Category Archives: movies

Wolf Hall

ICromwell am a great lover of historical fiction; it doesn’t come any better than from Hilary Mantel. Mantel fans are eagerly awaiting the third installment of her honored trilogy that immerses us into the world of Henry VIII as seen through the eyes of his consigliere Thomas Cromwell. Wolf Hall and Bring up the Bodies, the first two parts of the proposed trilogy each won the Man Booker Prize (the British version of the Pulitzer Prize for fiction). Mantel is only the third author to win the prize twice, and the first to win with a sequel, Bring up the Bodies in 2012 following Wolf Hall’s victory in 2009.wolf hall I recently reread Wolf Hall  and, as often happens, found both that I had forgotten how good it is and that there are many great passages I missed the first time around. Early in the novel, Cromwell provides us with a flashback to when he was a young star in Cardinal Wolsey’s orbit, a firmament containing another, brighter star—Thomas More—who in Mantel’s treatment becomes one of Cromwell’s opponents and competitors for the attention of the great and powerful. But more importantly, Cromwell reveals a fundamental difference between him and More that raises issues transcending this particular story:

He [Cromwell] never sees More . . . without wanting to ask him, what’s wrong with you? Or what’s wrong with me? cromwell and moreWhy does everything you know, and everything you’ve learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more. With every month that passes, the corners are knocked off the certainties of this world: and the next world too. Show me where it says, in the Bible, “purgatory.” Show me where it says “relics, monks, nuns.” Show me where it says “Pope.”

Or, someone might add, show me where it says “liturgy” or “dogma” or any number of other things that are staples of Christian tradition even outside Catholicism. I have no idea whether Mantel’s characterization of Cromwell and More is accurate (neither does she, for that matter), but I am so strongly aligned by nature with fictional Cromwell in this passage that I share his utter astonishment with the fictional Mores among us. Wolf Hall is set during the early decades of the sixteenth century when the revolutionary impact of the Protestant Reformation is already making itself known in England. Thomas More is the epitome of religious certainty, imagined by Mantel as a vigorous, devout, hair-shirt-wearing and frequently inflexible defender of Catholic orthodoxy.

wolseyAlthough Cromwell rises to influence as the right-hand man of the powerful Cardinal Wolsey, he is far more comfortable with situational flexibility than with pre-established beliefs and principles. When Wolsey falls from grace because of his failure to facilitate the king’s desire to divorce Catherine of Aragon in order to marry Anne Boleyn, Cromwell’s ability to quickly adjust to changing circumstances and maneuver creatively brings him into the king’s inner circle. But he always keeps the Mores of his world in view, simultaneously envious and wary of anyone’s unflinching commitment to principle.

I hedgehog and foxfrequently find myself inadvertently dividing my fellow human beings into various categories (introvert/extrovert, high-maintenance/low-maintenance, Platonic/Aristotelian, hedgehog/fox, and more); Cromwell/More is another important distinction, especially when religious belief is under discussion. The older I get, the more Cromwellian I become, finding that even my most fixed beliefs not only are regularly under scrutiny, but that constant adjustment and change is a symptom of a healthy faith. Christian Wiman puts this insight better than anyone I’ve read:

WimanIt is why every single expression of faith is provisional—because life carries us always forward to a place where the faith we’d fought so hard to articulate to ourselves must now be reformulated, and because faith in God is, finally, faith in change.

I am frequently reminded in a number of ways by various Mores that a Cromwellian embrace of change is dangerous in that it leads to the brink of the worst of all abysses, a relativistic world with no absolutes and no fixed points. I admit that it can be disconcerting to find that one’s most reliable cornerstones have crumbled or shifted, but I have learned to find stability in commitment rather than in content. Within the well-defined banks of commitment to what is greater than us, the river of faith sometimes flows swiftly, sometimes pools stagnantly, and always offers the opportunity to explore uncharted waters. The terrain of commitment looks very different from various vantage points, and in my experience spongseldom provides confirmation of what I have believed in the past without change and without remainder.

I remember several years ago that I came across one of John Shelby Spong’s books in Borders with the provocative title Why Christianity Must Change or Die. I read the book and found that the changes that Spong, the liberal retired Episcopal bishop of New Jersey was calling for were not changes I was willing to make then—or now. But I fully resonate with the energy of his book’s title. The Christian faith that I profess has not only changed greatly over the past few years (and promises to change even more going forward), but the Christianity I was taught in my youth would have died long ago if it had not changed. And this is as it should be. As James Carse writes,

carseThis is Christianity’s strongest feature: it tirelessly provokes its members to object to prevailing doctrines without having to abandon the faith . . . Neither Christianity nor any of the great religions has ever been able to successfully erect barriers against the dreaded barbarian incursions of fresh ideas. 

One of the things I’ve learned over the past few years is to stop criticizing or belittling those who build their belief systems in the manner of More, shaping all new experiences and information in the image of their most fixed and unchanging commitments. There are a number of Mores among my friends and family, and I’ve learned not only to appreciate them (usually), but find myself occasionally envying them. But at heart I’m happy being Cromwell as I watch the corners get knocked off my certainties.

The Lazarus Cycle

In the liturgical year, the last Sunday of Lent focuses on Jesus’ signature miracle–the raising of Lazarus. Hearing it read yesterday made me nostalgic for various Hollywood treatments of Jesus’ life from my youth. During my childhood, we did not go to movies—that was something, along with a bunch of other things, that good Baptists didn’t do. But we did watch television—MV5BMTkyODYyNzE0NV5BMl5BanBnXkFtZTcwOTc1OTM2MQ@@._V1_SX214_[1]except on Sundays. So my brother and I occasionally saw movies on television, after careful censoring by my parents. We always looked forward to the weeks leading up to Easter with great anticipation—not because it was Lent followed by Holy Week (I never even heard of Lent until I was an adult), but because that was when the networks might be showing Hollywood epic treatments of stories either from or related to the Bible: “The Ten Commandments,” “Ben Hur,” “Quo Vadis,” “The Robe,” and others. Particularly favored was king-of-kings-movie-poster-1961-1020206924[1]“King of Kings,” a full-blown life-of-Jesus movie. These movies, despite their questionable accuracy by King James Version standards, were guaranteed to be approved by the parental censors. My mother, brother, and I popped popcorn and watched the Bible come to life in living black-and-white.

