Category Archives: music

Something Rather Than Nothing

One of the most reliable ways to deaden a lively conversation in class is to ask a “philosophical question.” indexNothing is more certain to produce blank stares, then uncomfortable silence, than questions like “Is the world we experience primarily a matter of what we perceive or of what we create from what we perceive?” or “Is the truth something we find or something we invent?” Jeanne read one of these sorts of questions—“Is the self assembled from my memories, and if so, what if my memories are inaccurate?”—in a book she was reading not long ago. “This person sounds like you,” she said. “The problem is, I just don’t care about this question.” I know. The fact that in twenty-eight-plus years together I have failed to get Jeanne to understand the importance of properly splitting philosophical hairs is a constant source of disappointment.

For most of my years of teaching philosophy, I have managed to ask such questions, which are the bread-and-butter of my discipline, in ways that actually have some relevance to the lives that my students live. But there’s one philosophical question, perhaps my favorite, which is close to perfect in the form that it has been asked for thousands of years. 100030303-the-mystery“Why is there something rather than nothing?” That doesn’t grab you? Try this version: Assuming that the world (and us in it) could have been different, or not have existed at all, why is it the way that it is? And what might we learn about ourselves and the larger reality within which we find ourselves by pursuing possible answers?

These were the guiding questions behind the “Beauty and Violence” colloquium I will spend with a dozen Honors juniors and seniors next semester. It’s odd to be thinking about next semester when I am buried under grading this semester, but the Honors Program director asked me for a course description of the colloquium a couple of days ago, which reminded me of how much I enjoyed it the last two times I taught it. One of the authors we will study is P2P_sphysicist-turned-Anglican-priest John Polkinghorne, who once said in an interview that Creation is more like an improvisation than the performance of a fixed score that God wrote in eternity. In other words, the creator might be more like Ella Fitzgerald than Ludwig van Beethoven. Many people carry a model of the natural world around that we inherited from the Scientific Revolution, the model of an intricately and finely tuned machine, designed and created by a cosmic being whose favorite things are precision, order, economy and control. If we speculate about the personality traits of this “designer God,” characteristics such as “powerful,” “rational,” “logical,” “rule-making” come to the fore, which are but a short step to “judgmental,” “controlling,” “aloof” and “distant.”

The problem is, we don’t live in that sort of world. If our world was designed with precision, order and economy in mind, the designer was having a teilhard-1-sizedpretty bad day. Darwin opened the door wide to speculation that the world we live in is vastly more messy and open-ended than ever imagined; a century and a half of further investigation in all of the various sciences has con-firmed Darwin’s insight. It’s very possible to investigate the messy, inefficient and spectacularly fascinating universe we inhabit without reference to anything greater than ourselves, but I find it impossible to do so. If we are in fact part of a creation that is unfinished, in which in Teilhard de Chardin’s memorable phrase, “God does not make: He makes things make themselves,” where does intelligent speculation about such a creator lead? In directions both stimulating and iconoclastic.

We spent a number of weeks the last time I taught the “Beauty and Violence” colloquium teasing out some of the differences that understanding the world in this way might have for how we think about God. For some of my students, the implications were fascinating and liberating, while for others they were disturbing and paradigm-shifting. Two of the traditional characteristics attributed to God, for instance, are omniscience and omnipotence. God knows everything and has the power to do anything. These “omni” characteristics have been problematic for centuries when thinking about human choice and freedom. 20080626_kristatippett_2When thinking about an open-ended universe that continues to be created by the creatures that inhabit it, such characteristics are more than problematic—they need to be jettisoned entirely, as many cutting-edge scientists and theologians suggest. Here is the full John Polkinghorne quotation, taken from an interview with Krista Tippett:

The act of creation, the act of bringing into being a world in which creatures are allowed to be themselves, to make themselves, is an act of love. Kenosis-school-of-art-and-creative-services_11310_imageIt is an act of divine self-limitation. The theologians like to call it kenosis from the Greek word. God is not the puppet master of the universe, pulling every string. God has taken, if you like, a risk. Creation is more like an improvisation than the performance of a fixed score that God wrote in eternity. And that sort of world involves God accepting limitations, and, I believe, accepting limitations such as not knowing the future.

Rather than a tightly controlled and designed universe, this is a universe in which power and knowledge on the part of the divine are sacrificed for—something. Freedom? Choice? Beauty? At thegod_created_risk_postcard-r1d8ae1c777454aa29480a38b805f6646_vgbaq_8byvr_324 very least, the motivations for such an ongoing creative process are something other than control and order. A world in which creatures are empowered to create in novel and unique ways sounds less like a universe energized by ordering power and more like one embedded with creative love and emerging beauty, a beauty that theologian John Haught defines as “ordered novelty.” Only a universe structured on the edge of order and chaos could generate such results.

A God who intentionally created a partially finished, non-economical and messy universe that is still a project in the making is not a God who knows everything that will happen or inserts divine power into every organizational detail. This is a God who has taken a significant risk—on us. In an intellectual notebook entry, one of my students captured this idea concisely and beautifully.

God is only truly taking a risk if He has a desired intention for us—a purpose, so to speak—that could either be fulfilled or unfulfilled through our free actions and the way in which we live our lives. God is gambling on us because He has allowed for the opportunity of failure. God has fixed His hand by giving us everything we need to fulfill our purpose. He is actually no less omnipotent, he is simply using His power to limit His power, a theory that if true would be the noblest of all divine endeavors. If we deny our egos, we are to be awakened by His silence and transformed by the realization of our limitations.

This, of course, raises many more questions than it answers. But they are better questions in my estimation than the traditional ones, in keeping with my favored definition of philosophy as “the art of asking better and better questions.” Yet another confirmation that Socrates was right when he said that “the unexamined life is not worth living.”quote-the-unexamined-life-is-not-worth-living-socrates-174068

The Joyful Owl

SagataganJust about seven years ago, on a beautiful summer morning very similar to the ones we are experiencing in Providence these days, I was just finishing a post-morning prayer walk around beautiful Lake Sagatagan behind St. John’s Abbey on the campus of St. John’s University in Collegeville, Minnesota. I had been in Collegeville for the first four-and-a-half months of 2009 on sabbatical and was now back for a week of writing and relaxation while Jeanne participated in a workshop at the Episcopal House of Prayer nearby. ThMary at stella marise point of destination when walking the perimeter of the lake is Stella Maris Chapel on the opposite shore from the Abbey, a lovely little chapel which contains an exquisitely unique statue of a pregnant Mary. St. John’s is situated on a national wildlife preserve; I learned during my months in residence never to walk the trails without a camera. On this particular morning, I noticed a dark shape in one of the massive trees just off the trail to the right. I stared at it for what seemed like several minutes. After concluding that it must be a large abandoned nest or simply the remains of a long-ago fallen branch, the top third of the shape turned slowly 180 degrees and looked directly at me. It was an owl.100_0767

I have noted occasionally in this blog that I am obsessed with penguins, to the extent that I once dedicated a post exclusively to penguins.

