories from a nomadic, arid land that it’s easy to imagine that they are natural parts of the landscape. But they aren’t. A well is a human attempt to harness the power of something very necessary but also very powerful—a spring of water.

As I learned at an early age in Smith’s pasture, springs do not always cooperate with our attempts to control and tame them. In ancient texts, springs and sources of water are sacred. This is not surprising, because water is necessary for life. A spring—an oasis—stands for life, for rest and refreshment. But it is the random power of a spring that most directly brings the divine to mind. Springs are as resistant to our attempts to control them as they are to our expectations.  Just when we think that we have the water under control, it decides to go somewhere else. This is the deepest secret to its living water: it transforms every obstruction into a new expression of itself: It turns every apparent barrier into a new channel..

This would be a good thing to remember every time I think I have God figured out, whenever my path to a frequently visited well becomes a bit too frequently traveled. But the divine spring has a mind and will of its own, apparently, and if I don’t pay attention, I will find my well, so carefully built to contain the spring, empty one day. And this is not a good thing—as Peter wrote, “these are wells without water . . . to whom the gloom of darkness is reserved forever.” It is easy to forget that the divine spring was never intended to be contained permanently in any external well, whether a building, a book, or any specific location. The good news, as Jesus told the woman at the well, is that the divine spring is “a well of water springing up into everlasting life.” And that well is me. And you. It’s a great idea—portable wells containing the most life-giving water ever imagined. I need go no further than where I happen to be to find out what the divine spring is doing.

The LORD will guide you always; he will satisfy your needs in a sun-scorched land and will strengthen your frame. You will be like a well-watered garden, like a spring whose waters never fail. Isa. 58:11

What Silence Sounds Like

Hello darkness, my old friend, I’ve come to talk to you again. “The Sound of Silence”

One Sunday a couple of months ago as I was listening to our local NPR station in the car during an errand run, I heard a brief piece on “Disturbed,” a heavy metal band that had just received its second Grammy nomination. Their first was in 2009; now, eight years later, they had another one. My knowledge of contemporary heavy metal is non-existent, as is my interest in that musical genre—this would have usually been reason for me to switch to the Boston NPR station to see what they were up to. But Disturbed’s Grammy nomination was for their acoustic cover of a song that was a central tune in the sound track of my youth: Simon and Garfunkel’s “The Sound of Silence.” I had to listen.

For those familiar with Simon and Garfunkel’s original (link below), a remake or cover of their iconic masterpiece is close to sacrilegious. But the intensity and power of Disturbed’s version is not to be missed—I agree with one commenter on Youtube who called it “chilling and magnificent.” The NPR piece included a brief interview with David Draiman, Disturbed’s lead vocalist. Noting that the choice not to go “heavy metal” with “The Sound of Silence” was the drummer’s idea, Draiman said that the acoustic demands of the song took him to vocal spaces he had not visited in many years.

I was trained to be a cantor, which is someone that leads the Jewish congregation in prayer. So I learned classical vocal technique from a very young age . . . I hadn’t attempted to go to that spot of my vocal ability for very many years. I was so overwhelmed with emotion listening to the way my vocals sounded in that beautiful bed of music. And not having heard my voice in that way for so long, it was really just very, very overwhelming.

I’ve been reminded of this story a number of times over the past two months during the first half of the current semester. I find that questions that ask how human beings are to think about what is greater than us—is there anything greater than us? And if so, what are the implications?—make frequent appearances in my various classes, some planned and some not. This semester has been no exception. Many (a significant majority) of my students come from religious backgrounds (mostly Catholic), but have never analyzed critically or sufficiently exactly what going on when we mere mortals attempt to establish a line of communication with what is greater than us. The formalized version of these attempts is usually called prayer; various worship activities in each of the great monotheistic religion include prayer on a regular basis. As a cantor, David Draiman led such collective attempts to make contact with God, and in response we often get exactly what Paul Simon’s lyrics describe—the sound of silence. Crickets chirping. It’s enough to drive a person of faith nuts. As C. S. Lewis once wrote to his brother Warnie in a letter,

The trouble about God is that he is like a person who never acknowledges one’s letters and so, in time, one comes to the conclusion either that he does not exist or that you have got the address wrong.

I grew up in a prayer-obsessed world; Wednesday nights at church were marked as the time to obsess collectively. As a creative youngster, I usually was able to find something in every foray to church to pique my interest, however briefly. I liked some of the hymns we sang on Sunday morning and evening, for instance, and enjoyed the stories in Sunday school. But we didn’t sing on Wednesday nights—people gave testimonies, and then we prayed. For a very, very, VERY long time. I remember prayers that were more like speeches than anything else, insistent, complaining sorts of speeches whose intent was apparently to wear God down. Not that the things being asked for were unimportant—“please bring X to a saving knowledge of you,” “please heal Y of diabetes,” “please help Z find a job”—but the tone was often strange, petulantly childish, demanding, insinuating that this time, for once, God had damn well better get off His ass and do something. Of course anyone actually saying that at Wednesday prayer service would have been in danger of hellfire, but that’s the atmosphere I remember.

How to pray was a mystery to me—I recall my mother saying frequently that I should just talk to God the same way I talked to her. That never struck me as one of my mother’s better pieces of advice, since I clearly couldn’t talk to an invisible, far away, scary “something” in the same way I could talk to her. But I did learn, as all good Baptist kids learned, how to make up a convincing sounding prayer at the drop of a hat. It’s just that it never seemed to go past the ceiling. Many years later, in a text we are using in one of my courses this semester, Annie Dillard expressed the frustration as clearly as I’ve ever seen.

Are we only talking to ourselves in an empty universe? The silence is often so emphatic. And we have prayed so much already. . . Who is like you, O Lord, among the silent, remaining silent through the suffering of His children?

The best advice I ever received concerning prayer, not surprisingly, came from the person who knows me best. A number of years ago, in response to one of my frequent complaints about divine silence and inscrutability as a “response” to ineffective prayer, Jeanne said “Vance, for you thinking is praying.” It has taken me many years to recognize just how right she was. Although her comment was for me, the larger point is for everyone. Prayer understood on the transactional model, as an attempt at bargaining or pleading with a silent partner who might not even exist, is a guaranteed recipe for frustration and failure. But what if prayer is not something the person of faith is supposed to do? What if, instead, prayer is something that we are called to be? Being a prayer is a matter of learning to recognize and trust the places where the divine is most likely to be found—in myself and in others, in those thin places where the barrier between human and divine dissolves. And people of the book should know this—it’s right in there, both in the Jewish scriptures and the New Testament. Where is the divine to be found?

It is not too mysterious for you, nor is it far off. It is not in heaven . . . nor is it beyond the sea . . . But the word is very near you, in your mouth and in your heart, that you may do it.

If prayer is a call for the divine to enter the world, we need to be attentive to where that might be happening—in us and around us. It probably will not be where we expect. As Paul Simon wrote in the last verse of “The Sound of Silence,” the words of the prophets are written on the subway walls and tenement halls.