Then in 1966, when I was 10 years old, United Artists released imagesCAEO0LCK“The Greatest Story Ever Told,” one of the last of the great Hollywood biblical epics, directed by George Stevens. The cast was full of current as well as up-and-coming stars, included Max Von Sydow, in his first English-speaking role, as Jesus; Biblical epic superstar and future president of the NRA Charlton Heston as John the Baptist; Claude Rains, iTelly-Savalas-as-Pontius--003[1]n his final movie appearance, as Herod the Great; Martin Landau, the master of disguise in the “Mission: Impossible” of my youth, as Caiaphas; Telly Savalas of “Kojak” fame as Pontius Pilate,  imagesCA6OFXJKDavid McCallum (formerly one of the stars of “The Man from U.N.C.L.E,” currently starring as Ducky in “NCIS”) as Judas Iscariot; and my favorite: John Wayne as the Centurion at the foot of the cross, who delivers his one line—“Truly this man was the son of God!”—with all the sensitivity of a cowboy.

imagesCAVTYVXRStevens’ directorial choice is to hinge the whole three-hour-plus spectacle on the raising of Lazarus, which takes place just over half way through the movie. It is a remarkable piece of cinematography—instead of focusing on Jesus and Lazarus, the camera focuses on the reactions of those present. Shocked faces, stunned silence, a woman drops to her knees, a man bursts into tears. the_greatest_story_ever_told_movie_trailer[1]One witness runs down the road, grabbing random people and sharing the news—“Jesus of Nazareth . . . I saw it, I saw it with my own eyes! Lazarus was dead, and now he’s alive!” “The Messiah has come! A man was dead, and now he lives!” And indeed this is a blockbuster miracle, worthy of a predictable Hollywood musical effect, the rapturous singing of the final measures of the “Hallelujah” chorus from Handel’s Messiah in the background. As the witness nears the walls of Jerusalem, he is joined by two men healed by Jesus earlier in the movie: “I was crippled, and now I walk!” “I was blind, and now I see!” “Who has done this?” shouts a Roman centurion from the walls of the city. “The Man Called Jesus!” Remarkable. Astounding.

But the gospel text is very puzzling, raising more questions than it answers. If this is, indeed, Jesus’ signature, career-defining miracle, why is it only reported in one of the four canonical gospels? Why do Matthew, Mark, and Luke not consider the story important enough to include in their accounts? Why does Jesus deliberately delay travelling to Bethany upon hearing that his friend is deathly ill, dawdling along the way in order to ensure that Lazarus is dead by the time Jesus arrives? imagesCANUX8Y0What exactly is the depth and nature of the Jesus and Lazarus friendship? We know a lot about Jesus with Lazarus’s sisters Mary and Martha, but this is the first time we’ve heard about Lazarus. Is he the domineering older brother of Mary and Martha, or the spoiled younger brother on whom they dote? Why does Jesus weep? And why is Lazarus still wrapped in his grave-clothes when he emerges from the tomb?

The gospel author mentions Lazarus only one other time, in the next chapter just before Jesus’ triumphal entry into Jerusalem. The crowds around Jesus have increased exponentially, as much to gawk at Lazarus as to see Jesus. The chief priests, plotting behind the scenes as always, plan to see both Jesus and Lazarus dead—this time there won’t be any resurrection. And Lazarus dissolves into our imaginations. What happened to him? How did he live out the rest of his life?

These are questions worthy of discussion, as are the questions raised by the account of the miracle itself. But Lazarus is not a museum piece to be dusted off and talked about once in a while. The story of Lazarus is our story, the story of everyone who seeks, in individual and unique ways, to be friends with Jesus.

ValleyofDryBones-620x3101[1]In the liturgical year, the story of Lazarus is accompanied by the prophet Ezekiel’s vision of valley of dry bones in the Hebrew Scriptures. We all, I suspect, have spiritually experienced a valley of dry bones season. Dry bones are the remaining evidence of something that was once alive, but hasn’t been for a long time. Lazarus in the tomb is well on his way to becoming a pile of bones—“Lord, already there is a stench because he has been dead four days.” Here’s how this sort of experience, a season of dry bones. goes for me.

I claim to be a follower of Jesus, but the internal flame has slowly decreased to an ember that is threatening to die out. I haven’t seen or talked with Jesus, really spent time with him, for a while. So I send out a call for help to the last place I saw Jesus, where rumor reports he is currently hanging out. And nothing happens. “Hey! I’m dying here!” I silently cry. Those closest to me might realize that something’s wrong, but are unable to help. Nothing but silence. 173185024_c1419b6266[1]And I know this is not just a dry period, a time in the desert. I say to myself “I’ll come out of this, he’ll show up, I’m just in a down time, sort of taking a long spiritual nap.” But I know deep in my soul that I’m lying to myself. The spiritual ember flickers out, leaving a cold, empty space full of ashes at my core. This is real death, from which there is no return. “Lazarus is dead.”

Dietrich Bonhoeffer once wrote that “When Christ calls a man, he bids him come and die.” And death is not attractive. It isn’t pretty. No matter how beautiful the dress, how snazzy the suit, how professional the make-up job, a corpse is still a corpse. drybones[1]Spiritual corpses go through the motions, pretend that “there’s still some life left in these bones,” but deep down they know it’s a lie. I know, and after a while others know, that something smells. “Mortal, can these bones live?” I seriously doubt it. “My bones are dried up, and my hope is gone. I am cut off completely.”

But after what seems like a spiritual eternity: a rattling of bones, a puff of breath, and there are the stirrings of life. I’ve been dead for so long, I’m disoriented. I don’t recognize my surroundings, or the voice in the distance. jesus_20lazarus_20raised[1]“Come forth!” As a moth toward a flame, I’m drawn toward that sound, toward a pinpoint of light and I find that, against all odds, what was dead is alive again. I’m surrounded by those I thought I’d lost, those whom I thought I would never truly see again. “We thought you were dead!” “I was!” But I can’t move properly, can’t see clearly, I feel like a mummy who just became alive again. And I hear a commanding voice: “Loose him, and let him go.

I’ve been raised to new life—so why am I still bound by the vestiges of death, by the grave-clothes of a past that I thought was gone? Because spiritual renewal and growth are like the Darwinian evolutionary process—I drag the remnants of a past reality into my new life. Vestiges of what has died still remain. If inattentive, I will attempt to weave new garments of salvation out of old, stinking, rags that have long outlived their purpose. And I cannot remove them by myself—I need help. We need each other’s help. I need the help of those who love me and who know what it’s like to try to get one’s bearings as a newly resurrected corpse. And the Lazarus cycle goes on.

No one wants to die. But life with God is a cycle of death and resurrection, a daily, weekly, yearly Lazarus event. Dying, abandoned, buried, called back to life, emerging to new life with lots of work to do. Sometimes we’d rather not. But the message of the story of Lazarus is “Don’t be afraid to die”—especially to those things we cannot bear to even think about losing. Don’t be afraid to release even what seems most necessary—familiar thoughts, comfortable patterns of behavior, habits set in stone, OXYGEN COMMUNICATION COMPANIONwell-intentioned but self-centered expectations—the very things that for each of us seem to be the cornerstone of existence. To truly live, we have to die. Simone Weil put it beautifully:

They alone will see God who prefer to recognize the truth and die, instead of living a long and happy existence in a state of illusion. One must want to go towards reality; then, when one thinks one has found a corpse, one meets an angel who says: “He is risen.”

I Think It’s Going To Rain Today

Broken windows and empty hallways, a pale dead moon and a sky streaked with gray.