Well-Dressed Birds

But I also love owls. They’re not quite as cool as penguins, but come in a very close second. If penguins did not exist (a world I do not care to consider possible), my office would be full of owl paraphernalia instead of penguin stuff. And I could make a better case for an owl obsession than I can for penguins. Owls are iconic symbols of wisdom, something everyone wants (I think).the owl of minerva Accordingly, philosophers should like owls. As a matter of fact, The Owl of Minerva is generally considered to be the best philosophy journal in the English-speaking world dedicated to the philosophy of the great nineteenth-century German philosopher Georg Wilhelm Friedrich Hegel, just in case you’re interested. The title of the journal is a reference to the owl being the favored bird of Athena, the Greek goddess of wisdom (Minerva is her Roman name)—who just happens to be my favorite resident of Mount Olympus. Stuttgart_Athene_ZeusYou have to take notice of someone who sprang fully grown and clothed in battle armor directly from her father’s skull and started giving him advice. So I immediately chalked up my owl sighting as yet another gratuitous favor sent to me from the divine as confirmation that this place in the middle-of-nowhere Minnesota is indeed a spiritual home. It only could have been topped by some penguins waddling down the path in my direction.

I don’t recall that owls were a favorite of mine as a child. My attraction to owls was most likely triggered during my first couple of years of teaching after graduate school. I was on the faculty at a small Catholic college in Memphis where they basically needed someone to teach business ethics to their business and engineering students. spotted owlSo I did—five sections per semester for three years. I always included a unit on environmental issues, and during the early 90s this invariably meant spotted owls. Native to the Pacific Northwest, the endangered spotted owls were very picky about where they nested and lived—which just happened to be in the middle of prime timber forest. Every time well-meaning people would relocate the owls, they immediately moved back to their original section of the forest that various constituencies wanted to cut down and turn into useful items that people will pay money for. So the debate raged—tree_huggertree huggers arguing that this forest must remain untouched so the spotted owls could live where they chose, and good capitalists screaming foul over the idea that a stupid, useless bird that no one ever saw because they only came out at night when everyone was asleep could actually hold up progress and money-making. My students had many fine, spirited debates—so many that at the end of one semester they presented me with a stuffed spotted owl toy that perches twenty years later proudly on top of one of my office bookcases.

Imagine my delight when taking the “What Animal Were You in a Past Life” quiz that popped up one day on Facebook to find out that

What Animal Were You in a Past Life?

You were the Owl. Graceful, quiet, and majestic, you glide silently through the night. You are self-sufficient, independent, and make the most of everything around you. You are not very picky about what you like, and when you love something, it will be forever. You would make a wonderful parent, but in no way would you spoil your children; they would be taught how to look after themselves. You are a symbol of guidance.

flying owlIt’s very interesting how these descriptions put a positive spin on features that aren’t that attractive. For instance, “You are not very picky about what you like” is a reference to the fact that owls are birds of prey and will basically eat anything they find. The positive qualities listed are ones that I certainly aspire to and I can almost remember “glid[ing] silently through the night” in my past life as an owl.

Owls are not funny. Here’ a typical example of owl humor:

An owl and a field mouse walk into a bar. The owl turns to the field mouse, but doesn’t say anything because owls can’t talk. Then the owl eats the field mouse, because owls are predatory birds.

Owls are serious predators of the night, wise and stealthy as they swoop about taking care of their nocturnal business. Nothing humorous there.

So I was confused a few days later when I took the “What is Your Spiritual Power?” quiz (I really do need to get a life) and was told that

What is Your Spirit Power?

You got Joy. You are the most joyful spirit around. The happiness within you never stops flowing. You’ve never kept it all for yourself either, you’ve always made others happy when they needed it most.

Joy? Really? This will come a surprise to Jeanne. She’s the one who has Pharell Williams’ song “Happy” as the ringtone on her phone.

I would be more likely to have the tune to “Leave me the fuck alone” on my phone. What would a happy, joyful owl be like? In the world of Photoshopping, all sorts of possibilities are available.untitled But in the real world, owl joy is hard to detect. Take my word for it—it’s in there. As soon as I find it, I’ll let it out.Caleb owl

I AM smiling.

I AM smiling.


Those Effing Blue Jays

It has been hot this week—low to mid-nineties with high humidity. I know, for those of you living in Memphis or other summer furnaces, that sounds like a lovely spring day. But for those of us in New England, it’s hot.WIN_20160726_09_29_48_Pro One of my favorite things to do in the summer—early in the morning before it’s too hot—is to sit on our front steps with coffee, be as still as possible, and watch the birds devour their daily allotment of bird suet about ten feet away. As I was doing this a couple of mornings ago, a squirrel sauntered across the bottom of our steps about three feet away. He looked at me with a “what are you doing here?” glance, then headed toward the feeders in hopes of some leftovers on the ground. He was oblivious to a leaf and twig stuck behind his right ear. Then a good-sized blue-and-white bird flew inches from my head as it swooped toward the food. “I just got buzzed by one of those fucking blue jays,” I told Jeanne when I went inside.fucking blue jay

Although Jeanne has been known to drop an f-bomb or two, she is not in favor of indiscriminate profanity. She occasionally cringes when listening to her oldest stepson’s discourse; his go to adjective is “fucking.” F-bombs should be saved for the most appropriate situations, such as responses to Donald Trump’s latest tweet or describing the thirty-first person to cut you off in a given day on the road. One might think that dropping an f-bomb on an innocent bird taking a short cut to the feeder is a waste of an adjective that should be used sparingly, but Jeanne laughed at my description—she knew that I was referring to a story from a friend many years ago that has become iconic in our household.

Rodney Delasanta was one of best teachers and colleagues I ever had the privilege of knowing. One of my mentors when I first arrived at Providence College twenty-two years ago, Rodney was a true Renaissance man—rodneya Chaucer scholar, family man, sports fan (especially the Red Sox), award-winning accordion player (really), and classical music aficionado. The accordion business made him a regular recipient of the latest accordion joke from me. “What is the definition of a gentleman? A man who knows how to play the accordion—and doesn’t.” Once Rodney responded with an even better one: An accordion player is trying to find the location of his latest gig in downtown Manhattan. He parks his station wagon on the street with his accordion in the back, locks it, and sets out on foot to find the address. Upon returning to his vehicle he is crestfallen to find that the back window has been broken—and even more crestfallen to find five more accordions in the back of the station wagon!

Rodney was a proud father and an even prouder grandfather. His wife Frances, and equally proud grandmother, often babysat her three-year-old grandson during the day while his mother, an elementary school teacher, was at work. Frances and her grandson frequently enjoyed sitting on the enclosed back porch, watching many varieties of birds visit the feeders in the back yard. One day a large and aggressive blue jay swooped in for lunch, scattering any number of smaller and less obnoxious birds in every direction. This set off a jay mourning dove

Grandson: Nana, why is that blue and white bird so nasty?

Grandmother: Well, blue jays aren’t very nice birds. They are bossy and pushy and don’t care very much about the other birds.

Grandson: (after some reflection) Those fucking blue jays!

Grandmother: WHAT DID YOU SAY??

Grandson: Those fucking blue jays!

Frances, of course, immediately reported the activities of her innocent but foul-mouthed grandson to his mother when she arrived to retrieve him at the end of the day. Aghast, she explained to Frances that her son must have heard a little too much of her exasperated monologue as she tried to get his snow boots and paraphernalia on that morning when she was running very late. darndest“Out of the mouths of babes,” as they say—it’s tough to tell your kid that he must never use such and such a word when the first time he hears it is coming out of your own mouth.

Rodney loved this story and, as a natural story-teller and ham, always reduced everyone who heard it to uproarious laughter. Rodney passed away a few years ago; at his wake, Jeanne and I met his grandson, now in his teens, for the first time. “Oh, you’re the grandson in the blue jay story!” Jeanne said, and he knew exactly what she was talking about. The story is one example of the wonderful randomness of day-to-day life and a reminder to appreciate the unexpected. The comment from Rodney’s grandson has provided me with yet another go-to phrase to use in my self-talk, a phrase whose meaning is known only to me. Someone is being a self-centered jerk? “Stop being a fucking blue jay,” I think. torontoThe baseball team from north of the border just kicked the ass of my beloved Red Sox? “Those fucking Blue Jays.” It’s worth noting, of course, that blue jays are beautiful birds. The vast majority of feathered creatures who visit our feeders are unremarkable—sparrows, wrens, chickadees, and other little birds that biologists sometimes refer to collectively as “little brown jobs.” A blue jay swooping in brings a welcome infusion of color and individuality, even though it is by nature a jerk. I’m reminded of the well-known hymn:

All things bright and beautiful,

All creatures great and small,

All things wise and wonderful,

The Lord God made them all.

Even the fucking blue jays.

The Burden of LIght

TDWCeaching for close to twenty years in an interdisciplinary program with colleagues from a multitude of disciplines has provided me with the best that academe can offer a professor—a continuing education. In an academic world which so often demands narrower and narrower research focus and specialization from its members, it has been a gift to spend the majority of my career thus far at a place that welcomes breadth and encourages—and sometimes requires—its faculty to regularly wander outside their comfort zone in the classroom. In my early years at the college, a few of the older faculty—some of whom had been part of the creation of this interdisciplinary program in the seventies—used to joke that the course was really for the enjoyment and edification of the faculty. Students were allowed in only to pay the bills. I have learned more about history, theology, music, art, and literature through my participation in this program than I could have in any number of graduate courses.Caravaggio

I learned, for instance, about chiaroscuro from the art lectures offered regularly by a colleague from the history department who was frequently a member of my teaching team during my early years in the program. This colleague, now an emeritus professor, is a specialist in American Presidential history—and also knows a lot about art and music, especially opera. In painting, chiaroscuro is a technique that uses strong contrasts between light and dark, bold contrasts that affect the whole composition. Many Renaissance artists used the technique; my colleague’s preferred examples came from the work of Caravaggio. My colleague’s go-to illustration of Caravaggio’s chiaroscuro was “The Calling of Saint Matthew.”

Calling of Saint Matthew

There is some debate concerning who Matthew is in this painting. Is he the guy with the beard pointing at himself (“Who, me?”)? Or is he the young counting money and not paying attention, to whom the guy with the beard is pointing (“Who, him?”)? I prefer the latter interpretation, but there is no debate about the power of light and shadow in this painting. The light shining from a window outside the top right of the canvas illuminates just enough of Jesus’ modest halo to make clear who he is, as well as the expressions on the faces of everyone at the table. But this light also makes the shadows even darker and more pronounced. Light does not dispel the darkness, but it changes everything. This light has transformed the life of the man on whom it is directed—for better and for worse.hast_ox_yoke[1]

According to Matthew’s gospel, Jesus once said that “my yoke is easy, and my burden is light.” Jeanne told me recently of an “aha!” moment she had not long ago related to this “burden is light” business. She (and probably everyone else aware of the passage and its context) always assumed that Jesus meant that the burden of following him is not heavy—it’s light. And I’m sure that’s what the Greek text implies as well. But thanks to the wonders of the English language, this passage can mean something entirely different and much more interesting. What if Jesus means that it is our burden—our duty—to illuminate the darkness, to bring light into a world that badly needs it? What if we read “light” in “my burden is light” as a noun rather than as an adjective? There are all sorts of light-related references attributed to Jesus, including that we are “the light of the world.” And yet Caravaggio and others show us through their skillful use of chiaroscuro that being a light-bearer comes with a built-in price—illuminating the darkness also involves revealing the shadows, both in oneself and in others. Sometimes commitment and faithfulness come with a cost.

freedomwriters[1]Jeanne went on to say that her new reading of “my burden is light” reminded her of an important scene from one of her favorite movies. “Freedom Writers” is the story of Erin Gruwell, played in the movie by Hilary Swank, a young, idealistic teacher in south Los Angeles in the 1990s who finds her enthusiasm and creativity stretched to the breaking point by students divided into gangs along racial lines and an administration who refuses to let Gruwell give the students books to read because the books might be stolen or damaged. Her unorthodox teaching methods incrementally have a positive impact on her students, but there is a price to be paid. patrick-dempsey-hilary-swank-in-freedom-writers[1]Toward the end of the movie Erin is having dinner with her father and breaks into tears. Her husband has left her, due to her 24/7 dedication to her job and a lack of time for him and their marriage. She sits, weeping, asking her father “Has any of this been worth it? Does it even matter? Have I made any difference?” Her father, who up to this point has been less than supportive of Erin’s commitment, looks at her and says, “You have been blessed with a burden, my daughter. I envy and admire that.”

Jesus told his followers that “You are the light of the world.”  Persons of faith are also blessed with a burden—a burden of light. This is not a burden of things to do, actions to perform, positions to take, any more than light considers illumination to be its job. Many centuries ago, Aristotle resonated with this insight when he argued that the moral life is far less about what a person does than it is about that person’s character, about who that person is. Just as light changes everything it comes into contact just by being what it is, so the person of character reveals herself and introduces light into the darkness simply by being, by showing up. And this is the call to persons of faith. 23390200_9895fcc823[1]Be there; show up; remember that we have the divine within us. The light may be dim, flickering, all but invisible, but it is the way in which the divine invades the darkness. It doesn’t simply remove darkness; indeed, it reveals new shadows and dark places that could not be seen before the light arrived. But our burden, shadows and all, is to be what we have chosen to be—divine light bearers.

An Introspective Day

IGetImage[1]n our three years in Milwaukee, our first years together as a married couple trying to cobble a functional stepfamily together, Jeanne and I set our radio alarm to NPR, which would awaken us every morning at six o’clock. The early show was classical music, hosted by a local public radio fixture with the comforting and dulcet tones of an educated uncle. As we emerged into the day from sleep, the host would provide a brief weather report before queuing up the first musical offering of the hour. On some mornings, he would announce that “ladies and gentlemen, it is an introspective day—let’s begin with something appropriate from Beethoven.” EmperorConcertoCrop[1]The first movement from the Moonlight Sonata, or the second movement from the Fifth Piano Concerto, or the third movement from the Seventh Symphony—one of these products of Beethoven’s inner complexities would then serenade our rolling out of bed.