Human kindness is overflowing, and I think it’s going to rain today. Randy Newman

scandalJeanne and I are television binge-watchers. A couple of years ago, our obsession was ABC’s “Scandal,” an addictive series about a Washington “fixer” trying to break off an affair with the President she helped get elected while descending for 47 minutes on a weekly basis into the depths of depravity, violence and dysfunction that we all suspect is daily fare in the nation’s capital. It does not match my favorites—“Breaking Bad,” “Homeland,” “Downton Abbey,” “The Wire,” “The Newsroom” and more—in quality of acting, production value, or award-winning writing; it’s just addictive entertainment. “Scandal” was in its fourth season when we discovered it, so we had a lot of catching up to do via Netflix.

One late Friday afternoon when I returned home from work, the next three “Scandal” DVDs were in our mailbox. Jeanne was away in Canada on a work junket; without even pausing for a moment to consider the protocol and etiquette of whether one should by oneself watch new episodes of a show that one is watching with one’s significant other, I sat down with my dinner to pick up with Season Two, Episode Five, intending to watch it again with Jeanne when she returned without telling her that I’ve already seen it. A lot of craziness packed into 47 minutes once again, leaving the viewer hanging on a cliff and salivating for more—and playing behind the final montage was a song I probably hadn’t heard in four decades, one of my favorites from my 60s youth: “I Think it’s Going to Rain Today.” This poignant, sad Randy Newman song has been recorded by many artists over the years, from Newman himself to Judy Collins, Bette Midler, Peter Gabriel, Nina Simone, Barbra Streisand and Dusty Springfield. Here’s a recent, lovely rendition from Norah Jones:

“Scarecrows dressed in the latest styles, with frozen smiles to keep love away. Human kindness is overflowing, and I think it’s going to rain today.” Wow. I don’t consider myself to be a dark person. Frequently ironic, sometimes sarcastic, often introspective, always introverted (except when I am getting paid to be extroverted in the classroom)—yes. tin canBut not dark. Yet darkness has been coming across my radar screen for several weeks in books, on television, in movies, on the radio, in the classroom—my inner sensibilities have become tuned sufficiently over the past few years that I now take notice of such “coincidences,” wondering if someone is trying to tell me something. I have never been able to hear “I Think It’s Going to Rain Today” dry-eyed. As a young teen I thought my emotions directly challenged my manhood-to-be; now I just think it’s because I’m a human being resonating with a beautiful, artistic expression of the sadness and loneliness that is just beneath everyone’s surface.

I have long believed that if the faith I profess is going to mean anything, it has to directly touch this sadness in the human heart. And the gospels are clear that it must. But I was raised in a very different version of Christianity, one that bbtBarbara Brown Taylor accurately describes as “full solar spirituality,” which

Focuses on staying in the light of God around the clock, both absorbing and reflecting the sunny side of faith. You can usually recognize a full solar church by its emphasis on the benefits of faith, which include a sure sense of God’s presence, certainty of belief, divine guidance in all things, and reliable answers to prayer.

The fact that our fervent prayers often went unanswered and the presence of the divine was often undetectable didn’t matter—we were urged to live out a religious version of “Fake it ‘til you make it” because, after all, how can you not be happy when you have everything right and God is on your side?

Unfortunately I was not gifted with a full solar personality—I guess my resonance with tunes like “I Think It’s Going to Rain Today” is direct proof. I am more of a lunar than solar person, preferring the reflected light of Artemis and the moon to the solar splendor of her twin brother Apollo. galadrielTolkien’s lunar elven queen Galadriel is my favorite character in The Lord of the Rings. And I found in Barbara Brown Taylor’s description of her own spiritual orientation something very familiar.

I have been given the gift of lunar spirituality, in which the divine light available to me waxes and wanes with the season. . . . All in all, the moon is a truer mirror for my soul than the sun that looks the same way every day.

I heard on NPR not long ago that on the eve of the conclave that would elect him as the next Pope, then Cardinal Jorge Mario Bergoglio urged his fellow cardinals to remember that Christians should live by the light of the moon rather than of the sun. Followers of Christ should reflect the source of light rather than acting as if they are the source. With regard to the hierarchy of the religious structure he would soon be elected to lead, popehe said that the church exists to reflect Christ—as soon as it believes it itself is the light, disaster occurs and the church becomes an idol. Preach it, Francis. Five words I thought I’d never say: I really like this Pope.

While there might be many reasons to fear the dark, times of darkness are part of being human and spiritual darkness is central to a search for the divine. The way many persons of faith talk about darkness, you would think that it came from a whole different deity, human kindnessbut as Barbara Brown Taylor reminds us, “to be human is to live by sunlight and moonlight, with anxiety and delight, admitting limits and transcending them, falling down and rising up.” The final lines of Randy Newman’s lyrics shine a pale light into an often dark world: “Right before me, the signs implore me—Help the needy and show them the way. Human kindness is overflowing, and I think it’s going to rain today.” Here is Peter Gabriel’s version—I dare you to have dry eyes at the end.

The Problem of Goodness

During the early years of my career I developed the habit of teaching at least one overload course per semester in my college’s evening program. The immediate reason for taking on the extra course was entirely mercenary—new professors don’t make a lot and we needed the money. sceTeaching in the evening school—it’s called the School of Continuing Education (SCE) at the college where I have taught for the past twenty-one years—provides unique challenges. The typical evening course has an eclectic group of students, ranging from day students who either are trying to earn an “easy” three credits or are making up for an “F” the previous semester to adult students who are earning an associates or bachelor’s degree one course at a time, a process often stretched over many years. I particularly love teaching adult students, grown-ups with life experience who often are either making great personal sacrifices returning to college after many years or who are in their fifties or sixties (or older) taking their first college course. Such students seize ownership of their education in ways that eighteen to twenty year olds seldom do. They challenge, question, participate, keep the teacher on her or his toes, and inject life into even the most boring topics. I stopped teaching regularly at night a number of years ago for several reasons, but still miss my SCE students.wordperfect

I remember with particular fondness an introductory philosophy course that I taught many years ago in the SCE, so long ago that I no longer have the syllabus and lesson plans in my digital archives (the documents were probably written in WordPerfect). The twenty-five students were the usual grab bag, including five or six youngsters from the day school, a couple of ROTC officers, some secretaries and administrative assistants from various departments and offices across campus, and a guy who had just been hired by the college as a night shift security guard. Before I even met my students I decided that they would be guinea pigs as I chose to scrap earlier versions of the syllabus and do something new. A standard topic in introductory philosophy courses is “the problem of evil”—why do bad things happen to good people, problem of goodnessif there is a good God why is there so much evil in the world, and so on. My intuition then (and now) was that a different angle on this stale set of questions was needed. What if we flipped the question on its head and asked where goodness comes from? After all, we are thoroughly familiar with the multitude of bad things that humans do and that happen to them. Instead of spinning our collective wheels there, why not investigate the phenomenon of goodness? How does goodness happen in a world where bad things grab most of the headlines and air space? I called the course “The Problem of Goodness,” and we were off.

I remember the discussions far more clearly than the texts and materials we used. I do remember spending class time with several films—“Schindler’s List, ” “Playing for Time,” and the wonderful “Life is Beautiful.”life is beautiful We read Viktor Frankl’s Man’s Search for Meaning, an account of how the seeds of a powerful therapeutic technique for psychological healing were planted and nurtured in the midst of Auschwitz. But my main “take away” from this course came to light during one of our final class meetings. “What conclusions can we draw from our semester together?” I asked. “What have we learned about the possibility of goodness in the face of a world filled with evil?”

Various suggestions were offered, but I have never forgotten an idea contributed by one of the ROTC officers sitting in the back. “It seems to me,” he said, “that Goodness is perpetuated by individuals while evil, more often than not, is perpetrated by groups.” Such sweeping generalizations are always open to counter-examples, but at the time the students agreed that our studies that semester supported the conclusion. I have frequently returned to this thesis over the fifteen or more years since our “The Problem of Goodness” class, most recently in a colloquium I am currently teaching for the third time with a colleague from the history department called “Love Never Fails: Grace, Truth, and Freedom in the Nazi Era.” In this focused investigation of goodness in the context of evil, the conclusions drawn by my students have been remarkably similar to those drawn by my students almost two decades ago—goodness is sparked by individual commitment—what is committed to is less important than the requirement that individuals must be willing, often contrary to powerful collective forces, to risk a great deal–even one’s own life—in the pursuit of goodness.Edmund-Burke

Edmund Burke famously said that “All that is necessary for the triumph of evil is that good men do nothing.” In order, however, for this to be more than just another platitude we need to ask exactly what is required for good people to do something. It is one thing to rail against the failure of individuals to resist the collective power of evil, but it is another to specify what is needed for people to act. Two years ago, in the final seminar of my “Love Never Fails” colloquium, I gave my students the following assignment: Based on what we have learned, suppose that we wanted to write a handbook or guide for future generations on how to preserve and perpetuate goodness in the midst of evil. Are there common techniques or skills that the people we studied this semester invariably relied on as they responded to evil? Here, in no particular order, are some of my students’ suggestions concerning how to preserve one’s character and integrity in the face of severe challenges.

know who you areKnow who you are: It is very easy to become overwhelmed by the apparently monumental task of facing up to systematic evil and wrongdoing. In such situations, the only reasonable response appears to be “what can I do? I am only one person—I can’t make a difference.” But my students and I learned that moral character begins with understanding who I am and what I am capable of. I cannot change the world, but I can do something about what is right in front of me. That not only is enough, it can be miraculous. As the Jewish saying goes, “he who saves one life saves the entire world.”

Simplicity: One of my typical roles as a philosophy professor is to convince my students to dig deeper, because things are always more complicated than they seem. But one of the continuing themes of the semester was that those who respond effectively to evil and wrongdoing have often reduced moral complexities to manageable proportions. In response to complaints that “things aren’t that simple,” the consistent word was “sometimes they are.”

Some things are more important than life. I have often asked students over the years “what things are worth dying for?” more or less as a thought experiment. But for the people we studied, this was not an academic exercise. socratesJust as Socrates sharply drew a contrast between “living” and “living well” more than two millennia ago, my students and I encountered a series of counterexamples to the notion that self-preservation trumps everything else. In a variety of ways, those who responded to evil demonstrated that some things are more important than guaranteeing ones continuing survival. As Socrates argued, some lives are not worth living. A life preserved by refusing to do whatever one can to resist evil is one of those lives.

Look toward the other: One of the most important keys to preserving goodness in the presence of evil is the ability to focus my attention on something other than myself. Iris Murdoch defined love as “the extremely difficult realization that something other than oneself is real.” There is no greater technique for escaping the iron grasp of ego and self-centeredness than cultivating a sharp awareness of the reality of what is not me.

fear notDon’t be afraid: There is a reason why the first thing that an angel usually says in Scripture when unexpectedly dropping into some human’s reality is “Fear not,” since we often respond to the unknown, the strange and the overwhelming with fear. The message of the human angels we studied together was “Don’t be afraid to expose your small spark of goodness in a world of darkness. It might just change a life—maybe yours.”

Perhaps the most remarkable feature of these common techniques is their shared accessibility. Self-knowledge, simplicity, the ability to recognize what is truly important, spiritual awareness, courage—these are not magical moral weapons available only to saints and heroes. I can do this. You can do this. But only if we start now. Good habits can only be developed through repetition; we only become skillful wielding the weapons of the spirit through practice. Let’s get started.

Lent is for Lovers

Each of the past three or four years on this blog, I have posted the same essay on Ash Wednesday: “Why Lent is a Bad Idea.”

Beauty for Ashes, or why Lent is a bad idea

This has occasionally subjected me to a certain amount of push back from my Catholic friends, but I’ve stood firm by my attitudes and arguments. But over the past couple of weeks, my lovely  Jeanne and I have had an ongoing conversation about Lent that has caused me to start rethinking my anti-Lenten attitudes.

It all started early one recent Saturday morning. It’s 5:30 in the morning (on Saturday, mind you), my eyelids are resisting the inevitable and Jeanne asks me, “What is Your Relationship with Lent?!”  She’s been up taking care of the dogs, getting her coffee and obviously thinking about her relationship with Lent. Oh, the joys of being married to an extrovert. Jeanne manages to get a few mumbles out of me concerning my bad Lenten attitudes; later in the morning, she writes at the computer for fifteen minutes or so, then sends me via email attachment her composition entitled “Thank God it’s Lent,” clearly intended for my blog consideration, in which she explains her own evolving relationship with Lent. With minimal changes and occasional commentary from me, here’s what she wrote:

“Jeanne was a cradle Roman Catholic.  She surpassed many of her fellow young Catholics by being a daily communicant as a child, pursuing nunship,

I find the idea of my extroverted wife as a nun very amusing, and can imagine the inhabitants of the convent singing, as in The Sound of Music, “How do you solve a problem like Jeanne?”

working as a Minister of Music, falling in love with two seminarians at different growth phases (and winding up with a philosopher) and finally leaving the Roman tradition for a simple relationship with the Father, Son and Holy Spirit (or as she likes to call the Holy Spirit, Big Bird).

I know both of these seminarians, and am thankful they both had the good sense to choose the church over the love of my life—it would have been awkward when I met her thirty years ago if she had been married to one of them.

She’s spent her entire life it seems wrestling with the Godhead.  In fact, she has often described her relationship with God using the image of a boxing ring.  She and Jesus in the center, Jesus’ hand on her head, Jeanne’s fists flailing at the air. Jesus waiting for Jeanne to tire out, Jeanne never taking the mat.”

Jeanne calls this “Brooklyn spirituality,” which is about as far from my own type of spirituality as one can get. Still, one of the reasons our three-decade union of opposites has worked is that we respect the importance and value of each other’s very different attempts to figure out what the divine is up to.

“Jeanne came to believe that ‘If God is love, then Lent isn’t about giving things up or deprivation. It is about loving.’  She continued, ‘If I give something up because it is a sin I’m not moving toward God and myself, because the action is a negation.  But if I accept that what I’m giving up is something that isn’t good for me in the first place, then giving it up is truly loving myself. I’m showing gratitude to God and love for myself as His temple, His creation.’”