“An introspective day” meant that it was foggy, rainy, snowy, or at least cloudy—a day designed for redirecting one’s energies inward, the sort of day that everyone should be allowed to sit by a draft_lens18511478module153253276photo_1315951738read_by_the_fire[1]fire, drink their hot beverage of choice, and read. Nothing electronic blaring, no external demands, no pressures, just a chance to be quiet, breathe a bit slower, and feel a bit more deeply. Nice virtual image for a couple of minutes, but then real life showed up with two kids to arouse, feed and get to school, receiving a phone call telling Jeanne where in the large Milwaukee Public School system she was to report for the day, my twenty-minute bus ride downtown to the universityIMG_2762[1] where another day of PhD preparation activities awaited me. The introspective day stayed in the bedroom, a nice idea for the five minutes that it lasted.

I remembered this phrase one morning last June, more than twenty years later, as I arose at 4:30 to get a shower before Vigils at 5:30. The day before, my first full day on retreat at a Benedictine hermitage in Big Sur, was more touristy than retreatish, as I drove south on Route 1 along the Pacific Ocean from the hermitage, ostensibly to find someplace with cell phone service (no cell or wireless service at the hermitage or within thirty miles in either direction), but really because this was my first time at Big Sur073 and I was not ready to settle down into a few days of silent retreat until I saw more of the most beautiful scenery imaginable that I had driven through coming from the north the previous afternoon. Every switchback turn revealed another breathtaking vista; by the time the landscape flattened out a bit I had taken almost one hundred pictures. I finally found flickering phone service on my Droid at a large parking area right on the beach—a beach that just happened to be Elephant Seal Vista Point, where several dozen elephant seals, twenty or thirty yards up on the sand looking like small beached whales, were piled next to and on top of each other like so many random logs. It was molting season; apparently elephant seal molting is facilitated by rolling in sand and throwing it around with one’s flippers, all the time talking trash to your neighbor who is doing the same. Wishing that Jeanne, who is a great lover of all seal-related things, were with me, I took pictures until my camera’s battery screamed for mercy.084 After exchanging texts with the significant other, I headed back for the hermitage, having missed Sunday mass (mea culpa).

Stepping out onto the patio of my retreat house room at 5:00 AM, expecting to see, as I had the previous morning, brilliant stars above and the cavernous expanse of the ocean before me awaiting sunrise to come into view, I walked instead into a fog so thick I could not see the end of the patio ten feet in front of me. 014“Ladies and gentlemen, it’s an introspective day,” I heard the NPR guy say from more than two decades ago, and it indeed it was. For the first time I understood Moses’ experience when he went into “the thick darkness where God was.” The day was so introspective that I would not have dared to drive the two-mile long switchback road from the hermitage down to US 1 even if I wanted to. But I didn’t want to.

On the California Benedictine calendar, this day was the anniversary of the dedication of the Monterey cathedral, a place I’ve never seen and probably never will. But as we read appropriate psalms for the dedication of a building, rejoicing in the loveliness of God’s dwelling place, I returned in my imagination to Laramie.StMatthewsEpis.1925Skinner.Dunnewald01[1]St. Matthew’s Cathedral in Laramie, Wyoming, where I first experienced God as more than an idea or intellectual construct. As the lector read Peter’s call to “come to him a living stone . . . and, like living stones, let yourselves be built into a spiritual house,” I said a silent thank you for the Living Stones group at Trinity Episcopal in Providence who have taught me so much over the past three years, and with whom I had met a week earlier.

ANDR-S7F036[1]After bringing post-Vigils coffee to my room, I decided to read some more of War and Peace, where Tolstoy’s mastery placed me next to Napoleon at the Battle of Borodino. I observed as it slowly dawned on the Emperor that on this day, after years of unqualified victories, he was defeated by something that could not have been factored into his battle plans and calculations—the spirit of those willing to either defend their homeland or die trying. After then spending a few minutes with Pi PatelimagesCAXVBJ2Z floating with a four hundred fifty pound Bengal tiger on a life raft in the middle of the very ocean that lay unseen at the bottom of the steep mountain sloping down from my patio, I took stock. Without travelling more than thirty yards, I had turned back the clock more than twenty years for a visit to Milwaukee. I had visited a Pacific beach littered with elephant seals, my home town on the opposite coast, and a cathedral in a town between those coasts more than a mile above sea level. Without leaving the rocking chair in my retreat room, I had travelled back two centuries in time to the carnage of a battlefield fifty miles outside of Moscow, as well as to uncharted waters in the southwestern Pacific.

Someone once said that the whole universe is contained in a drop of water. And at 10:15 AM as I finish this essay on this introspective day, I am reminded that within this drop of water, at the center of my inner world, is the source of it all. I need go no further than that inner world to resonate with the cosmic, concluding doxology of Psalm 96, this morning’s final psalm.

7348428534_80057f1ee1_z[1]Let the heavens rejoice and the earth be glad,

let the sea and all within it thunder praise,

let the land and all it bears rejoice,

all the trees of the wood shout for joy

at the presence of the Lord who comes,

who comes to rule the earth,

comes with justice to rule the world,

and to judge the peoples with truth.


Red and Blue Bubbles

As Jeanne and I do various things in the house on Saturdays, we often have NPR on. This past Saturday, however, our local NPR station was in the midst of fund-raising,RINPR interrupting the shows we wanted to hear so that two locals in the studio could talk to each other about how fabulous it would be if people would call in or go online and contribute money so that we could avoid having our local public radio station circle down the drain for another few months. About as exciting as watching paint dry. I actually am a monthly contributor (sustaining member, no less), which makes having to listen to fund-raising even more annoying. There should be a special station where people such as I can listen to what they tuned in and paid for while fund-raising is going on—I’m told that a couple of NPR stations  actually do have such an arrangement, but they have a far greater listening audience than our tiny state can muster.

MN_LakeWobegon1aTurning to WGBH, the mega-Boston NPR station, I was glad to hear that they were not fund-raising. “Prairie Home Companion” was on, which I find mildly amusing—fictional Lake Wobegone is actually based on a little town in central Minnesota close to where I spent a few months on sabbatical five years ago—but generally not amusing enough to fully engage my attention. Then guest musician Brad Paisley sang a song with the following lyrics:

Not everybody drives a truck, not everybody drinks sweet tea
Not everybody owns a gun, wears a ball cap boots and jeans
Not everybody goes to church or watches every NASCAR race
Not everybody knows the words to “Ring Of Fire” or “Amazing Grace”

southern comfort zoneThe song is “Southern Comfort Zone,” a zone about as far from my comfort as one could possibly get. Paisley is bemoaning how tough it is to be away from his Tennessee home, which I find hilarious. Dude, I lived in Tennessee for three years and was looking to escape within two months of our forced arrival (Memphis was the location of my first teaching job after graduate school). I do go to church and do know the words (lyrics, that is) to “Amazing Grace,” but other than that, the comfort zone Paisley is longing for is as far outside mine as possible. I don’t own a gun, I find sweet tea vomit-worthy, mtajikand I think NASCAR is probably the preferred entertainment in hell. Somehow I think I would be more at home in Tajikistan than in the “Southern Comfort Zone.”

I was reminded of a survey that popped up on my Facebook wall a week or so ago. This one, “Do You Live in a Bubble?” is much more detailed and serious than most quizzes that have popped up in the past months.

Do You Live in a Bubble?