With allowance for my obvious bias in favor of anything Jeanne says, this is a profound insight. My problem with Lent has always been that it provides an opportunity for “spirituality on the cheap.” Anyone can give something up for forty days, especially if it produces a false sense of spiritual satisfaction. Jeanne’s insight is that I have this all wrong (a point she makes frequently to me). Lent provides an opportunity to deliberately do something that all of us regularly neglect: Taking care of and loving ourselves as if we mattered. Because we do. To wrap up, Jeanne—as is her custom—got direct and honest.

“To flesh this out, Jeanne has battled with food since birth, or at least that’s how it seems.  Her latest struggle is with diet drinks, coffee—which is her favored delivery system for sugar substitute and cream—and alcohol!  She loves her vodka.

About as much as I love single malt scotch and dark beer. 

“She’s thinking of giving these up for Lent because

  1. They are not good for her body,
  2. They are not good for her mind, and
  3. They are not good for her soul.

Yet, she drinks them.  To honor her new way of thinking about Lent, she has decided to embrace Love by doing what is good for her body, mind and soul.  Now if she could only grasp that going to the gym is also about loving herself!”

These are good decisions–plus, this means that for the next forty days Jeanne won’t be drinking any of my dark beer.

On this Ash Wednesday, the Lenten question for each of us is not “What should I give up for Lent in order to feel deprived, and therefore more spiritual or holy?” The question rather is “Do I dare treat myself as if I matter?” or “Am I willing to risk seeing myself as valued and loved in the manner that God sees me?” If the answer to this is “yes,” then what are the ways in which I habitually treat myself as if I did not matter? Am I willing to deliberately suspend those activities, even for a limited time? Am I willing, with Big Bird’s help, to take on a new Lenten experiment—loving myself?

A Case of Mistaken Identity

costnerJeanne and I are great lovers of movies. As I have described in this blog on several occasions, my all-time favorite movie is “Dead Poet’s Society;” Jeanne’s is “Chariots of Fire.” But a different movie that appears on both of our “top ten” lists—a movie that I am thinking of frequently these days as politicians seek to attract the attention and support of the good citizens of the heartland—is “Field of Dreams.” The story is familiar to most everyone—pure magic with Kevin Costner, James Earl Jones, Burt Lancaster and Ray Liotta in an Iowa corn field. Toward the end of the movie, as Ray Kinsella begins throwing a baseball with his father who died years earlier and who Ray had rejected long before that, John Kinsella asks “Is this heaven?” “No,” Ray replies—“It’s Iowa.” its iowaEvery four years, Iowa is a place where the dreams of Presidential hopefuls come either to die or to live until the next primary, but the Iowa of “Field of Dreams” is a place where, at least for a time, the dividing line between this world and what lies beyond is blurred.

Joan Chittister tells the story of another case of mistaken identity. On a busy Manhattan street, hundreds of people per minute rush by a young woman’s fruit and vegetable stand; vegetable standher daily business depends on her produce being attractive enough as a quick lunch or snack to draw people away from their focused and determined travels to their next destination. Suddenly, everyone heard the crash. The produce stand teetered for a moment, then the baskets containing apples, oranges, pears, tomatoes and peppers fell off the stand onto the sidewalk. They rolled in every direction, under the feet of pedestrians and toward the sewer grates along the street. The girl behind the stand burst into tears, fell to her knees, and began to sweep her hands as far as she could reach in an attempt to gather in her produce. “What am I going to do?” she wailed. “It’s all ruined! I won’t be able to sell any of this!”

One man, rushing by with a few colleagues on his way to a meeting a few blocks down the avenue, upon seeing her distress stopped and came back. “Go on—I’ll catch up with you!” he shouted to his companions. He got down with the young woman on the sidewalk and started retrieving what produce he could. overturned fruitIt was only then, as he watched her sweep her hands across the sidewalk in every direction with her face pointed upward, that he realized the young woman was blind. “What am I going to do?” she kept crying.

After returning her cart to an upright position and putting the items he had been able to collect back in their baskets, the man took forty dollars out of his wallet and pressed it into her hand. “Here is forty dollars to pay for the damage,” he said as he prepared to go. The girl stood up and reached in the direction of where she had heard his voice. “Mister,” she called out after him—“Mister, wait!” He turned around, returned to where she was standing, and looked into her blind eyes. “Mister,” she asked, “are you Jesus?”Where's jesus

Chittister doesn’t reveal the man’s answer to the question, but I know what mine would have been. Assuming, of course, that I had been good enough to stop and help the woman while hurrying from one place to another. I’d like to think that I would have helped, but the truth is that Jeanne is far more likely to have immediately gotten on her hands and knees to help and would have dragged me down to do so as well. My answer to the “are you Jesus?” question would have been first to laugh, then say something like “no, that’s well above my pay grade!” The blind woman’s question is understandable—this is the sort of thing that one can imagine Jesus doing, regardless of whether one is a Christian—above my pay gradebut we forget that all we have of what Jesus was like are vignettes, bits and pieces of the sorts of things the guy and his entourage were up to for three years as they wandered the countryside and towns.

It is very possible, though, that the gospels are a “greatest hits” sort of account; stories of the undoubtedly many times Jesus walked by someone in need or failed to recognize a person in distress aren’t likely to sell very well or generate many followers over the generations. But even in the gospels we occasionally catch glimpses of Jesus in a hurry, Jesus worn out by the crowds, and Jesus having a bad day. The young woman’s “Are you Jesus?” question is not inspired by a miracle performed or an eloquent sermon delivered—she asks because the man who helps is doing the sort of thing that human beings do when they are at their best rather than in a rush, self-absorbed, or unaware of what is right in front of them. In her mind “Jesus” is the name for the best that a human being can be. That is definitely not above my pay grade.

Within the context of my Christian faith, helping those in need is not only within my pay grade, it is according to the gospels a requirement of my faith. According to the texts, the one guaranteed way to piss God off is to fail to pay attention to the poor, widows, homeless, orphans, and all those who have fallen through the cracks. To be a follower of Jesus is, by definition, to be a person who is on the front lines of aid and protection for the less fortunate. Thelp someonehis is more than a moral directive—it is the direct outcome of the Christian story of Incarnation. God in human form, the divine clothed in mortal flesh—this is the heart and soul of the Christian faith and it how God continues to be present and work in the world. God made flesh is not just a moment in time that we celebrate two millennia later. As Chittister points out, the created world in which we live can only be completed when we take ownership of the divine within us and act accordingly.

Chittister Impersonating Catholic copyGod did not finish creation; God started it. Its ongoing development God leaves to us. What we do in life makes us the hands of God in living flesh and blood. Having made the world, having given it everything it needs to continue, having brought it to the point of abundance and possibility and dynamism, God left it for us to finish. God left it to us to be the mercy and the justice, the charity and the care, the righteousness and the commitment, all that it will take for people to bring the goodness of God to outweigh the rest.

Sister Joan closes the story of the blind young lady with the shocking, but empowering truth;

Are you Jesus? people ask us silently every day. And the answer formed in us if we live it with constancy, with regularity, with fidelity, is surely, yes.

Gentle Drizzle

IOresteian the interdisciplinary program I teach in and used to direct, the first semester faculty have to make many tough choices. Iliad or Odyssey? What texts from the Hebrew Scriptures? The New Testament? What to use from Plato and Aristotle–or, God forbid, Plato or Aristotle? And no less challenging—which of the triumvirate of great Greek tragedians? Usually it is a toss-up between the profundity of Sophocles and the brilliance of Euripides, but last fall my teammate and I opted for the first of the trio, Aeschylus. We spent a week with sixty-five freshmen in The Oresteia, a trilogy with enough violence and dysfunctional family intrigue to hopefully satisfy the most scandal-hungry eighteen year old. Perhaps some of the playwright’s profound insights into the human condition seeped in as well.

RFKClose to fifty years ago, early lines from Agamemnon, the first play of Aeschylus’ trilogy, were quoted by Robert F. Kennedy in Indianapolis toward the end of a brief, impromptu eulogy of Martin Luther King, Jr. who had been assassinated in Memphis earlier in the day. Kennedy, who would himself be killed by an assassin’s bullet just two short months later, included these lines from the Chorus’ first speech in the play as a sobering piece of one of the great speeches in American history:

Even in our sleep, pain which cannot forget
falls drop by drop upon the heart until,
in our despair, against our will,
comes wisdom through the awful grace of God.

I was reminded of both Dr. King and Bobby Kennedy , as well as these lines from Aeschylus as I was listening to “The Moth Radio Hour” on NPR the other day.

Sala Udin on “The Moth”

Sala UdinOne of the story-tellers at the Moth event was Sala Udin who told of how as a Freedom Rider in Mississippi fifty years ago he came within an inch of losing his life after being stopped and then viciously beaten by the Mississippi State Police. In his jail cell, as he looked at his battered and disfigured face in the mirror, he thought “I don’t know why they didn’t kill me, but they should have. Now I’m committed. I’m clear. I will never stop fighting racism and injustice.Kasisi-Sala-Udin-copy I’m going to be a Freedom Rider for the rest of my life.” Udin and thousands like him were some of those drops upon the heart that Aeschylus wrote of over two millennia ago. Because of persons like Udin, change in the direction of wisdom incrementally but inexorably comes “against our will,” a change that although real is nowhere near complete.

I was born in 1956 and was too young to be directly involved in the early days of the Civil Rights movement, but have often wondered whether I would have wanted to be a Freedom Rider if I had been old enough and had been given the opportunity. I have no reason to believe that I would have, but take a small amount of comfort in the belief that once the habit is developed, courage tends to be available in the amounts needed by present circumstances. I have never been faced directly with the question of what I would be willing to stake my life on and possibly die for, amazing gracebut can at least hope that faced with the decision to act on what things are worth risking or even losing my life for, I would not immediately run away.

Jeanne and I recently watched one of our favorite movies—”Amazing Grace”—with a good friend who had not seen it before. The 2007 movie includes fine acting performances from various rising young actors who now are the hottest performers going—Ioan Gruffudd, Benedict Cumberbatch, Rufus Sewell, Romola Garai—the wonderful Ciaran Hinds (who knew that Julius Caesar was in the House of Commons?), and two of my favorite older actors, Michael Gambon and Albert Finney. images3FS0ITV3“Amazing Grace” is the story of William Wilberforce’s twenty year campaign to end the slave trade in England, finally accomplished in 1807 (the movie is a celebration of the bicentennial of that legislation). I have no idea how historically accurate the movie is, but as my good friend and colleague Rodney used to say, if it isn’t true it should be. It’s a great story.

Although there are certainly “good guys” and “bad guys” in the movie, no one is close to saintly or perfect. Wilberforce’s (played by Gruffudd) dogged attempts to end slavery meet with resistance for reasons that sound unfortunately familiar. Ending the slave trade will be devastating economically, there is “evidence” that the slaves in the colonies live better than the poor in Engwilberforce and newtonland, non-whites in the colonies are “the white man’s burden,” as Rudyard Kipling will write decades later, and so on. As he encounters multiple defeats and disappointments, Wilberforce is on the brink of despair when he has a conversation with his childhood minister, John Newton (played by Finney). Before becoming a member of the clergy years earlier, Newton had been a successful captain of a slave ship; through various powerful and transformative experiences, he recognized the evil underlying his profession, and famously wrote a poem that he set to a familiar and popular tune. The result was “Amazing Grace,” perhaps the most beloved song in the hymnal, in which the now-blind Newton wrote “I once was lost, but now am found; was blind, but now I see.”

In the middle of their conversation, Newton mentions he has heard that Wilberforce is returning to the faith of his youth; Wilberforce confirms the rumor, but says that while he badly needs divine inspiration and help, there have been no inspirational lightning bolts thus far. newton“Ah,” replies Newton, “but God sometimes does his work through gentle drizzle rather than storms.” It is many more years before Wilberforce and his supporting cohorts from all walks of life land on a strategy that finally works, confirming Newton’s insight. The frontal attacks of previous years, energized by righteous anger, eloquent statesmanship, and the best of moral intentions have failed again and again. It is not until an obscure lawyer in Wilberforce’s entourage of like-minded persons suggests a new strategy—essentially “we cheat”—that success is finally won. Through behind the scenes manipulation and the use of a long neglected, virtually unknown set of maritime regulations, Wilberforce does a brilliant end run on his political opponents and slavery in Great Britain soon crumbles under its own weight. It will take more than another half century and a brutal Civil War for the same to happen in the United States.

gentle drizzleGod sometimes does his work through gentle drizzle rather than storms. Ain’t it the truth? That certainly has been my experience, both in my own life and as I have observed the world around me for more than six decades. In its Latin roots, to “convert” means to “turn around,” but this turning is more often like a sunflowersunflower following the sun in its slow course across the sky than a dynamic and once-for-all event. I am an optimist at heart, something that is often difficult to sustain when I think about how much there is to be accomplished in my own life and in the world around me. But a steady rain, even a gentle drizzle, is better for my plants and grass than an inch-in-a-half-hour downpour. Beneath the layers of violence, hatred, ignorance and despair, something holy is lurking. Let the gentle drizzle and drops upon the heart release it.

Holy Family Values

Each week for the past many years, Garrison Keillor has told “Prairie Home Companion” listeners the news from Lake WobeLake-Wobegon[1]gon, where “all the women are strong, all the men are good-looking, and all the children are above average.” I’ll bet the Holy Family was like that.

Lots of people think their children are well “above average”—hence, the bumper stickers in which parents boast that they are the “Proud Parents of an Honor Student at _________.”115711-20[1] Everyone thinks their child is precocious and the smartest/best looking/most creative human being ever. Every parent expects their infant to earn either a full academic or full athletic scholarship (probably both) to the college of their choice when the time comes. I doubt there is a place for a bumper sticker on a donkey, but if there is, what would Mary and Joseph’s donkey sticker have said?b24ede2f59b807e062898eb6a63bb5de[2] “Proud Parents of the Savior of the World”? “Our Kid is God in the Flesh”? Because there’s precocity, and then there’s precocity.