Charles Murray, a libertarian political scientist at the AEI.pngAmerican Enterprise Institute, argues that the super wealthy, super educated and super snobby live in so-called super-ZIPs, cloistered together, with little to no exposure to American culture at large. Such people, he says, live in a social and cultural bubble. His 25-question quiz, covering matters of interest from beer and politics to Avon and “The Big Bang Theory,” is intended to help readers determine how thick their own bubble may be. After taking the quiz one is given a score from 1-100; the higher the score, the less thick one’s liberal, pointy-headed, academic blue-state bubble is.

I fully expected to receive a negative score, if that is possible, given that the vast majority of my friends are liberal, Episcopalian, college-educated and/or college professors (often all four). Sure enough, questions such as these clearly skewed me toward the center of a thick-walled blue bubble.

Do you now have a close friend with whom you have strong and wide-ranging political disagreements? I have many acquaintances with whom I would have such disagreements if we talked about politics. But we don’t.

During the last month have you voluntarily hung out with people who were smoking cigarettes? Definitely not.

Do you know what military ranks are denoted by these five insignia? (Click each one to show the correct rank). I might have guessed one of them

During the last year, have you ever purchased domestic mass-market beer to stock your own fridge? We’ve had this conversation before– If I Were a Beer . . . No.

Do you own a gun? During the last five years, have you or your spouse gone fishing? No, and no. We haven’t been hunting, gone to a NASCAR event, or eaten grits or biscuits and gravy either, just in case you are wondering (they were).

Have you ever attended a meeting of a Kiwanis Club or Rotary Club, or a meeting at a union local? Really? No.

But I scored a 53 on this quiz, which essentially means that I’m comfortable in both the elitist blue bubble and the sweet-tea-drinking red(neck) bubble. That’s not true—it’s not even close to true. How the hell did this happen? Undoubtedly because of questions such as these:

Have you or your spouse ever bought a pickup truck? As a matter of fact, yes. A number of years ago, under circumstances too complicated and forgettable to summarize, the only working vehicle Jeanne and I owned was a small Ford pickup that was barely road worthy.DIGITAL CAMERA

Have you ever participated in a parade not involving global warming, a war protest, or gay rights? Once. I played the sousaphone in my high school marching band my senior year. And by the way, how often do war protest or global warming parades happen?

Have you ever walked on a factory floor? Yes. My uncle owned a small factory that assembled modular homes and I visited once.

Have you ever held a job that caused something to hurt at the end of the day? Are there really people out there who could honestly answer this one “No”? Now that’s really a 1% bubble! I had many such jobs as a teenager and twenty-something—and my brain often hurts at the end of a long day of teaching.

Have you ever lived for at least a year in an American community under 50,000 population that is not part of a metropolitan area and is not where you went to college? Yes, for at least twenty of my sixty years.

Johnson_Jimmynscs_jimmie_johnson_456x362.png.mainThere were also questions about whether I know the difference between Jimmie and Jimmy Johnson (I do), and how often I ate at Applebee’s, Ruby Tuesdays, TGI Fridays or Chili’s in the past year (fortunately, only a few). And then the question that totally skewed my score:

Have you ever had a close friend who was an evangelical Christian? The survey went on to clarify that The distinguishing characteristics of evangelical Christians are belief in the historical accuracy of both the Hebrew Bible and the New Testament, including especially the divinity and resurrection of Christ, and belief in the necessity of personal conversion — being “born again” — as a condition for salvation.

evangelicalism-300x462Mr. Murray. You really don’t have to explain to me what an evangelical Christian is. Everyone I knew growing up was an evangelical Christian, including me. I’ve spent the last forty years or so not so much trying to get over it as to try to understand how it has shaped me and what is still forming me. I don’t call myself an evangelical Christian any more—“freelance” presses that boundary way too far—but I have drunk the Kool Aid, and lived to write about it.

I was somewhat embarrassed to post my results—I really don’t want to be as well-balanced in this case as the quiz claims I am. Several of my Facebook acquaintances in the blue bubble were offended by the obvious sense in which the quiz was trying to make us feel badly about how thick our bubble walls are. These friends suggested a few questions that could be asked in an alternative “Do You Live in a Red Bubble?” quiz.

Do you know who Mr. Casaubon is?
How many times in the past year have you eaten arugula?
Do you know the difference between Sunnis and Shi’ites?sunni-vs-shia
How many of your friends are nonwhite?
Do you know anyone who is married to his or her first- or second-cousin?

Well, I threw that last one in but you get the point. The problem with this sort of exercise is that it tends to thicken the walls of one’s bubble rather than making it more likely that one will go to the other bubble for a couple of weeks on vacation. Unless you live in a blue bubble and your relatives live in a red one. Then you bite the bullet and do your duty, trying to smile as you turn down yet another offer of sweet tea. But I am not watching NASCAR.??????????????????????????????????????????????????????????????????????????????????????

Adepto Ex Meus Visio

Jeanne and I are headed to Florida this evening to spend a week with family and friends. We’ll be staying with Caleb and Alisha, our tattooing legend son and daughter-in-law. I’ve learned a lot over the past several years about tattooing as an art form, a process that reveals a lot about Caleb’s and my relationship. At a writers conference several summers ago, I was seated on the sofa in the common area and licking my wounds after getting worked over by the writer in residence. My pocket vibrated. “Why is anyone calling me at a writer’s conference?” It was Caleb.


“Hey, Dad—it’s me. Got a question for you.”

“You know I’m in Minnesota, right?”

“Yeah. This’ll just take a minute.”

“What’s up?”

“I’m giving Dante a tattoo, and he wants one on each shoulder. The first one says ‘Servant to None.’ We’re trying to figure out what to put on the other shoulder.”

“Well it’s got to be something that ends with ‘all’ or ‘everyone.’ How about ‘Loved by All’?”

“That’s not going to work.”

“Hated by all?”

“Nah. We were thinking ‘Feared by All,’ but thought you’d maybe have something better.”

“‘Feared by All’ sounds good.”

“Thanks, Dad.”

My son, the tattoo artist, relies on me, his college professor Dad, as his “go to person” whenever words and phrases are involved as well as his answer man for any question whatsoever, all at a moment’s notice. Sort of like a 24-7 lifeline on Who Wants to be a Millionaire.

I have never doubted Caleb’s artistic ability, from crayons through tattoo needles, but just about everything else about our relationship has come into question, such as our inability to connect emotionally. Were we too different, too similar, both of the above, none of the above? Was he too much like his mother? I interpreted his lack of respect for school work and books as a direct affront to his egghead, bibliophilic father. Why didn’t he cry when his grandmother, his favorite person in the world, died of cancer years ago when he was eight? Where did his barely submerged anger come from, and why couldn’t I do anything about it? Why did he resist becoming a real part of his new stepfamily so tenaciously? Years later, why did he piss away two years at a top ranked art institute, majoring in beer drinking then flunking out?


“Hey Dad, it’s me. Got a minute?”

“A couple—what’s up?”

“I’m designing a tattoo for this guy, and he wants it to say ‘Get out of my face.’ How do you say that in Latin?”

“In Latin? Why?

“Because he wants it in Latin.”

“You know Latin’s a dead language, right? Why does he want it in Latin?”

“I guess he thinks it looks classier or something.”

“Let me think about it. I’ll call you back in ten minutes.”