In “The Nativity Story,” a significant amount of time is spent on Mary and Joseph’s journey from Nazareth south to Bethlehem. The filmmaker creatively lets us spend some time with these two young people, almost strangers to each other, who have been named as players in a divine plan that they have been told very little about. At one point, Mary asks Joseph what the angel had said to him.

Joseph: He said to not be afraid. (pause) Are you afraid?

Mary: Yes. Are you?imagesCAOLDHLP

Joseph: Yes.

Mary: Do you ever wonder when we’ll know? That he is not just a child? Something he says, a look in his eyes?

Joseph: Sometimes I wonder will I be able to even teach him anything.

No kidding. When it is predicted by the angels that the soon-to-be-born baby will “save his people from their sins,” one’s possible parental and step-parental contributions certainly seem to pale in comparison.

Although you wouldn’t know it from the mass quantities of commentary and artwork that have been produced over the last two thousand years, the canonical Gospels tell us remarkably little about holy family life. The non-canonical gospels, however, contain some stories that entirely corroborate Mary and Joseph’s pre-birth concerns. 4069-6820Jesus makes clay birds, which then come to life and fly away. Jesus strikes an annoying playmate dead. Jesus brings a less annoying playmate back to life after a fatal accident. School is a disaster, since every time a teacher tries to teach Jesus something, Jesus starts doing the teaching instead. Joseph and Mary’s worst fears come true.

The canonical gospels essentially leave us in the dark about Jesus between birth and thirty years old. We get the circumcision, the three kings, the flight to Egypt, Jesus growing in wisdom and stature, and a central text from Luke 2, twelve-year-old Jesus in the temple. The various artist’s renditions I’ve seen of this story are pretty much the same—The-Jesus-2[1]Jesus, looking particularly Aryan in the center of a holy glow, pontificates and astounds while his learned elders in the shadows lean away in disbelief and awe and some scribe takes notes. It’s kind of how I remember myself as a fifth or sixth grader, astounding (annoying?) my teacher and fellow students with yet another piece of fascinating (to me), but useless (to anyone else) information. Lovely scene, except that it has a lot more to do with what we think Jesus at twelve would have been like than anything from the story in Luke.

The actual story gives us a glimpse into a real family, holy or not. After going to the feast in Jerusalem with friends and family, as is their annual custom, Mary and Joseph are returning north to Nazareth. Although they’re not sure where Jesus is, they assume that he’s running around with his friends somewhere in the traveling group, so they don’t worry about it. Good for them—he’s almost a teenager, and they’ve loosened the parental leash a little bit. Let the boy have some freedom. But when he doesn’t show up at the end of the day, they’re worried. After failing to find him in the caravan, they return in panic to Jerusalem, where after three days they find him in the temple “sitting in the midst of the teachers.” In response to his mother’s exasperated and relieved “What the hell is your problem?? We’ve been looking all over for you!!! We thought you’d 262jesus12[1]been kidnapped!!!!”, Jesus gives a predictable, smart-alecky twelve-year-old response: “Why is it that you sought me? Did you not know that I must be about My Father’s business?” Oh really?? “Guess what? You’re grounded! Once we get back to Nazareth you can ‘be about your Father’s business’ in your room!!” Luke chooses not to tell us if Jesus then received a well-deserved slap upside the head and lived under house arrest for the next year.

This is a real family, struggling with the challenges of love, faith, boundaries, and growing up. Despite the usual interpretations of this story, I think that Jesus had not gone to the Temple to school the experts—something he presumably could have done, given his pedigree and all. He was “sitting in the midst of the teachers, both listening to them and asking them questions.”Jerus-n4i[1]

I don’t know whether twelve-year-old Jesus thought he was the Son of God—my bet is that he didn’t. But he did know where he wanted to be—he wanted to be where he could learn. Certainly the mystery and splendor of the Temple would have been an attraction for any young Jewish boy. But the real attraction was that this is where learning happened. This is where the most intelligent and educated people of Jesus’ society gathered to debate, to investigate, to discuss, and to discover. And that’s where Jesus wanted to be—listening and asking questions. Even the Son of God had a lot to learn and knew how to get started. Put yourself in the right place and open yourself up.

Reflecting on this will be a wonderful preparation for the upcoming semester. The life of learning is so much more about quietness, attentive listening, and perceptive questions than conveying facts and information.ListenLearn-lg[1] This is where the divine in each of our human vessels gets awakened and fanned into flame. It’s a privilege to participate. When, as always happens, I find myself buried under and frustrated by piles of grading and endless department and committee meetings in a few weeks, I’ll try to remember twelve-year-old Jesus, who knew where he belonged. He was about his Father’s business. Go and do likewise.

Who Comes This Night?

Aleppo, Russians tampering with our election, a sharply polarized country, general mistrust in all sort of institutions, a truck driving into holiday celebrators in Berlin—the clashing of our world with the Christmas season has never been more dissonant. In his lovely holiday song “Who Comes This Night?’, James Taylor asks some very pressing questions:

Who sends this song upon the air
To ease the soul that’s aching?
To still the cry of deep despair
And heal the heart that’s breaking?

If there was ever a time when accumulated layers of consumerism and tradition needed to be peeled back from the Christmas narrative to reveal what lies beneath, it is now.

Christmas movies are a big deal at my house. Jeanne goes for the classics, such as “Miracle on 34th  Street,” “The Bishop’s Wife,” “It’s a Wonderful Life,” and (her favorite) “White Christmas.” Those are all fine (except “White Christmas,” which I can take or leave), but I tend to favor more recent ones, like “The Holiday,” “Love, Actually,” and (my favorite) “The Nativity Story.” “The Nativity Story” presents a remarkably straightforward, hence beautiful, rendition of the birth of Jesus narratives. All of the standard elements are there—Elizabeth and Zechariah, Mary and Joseph, shepherds and wise men at the manger, angels in appropriate places saying appropriate things, along with a particularly creepy father and son team of Herod the Great and Herod Antipas.

These standard elements, though, arise from a conflation of gospel texts. The authors of Mark and John apparently didn’t think the circumstances of Jesus’ birth important enough to even report on, while the authors of Matthew and Luke construct their stories from “cherry-picked” details. Luke does not mention the wise men or the star, but has angels singing to shepherds, who then visit Jesus in a manger in Bethlehem. Matthew has no worshipping shepherds or even a manger, but wise men following a star visit the holy family in a house, probably in Nazareth, sometime after Jesus’ birth. Throw in Santa and some reindeer, and you’d get the usual front lawn decorations for the holiday season.

So where lies the truth? A friend, who recently passed away, tended to be rather definitive in his pronouncements. Once at lunch he said that “The heart of Christianity is what you believe about the stories. Do you believe the stories are true or don’t you? Yes or No? And if you say ‘let me think about it,’ that’s the same as saying No!” This was not directed at me specifically—he was just drawing a line in the sand, as those of us who knew and loved him expected him to do. But I think I’m in trouble. Because not only am I not sure about whether my answer to his question is “yes,” “no,” “let me think about it,” or even “which stories are you referring to?”—I’m inclined to say that “it doesn’t matter.” Our lives are built from stories that we embrace and own as ours—this story is one of the best. As I reported in this blog recently, a student of mine once said that even if it could be proven that Jesus never existed, she would “still be a Christian, because being a Christian makes me a better person than I would be if I wasn’t.” That’s a good start—the measure of one’s faith is what impact it has in real time on the life being lived.