I didn’t want to admit that I hadn’t translated any Latin since my dissertation almost twenty years ago. I didn’t remember “Get out of my face” in Ovid, Virgil, or Julius Caesar. So I did what any college professor not wanting to let his son down would have done. I Googled “English to Latin translation” and had it in a couple of minutes.

“Hey guy, it’s me. Got a pen and paper?”

“Just a second. Okay, shoot.”

“Adepto ex meus visio.”

“Can you spell that?”

“A-d-e-p-t-o e-x m-e-u-s v-i-s-i-o.”

“A-d-e-p-t-o e-x m-e-u-s v-i-s-i-o?”


“Thanks, Dad. Talk to you later.”

Caleb spent his high school years with his mother and I didn’t see him much. He loaded up on body piercings and tattoos. When he and Alisha, his wife of two months, moved from Colorado to Rhode Island eight or nine years ago, looking for a fresh start, and settled into our half-finished basement with two cats and two dogs, I didn’t know what to expect. His work ethic was impressive. Alisha brought out a tender and emotional side of Caleb I’d never seen. Who was this guy? One day he opened up about how tough his years with his mother had been. In response to my wondering why he never asked to come back and live with Jeanne and me, he said “I didn’t think you’d want me.”

Recently he told me about a conversation he had with someone who has been at my house frequently but doesn’t know me very well.

“The last two times I was there your Dad was playing Christian music. Is he becoming a religious fanatic? A Jesus freak or something?”

“Dad plays music he likes wherever it comes from. He likes classical music and Led Zeppelin too. He’s definitely not becoming a religious fanatic. Trust me, I know my Dad.”

And I’ve come to know Caleb too. I embrace the man he’s become (virtually—we don’t do hugs). It seems like just yesterday that he bought out his partner at the tattoo shop and launched his solo career in skin design, but it has actually been several years. From the outset, Caleb’s shop has reflected the man. His hero Leonidas from the movie 300“TONIGHT WE DINE IN HELL!”—looms on a poster over the tattoo chair, where Caleb turns a canvas of flesh into art of astounding beauty and creativity, with a delicate touch and grace bordering on the other-worldly. That’s my son.

“Hey Dad”

“Caleb, that butterfly tattoo you did is unbelievable.”

“Oh, you like that one? I just put that one on the website a few days ago.”

“It’s incredible—the detail, the flowers, the color. With the way you did the shadows under the stems and the left wing, it looks like the butterfly’s flying off of her skin. It’s gorgeous. What’s that darker area over to the right?

“That’s her butt crack.”

I’m so proud.

Blessed Is He Who Comes

1696182087[1]Rodney Delasanta was one of best teachers and colleagues I ever had the privilege of knowing. Rodney was a true Renaissance man—a Chaucer scholar, family man, sports fan (especially the Red Sox), award-winning accordion player (really), and classical music aficionado. The accordion business made him a regular recipient of the latest accordion joke from me. “What is the definition of a gentleman? A man who knows how to play the accordion—and doesn’t.” Once Rodney responded with an even better one: An accordion player is trying to find the location of his latest gig in downtown Manhattan. He parks his station wagon on the street with his accordion in the back, locks it, and sets out on foot to find the address. Upon returning to his vehicle he is crestfallen to find that the back window has been broken—Brandoni%20Mod%20149W[1]and even more crestfallen to find five more accordions in the back of the station wagon!

Rodney lived fifteen miles from campus, and told me shortly after we met that he had spent the past several months of commuting (fifteen miles is a very long commute in Rhode Island) listening to Bach’s Mass in B minor, about which we was as exuberantly effusive as he was about life in general. He was particularly taken by Bach’s setting of the Sanctus in this composition. According to Isaiah’s vision of the throne of God, the angels continually sing “Holy, Holy, Holy, is the Lord God of Hosts; heaven and earth are fully of His glory.” This inspired Bach’s setting, music that Rodney, in his usual measured fashion, declared to be the “most glorious six minutes of music ever written.”

Sanctus, sanctus, sanctus                    Holy, Holy, Holy Lord

Dominus Deus Sabaoth,                       God of power and might

Pleni sunt coeli et terra                         Heaven and earth are full of Your glory

Gloria eius.                                                Hosanna in the highest

I miss Rodney. He died of cancer a few years ago; the nine years I spent teaching honors students on an interdisciplinary team with him during my early years at Providence College strongly influenced  me both as a teacher and a human being. I cannot listen to any setting of the Sanctus, particularly Bach’s, without thinking of Rodney fondly.

200px-TheSparrow(1stEd)[1]With fewer than six degrees of separation, this makes me think of Mary Doria Russell’s science fiction novel The Sparrow. It is a wonderful story with a fascinating premise: Life is discovered on another planet through transmissions of hauntingly beautiful music, to which scientists respond with transmissions of their own, including selections from Bach’s Mass in B minor (Rodney would have approved). Eventually an expedition, including Jesuit explorers and scientists, make first contact — just as Jesuit priests were often in the vanguard of Europe’s Age of Discovery. “Catholics in Space”—it’s a great premise.

The mission goes disastrously and terribly wrong, leaving one of the Jesuits, Emilio Sandoz, as the sole survivor. hughjackman[1]Sandoz believed that God had led him to be part of this mission, that God had micromanaged the details to bring it about, and thought he was in the center of God’s will. In the tragic aftermath, after all of his companions are horribly killed, he is devastated, ruined physically, emotionally, and spiritually. From the depths of his pain he lashes out at God: “I loved God and I trusted in his love . . . I laid down all my defenses. I had nothing between me and what happened but the love of God. And I was raped. I was naked before God and I was raped.” Only such blunt and brutal words could match his devastation. In conversation with fellow priests and his religious superiors back on Earth, Emilio says “It wasn’t my fault. It was either blind, dumb, stupid luck from start to finish, in which case we are all in the wrong business, gentlemen, or it was a God I cannot worship.”

The God of Power and Might responds, “Oh, really??” We already have a classic text on what this God has to say in response to demands for accountability—the book of Job.BookJob[1] There are a number of parallels between Emilio and Job: both are dedicated believers, both are all but destroyed by events surrounding them, and neither carries any blame for these disastrous events. Job, from the midst of the ash heap in which he sits, demands an accounting from God just as Emilio does from the midst of his devastation. God’s answer to Job, once he bothers to provide one, is along the lines of “Who are you, puny creature, to question anything about me or what I do? I’m God, you’re not, so let me offer you a large helping of ‘shut the hell up’.”tumblr_me3hnr8r2k1qdjda6o1_500[1] And a God of Power is entirely within its authority to give such an answer. Some afflicted believers, in the face of such a response, might say with Job “though He slay me, yet I will trust Him.” Others might rather say, with Emilio, “Fine, but this is a God I cannot worship.” In Emilio’s position, I would say the same thing. Thanks for sharing (finally), but you can’t do any worse to me than you’ve already done. I’m outta here.

The God of Glory and Mystery responds “As the heavens are higher than the earth, so are my ways higher than your ways, and my thoughts than your thoughts.”img_6246[1] This, I suppose, is an improvement on “I’m God and you’re not,” but not much of one. The God of Mystery’s answer is a reminder that none of our human faculties, either individually or as a total package, can ever crack God’s code, can ever fully encompass divine reality. I’m sure this is true, but it can easily turn into a license for laziness and apathy. The greatest commandment is to “love the Lord your God with all your heart, with all your soul, and with all your mind.” If my heart, soul, and mind are incapable of touching the transcendent, then God can be whatever I want God to be, since all visions of God are equally immune from scrutiny. Let’s just make it up as we go along.

But there is another divine response. The God of Love created the world because, as Iris MurdochimagesCA6KS6YV writes, “He delights in the existence of something other than Himself.” But love limits power. In order for the loved to exist and respond to love freely, the lover must not manipulate or control. The language of love is the language of intimacy and vulnerability. The only possible response of the God of Love to suffering, pain, and anguish is to embrace and endure it with us, rather than to eliminate it. And the ultimate response of the God of Love to human pain is to become human. This is not a God who intercedes. This is a God who indwells. God comes as one of us, not as a distant source of arbitrary power or wrapped in a cloud of mystery.

The ancients had it easy, because the various and indefinite aspects of the transcendent were each given shape in a different deity. Power for Zeus, wisdom for Athena, erotic love for Aphrodite, mischievous creativity for Hermes, murderous tendencies for Ares, plain old hard work for Hephaestusnbvcn[1]—a different deity for every divine mood. Maybe monotheism isn’t such a good idea. But the God of Love is a good way to get a monotheistic handle on our polytheistic dealings with the divine. The God of Love chooses to ratchet down divine power in exchange for relationship. The God of Love is revealed in the most intimate mystery of all, God made flesh. God responds to our demands for answers strangely—nothing gets answered, but everything is changed. Christianity does not provide a supernatural cure for suffering, but a supernatural use for it. Christ in us, the hope of glory. In the liturgy the Sanctus is followed by the Benedictus—“Blessed is He who comes in the name of the Lord,” exactly what the crowds are singing to Jesus on a donkey as the drama of Holy Week begins today. “Hosanna in the highest” indeed.palm_sunday[1]

Sixty Years On

I’ve no wish to be living sixty years on   Elton John

Several years ago Jeanne surprised me with the ultimate in birthday presents—a ticket to an Elton John concert. I have been a devoted Eltonophile for years, even before everyone found out about him with the release of his blockbuster yellow brick road“Goodbye, Yellow Brick Road” album in 1973, the album that made him famous. I graduated from high school in 1973, so I’ve been a fan for more than forty years. According to Wikipedia, Sir Elton currently is in fifth place all-time in record sales, just behind Madonna and just ahead of Led Zeppelin (The Beatles, Elvis, and Michael Jackson earned the first three spots). Elton had celebrated his 60th birthday the day before and started the concert with “Sixty Years On” from his second album “Elton John” released in 1970.

The new sexagenarian went without a break for more than two hours, the first hour filled with tunes from his pre-Yellow Brick Road years, tunes that the youngsters in the crowd had probably never heard. But the real Elton fans in attendance loved it—we knew Elton’s stuff before he became Elton John.

The lyrics of “Sixty Years On” are generally incomprehensible, as Bernie Taupin’s lyrics often are, but there is one line that is particularly haunting: I’ve no wish to be living sixty years on. The album including “Sixty Years On” was released when Elton was 23 years old, so he can be forgiven for not wanting to live for an ungodly six decades (We are both of the generation that used to say no one over thirty should be trusted). sixty happensBut I turn sixty in two days, so indulge me as I reflect a bit on why sixty years on ain’t so bad after all.

My age has never been a negative issue for me—I passed 50 without a hitch a decade ago and don’t see 60 as any more problematic. I’m very healthy (my doctor says I’m his most boring patient), was in the best shape of my life before I broke my leg in October (and intend to get back there in short order once spring arrives and I’m back on my bike), and have always thought of myself as at least a decade younger than the calendar says. Still . . . 60 is a lot of years. In many periods of history, and in many parts of the world now, I would have been dead for a long time by this age. Even in my most optimistic moments I have to admit that I have probably already lived more than two-thirds of my allotted years on earth. Although I have regularly said that I will never retire and will die in the classroom at age 100 or so, I have heard myself say more and more frequently over the past few months in various contexts that I’ll be teaching for at least another ten years (what will I do after 70—RETIRE??). I’m already older than my mother was when she died. The older I get, the more the ancient Stoics’ advice to never forget one’s mortality makes sense, since it is much easier to pretend that one is immortal when one is twenty or thirty than when one is facing sixty. senecaThe Stoics had a great deal of good advice concerning how to be with the comparatively short human shelf life.

For instance, Seneca writes that Life is long if you know how to use it and that We are not given a short life but we make it short, and we are not ill-supplied but wasteful of it. We all know that the passage of time is subjective—a fifty-minute class can feel like fifteen or one hundred fifty minutes depending on any number of factors. Seneca’s point is that even though the objective length of my life is not within my control, how my life passes is within my control. Within the parameters of my existence, my life will be as long or as short, as meaningful or as meaningless, as I choose it to be. Stoic-EpiticusAnother great Stoic, Epictetus, describes it this way:

Remember that you are an actor in a play of such a kind as the playwright chooses: short, if he wants it short, long if he wants it long. If he wants you to play the part of a beggar, play even this part well; and so also for the parts of a disabled person, an administrator, or a private individual. For this is your business, to play well the part you are given; but choosing it belongs to another.

On the cusp of sixty, I’ve learned a few things about how to play the part I’ve been given and about what makes my life meaningful. None of these are profound or groundbreaking, but it has taken me six decades to realize that sometimes the most obvious things are the best.

  • Enjoy the little things. I’ve always been a quirky person, no different in that regard than anyone else. But I spent a lot of my life hiding my quirks or at least pretending that they aren’t as important to me as they always have been and still are. I don’t hide them anymore. Reading with my dachshund stuffed into the chair next to me. go friarsFriars basketball. Friars hockey. Messing around with the plants in our postage-stamp-sized yard once spring comes. The newest local micro-brew porter or stout on tap at my favorite watering hole. A beer (or two or three) with the regulars on Friday afternoons. Binge-watching British police and detective television shows with Jeanne. The change of seasons in New England. Believing before every new season that the Red Sox can win the world championship—and actually have them do it once in a while.
  • Don’t sweat the stupid stuff. This is a tough one, but I’m trying to get better at not letting things outside of my control consume my day. Things like the latest idiocy from the presidential campaign trail, the most recent offensive email from a department colleague, an ignorant person on Twitter talking trash about my Friars basketball team—as the Stoics say, life is too short to insist on trying to control what other people say and do. Except for that jerk on Twitter.
  • Be grateful. I have a Facebook acquaintance who starts her day out by listing on Facebook five things that she is grateful for. t and fThat’s a wonderful habit to cultivate. I don’t do it on Facebook, but I have gotten better at remembering and occasionally writing about the things I am grateful for. Jeanne. Faith that is alive and kicking. My oldest son’s finding the life partner and profession that fit him perfectly. My youngest son finally landing the job that is worthy of his years of hard work and stubborn persistence; it is a joy to see him truly starting the life he has been seeking. My teaching vocation—as I tell my students frequently, I am inordinately blessed to be able to make a living doing what I was born to do. Living Stones—a collection of fellow spiritual travelers who never fail to surprise and delight me with their insights and stories.
  • Set appropriate goals. I have reached the point in my career where the most obvious professional goals—tenure and promotion to full professor—have been behind me for a decade and a half. What goals are appropriate going forward? I ended the chapter on “Courage” in my recently completed draft of a book that is currently under review at a publisher with the following: I would love to write a bestseller. I would love to have my likeness be the first one carved on the Mount Rushmore for Teachers that someone should create sometime. I would love to have thousands of people all over the world waiting with rapt attention for my next wise and witty blog post. penguinsBut I would like most to faithfully live a life according to Montaigne’s “common measure,” bringing what I have to offer into each new day with intelligence, energy, and an occasional infusion of divine humor. Miracles and rapture are fine if you get them, but at the end of the road a “nicely done” would be even better.