Meister Eckhart once said that the Incarnation is something that happens within us, that the nativity story is the story of the continuing union of the Spirit of God with individual, fleshly human beings. But then Meister Eckhart was accused of heresy, was fortunate to escape being burned at the stake, and died in obscurity. No wonder I resonate with his insight. At the climatic manger scene in “The Nativity Story,” the gold-bearing wise man Melchior, who looks amazingly like a colleague and friend of mine in the history department, gazes at the baby and says “God made into flesh.” The message of Christmas cuts across every one of the boundaries that we spend so much time drawing and protecting, for it tells us that the human and the divine belong together and that the only way that God gets into the world is in human form. That’s you. That’s me. That’s us.

The heart and soul of Christianity is remarkable both in its simplicity and its iconoclasm. God made into flesh. Remarkably small. Disturbingly fragile. Completely mysterious. And utterly true.

Merry Christmas

The Real War On Christmas

A few days ago I stumbled across one of the most remarkable tweets I have encountered in my limited experience with Twitter. A friend retweeted something from the Twitter feed of walshJoe Walsh, a former Illinois congressman turned conservative talk-show host, who had this to share:

If Jesus was back among us, he’d be a law-abiding gun owner. He’d support the Police. And he’d say “Merry Christmas” not “Happy Holidays.”

This, of course, led to a number of creative responses, including

  • No, he’d say Happy Birthday to Me or Merry Me-Mas
  • The most stupid thing ever said on Twitter? Take a bow
  • Like a brown skinned Arab man in sandals walking about with a gun isn’t going to get riddled with bullets?

The best I could come up for my own response was

  • If he was back among us, he’d say “JESUS CHRIST, WALSH!! WHAT THE HELL IS WRONG WITH YOU???

Apparently, Joe Walsh is imaging a Jesus ready to actually fight in the “War Against Christmas” that certain folks annually claim is being fought by political and social liberals such as myself as part of a continuing effort to make atheism the religion of the land.good-tidings-great-joy_zps3892bf561

A recent salvo in the war against the war on Christmas a couple of years ago was Sarah Palin’s Good Tidings and Great Joy: Protecting the Heart of Christmas. I won’t be reading this book, but I’m quite confident that I know the general thrust of her argument, if she bothers to have one. Liberal atheist grinches are out there trying to steal our crèches, monitor our language so that we will be embarrassed to say “Merry Christmas,” be forced to say something insipid like “Happy Holidays” or “How are you doing during this lovely Holiday season?” and make it a thought-crime to think about the baby Jesus. I find this paranoia amusing, sad, or maddening depending on my mood. If one’s faith is rattled by such matters, one has larger issues to confront than the possibility that not everyone shares one’s faith. The Incarnation that I celebrate at Christmas is at the center of what I believe concerning God—whether an oversized fake baby with a halo and pious expression gets to lay in a manger while observed by other pious statues and animals on the front lawn of city hall doesn’t have much effect on that belief.

This is not to say, however, that I deny that Christmas is under attack. It is, at least on two fronts. One of them is obvious—all you have to do is walk into any store where you can buy something between Halloween and January 1.lowes-christmas One Saturday in the middle of November, I needed a package of large paper lawn-and-leaf bags as I cleaned leaves from our tiny yard. Upon entering the Lowe’s a mile away and heading for the place where blowers, bags and rakes were two weeks ago when I bought bags the last time, I was immediately disoriented. Autumn leaf-control tools and accessories had been replaced by mass quantities of the worst that commercial Christmas has to offer. Fake trees, gaudy and tasteless lawn decorations and tree ornaments had taken over the right front quadrant of the store, supported by the ever-offensive strains of Xmas muzak in the background. WHAT THE FUCK!!!??? I thought, as I do every year in November when I am smacked in the face by the Ghost of Capitalist Christmas for the first time in the season. Halloween was just two weeks ago! Thanksgiving isn’t for another ten days! Thanks for making me hate Christmas all over again, Lowe’s!

I’m convinced that this is more than simple capitalism run amuck. There’s something sinister lurking behind the scenes. Everything we see and hear at the end of each calendar year is designed to convince us that we need to buy a bunch of stuff we can’t afford in order to prove our affection for people in our lives, all overseen by a fat guy with a white beard in a red suit.evil_santa1 What more insidious undermining of an adult, vigorous, intelligent faith could there be—the divine turned into a fat guy with a beard who can be bribed by good behavior into fulfilling even the most trivial desires? A jolly elf who effectively seduces millions of people every year into believing that and behaving as if the best place to celebrate Christmas is in one of our contemporary cathedrals of worship—providence-mall1the shopping mall. Get thee behind me, Santa.

The war on Christmas has been underway for a long time, waged not by liberal, politically correct atheists seeking to undermine traditional values, but rather by the insidious and inexorable pressure to trivialize and commodify everything. The heart of Christmas is no more present in lawn ornaments, “Put Christ Back Into Christmas” slogans, and “Merry Christmas” lapel buttons than it is in the extravaganza of holiday paraphernalia that screams at me every time I drive down the street or walk into a store between Halloween and New Year’s Day. The heart of Christmas is in the silent mystery of the Incarnation, in the strange and beautiful ways in which the divine chooses to enter our world in human form on a daily basis. There are many ways to connect and resonate with the heart of Christmas—Santa is not one of them.

But there is another front in the war on Christmas, this one self-inflicted by those of us who claim to be Christian. In a recent interview with Krista Tippett on NPR’s On Being, Jesuit author and spiritual advisor James Martin spoke of how we have sanitized the Christmas story into something appropriate for polite conversation, crèches, cards, and movies.jim_martin

I think it’s been tamed. It’s not only been commodified and commercialized; it’s been tamed. It’s a nice, pretty story about two nice, good-looking people, usually white, who had a pretty baby in a manger. But in a sense, it’s a terrifying story in terms of what they had to undergo. And it’s also—I have to say—it is a shocking story. It’s not just a baby. It is God being born in human form. And it’s just as shocking as the resurrection. And I think we’ve tamed it. And in a sense, it doesn’t demand our belief. We can just kind of look on it, and say, “Well, that’s cute” . . . And I actually have to say, I am really getting to the point where I’m starting to loathe the Christmas season.

As I had the opportunity this semester to discuss some of the seminal texts of the Christian faith with my freshman students, I reminded them that at the heart of the Christmas story is an outrageously ridiculous, but beautifully attractive, idea: God chose to become human. God continues to engage with the world through humans. We have surrounded ourselves with all sorts of distractions in order to avoid grappling with a most basic truth: God loves us. That changes everything. And it doesn’t make me want to go to the mall or to church.