As it turns out, I am perfectly happy to be living sixty years on and will be content to keep on going as long as my body and soul stay healthy and appropriately connected to each other. I have a very clear “do not resuscitate” agreement with Jeanne—as soon as I show the first signs of noticeable deterioration, pull the plug. If there is no plug, hit me over the head with a hammer. But only Jeanne knows what “signs of noticeable deterioration” means in my case, so don’t get any crazy ideas. Happy birthday to me!never underestimate

We Are More Than We Are

Although it often caused trouble and brought me grief during my primary and secondary education years, I have never tried very hard to hide my serious geekiness. PindarAccordingly, I start today’s blog post with the ancient Greek lyric poet Pindar. I need to be careful here, because I have four colleagues and friends on campus who are trained classicists—for all I know, one of them might have written their dissertation on Pindar. Many of Pindar’s surviving poems are “victory odes,” celebrations of triumphs gained by competitors in Panhellenic festivals such as the Olympian Games. Here’s an example:

One born to prowess / May be whetted and stirred / To win huge glory / If a god be his helper.

This tendency to attribute athletic prowess to divine help is still with us, as anyone who has watched a football player point to heaven after scoring a touchdown or heard a basketball star thank his Lord and Savior Jesus Christ for a game winning shot will tell you.pointing to heaven

It’s highly unlikely, of course, that God gives a crap about who wins or loses sporting events, but attribution of success to divine assistance is so common among athletes both professional and amateur that it can easily become annoying. I remember once a number of years ago hearing Jim Rome mention on his daily sports talk radio show what he would say if he was God when someone points to heaven after scoring a touchdown: Stop pointing at my crib when you score a touchdown or I’ll break that finger off and shove it up your ass! That’s the sort of God who inspires a muscular Christianity. But the very idea of God playing favorites in this way makes no sense.

Or does it? My “go to” news source, The Onion, published a shocking and revealing article on this very topic just last week. As it turns out, the Lord God Almighty, Creator of heaven and earth, has been caught red-handed playing favorites and giving gifts to certain college athletes in deliberate defiance of NCAA rules and regulations.The Onion

Reports indicated that over the past several decades, the Almighty has provided hundreds of players from high-profile Division I football and basketball programs with abundant natural speed, strength, and agility, and both the universities and the players themselves are now said to be facing heavy sanctions and punishments. “We take these allegations incredibly seriously and are doing everything in our power to determine the precise nature of God’s relationship with these college athletes,” said NCAA president Mark Emmert. “There is mounting evidence that the Lord—in blatant violation of NCAA rules and regulations—bestowed upon these players special and innate athletic abilities that other students never received.”

The article goes on to say that over 300 D-1 NCAA schools are implicated; Kris and BenI must say that when I watch my Providence Friars play, I fear that at least two of our players may have received such gifts—which makes me wonder whether our accumulating wins this season will ultimately be voided. One thing’s for sure—athletic directors across the country are not going to put up with God acting in this manner.

University of Oklahoma athletic director Joe Castiglione . . . denied any knowledge of Sooners players receiving illegitimate gifts, but assured reporters that going forward, the school will strictly forbid any communication between student-athletes and God during church services or private moments of prayer. God

The article concludes by reporting that “at press time, NCAA officials had announced an eternal ban on God that will prevent Him from having any association with collegiate sports until the end of time.” Good for them—the last thing we want is a deity inserting itself inequitably into human affairs.

NCAA investigates God for giving gifts to athlete

As shocked as I was by the revelations from The Onion, upon further thought I wasn’t that surprised. Jeanne has remarked regularly ever since I have known her about the various ways in which God plays favorites, granting miracles and making personal appearances to those who don’t deserve it while the most pious and committed among us get the divine cold shoulder and silence. One can hardly read a chapter of any book in the Jewish scriptures without encountering blatant divine favoritism on display. sun on the just and unjustBut in fairness, there are other ways to explain this apparent unfairness. We are told that the sun shines and the rain falls both on the just and the unjust; any number of sacred texts warn against assuming that God is being unfair simply because things don’t turn out the way we would prefer. In divine inscrutability, God does what God does, and it is up to us to find a way to work with what often looks for all the world like divine randomness. As James Stockdale once summarized the message of the Book of Job, God is telling Job that “this is my world. Deal with it. Either get with the program or get out.”

The older I get, the more inclined I am to look for intimations of the divine in places both unusual and mundane. Sometimes favor seems to drop into the day as light as a feather and as ephemeral as a wisp of smoke, while at other times transcendence invades the everyday in ways that only the most deliberately blind could miss. Jeanne and I call such eventsbig bird “Big Bird moments” and have come to expect them as a normal part of our lives. Then there are other reminders that we are not alone and that this is not all there is which, instead of dropping in from outside, arise from within our deepest selves. Marilynne Robinson refers to these as moments when we discover that “we are more than we are,” moments she describes as follows:

By this I mean to suggest the feeling all of us have who try something difficult and find that, for a moment or two perhaps, we succeed beyond our aspirations. The character on the page speaks in her own voice, goes her own way. The paintbrush takes life in the painter’s hand, the violin plays itself. There is no answer to the inevitable questions: Where did that idea come from? How did you get that effect? Again, particulars are lacking. We have no language to describe the sense of a second order of reality that comes with these assertions of higher insights and will override even very settled intentions, when we are fortunate.where did that come from

In my own life, these moments occur regularly in the classroom; I have also experienced such moments on the organ or piano bench. When I walk out of a classroom thinking “Whoa! Where did that come from?” I am realizing that I am more than I am and I had nothing to do with it. When I am able to improvise a bridge between the penultimate and final verse of a hymn on the fly that is far better than I could have come up with if I had thought about it, I have the “sense of a second order of reality” that Robinson is talking about. Sure, it could be luck, chance, a confluence of unknown events, or Scrooge’s blob of undigested cheese. But I choose to consider such moments as “thin places” where the membrane between the here and now and what is greater than us becomes so porous as to almost disappear.thin places

Such moments cannot be planned, nor can they be manufactured. But they can be witnessed rather than ignored. Recognizing them requires a shift in attitude and focus that needs to be cultivated—it’s something I’ve been working on, with mixed success, for the past several years. We are surrounded by moments of pure grace, moments when, as Anne Lamott writes, “suddenly you’re in a different universe from the one where you were stuck, and there was absolutely no way for you get there on your own.” We are surrounded by such moments, if we only have the eyes to see them.