Saints and Warthogs

MLPPT_UncGratitude_1[1]Part of my incurable biblioholism is that invariably my favorite book is the one that I am currently reading. My favorite book one week not long ago was Uncommon Gratitude: Alleluia for All That Is, a collection of essays from two of my favorite theologians, Sister-Joan-Chittister-pf2[1]Sr. Joan Chittister and Rowan Williams, the former Archbishop of Canterbury. Truth be told, they might not technically be theologians at all (I don’t know if their union cards are up to date), but I find each of them to be provocative and brilliant in their own unique ways. I purchased this book a couple of years ago, simply because of who wrote it, but am only now taking the plunge.

Irowan-williams[1]n one of Rowan William’s essays, “Saints,” he defines the term “saint” as “someone who starts a chain reaction of new perception in the world, who reinforces, even among those who don’t or can’t yet believe, the confidence that there’s more to us all than we have suspected.” I like that definition a lot, because it places the emphasis where it belongs—on creativity and iconoclasm—rather than where we tend to go when thinking of saints—ethereal religiosity and unapproachable moral rectitude. imagesCAIG1NYII must say, though, that I have a more difficult time thinking of persons who embody William’s definition than those who satisfy the more traditional saintly mold. What comes to mind more readily from my own history is experiences that have started the sort of internal chain reactions that reveal something new and unexpected. Usually these events have been incremental and small, only revealing their saintly characteristics after the fact. But every once in a while, I have been blown favorably off course by an event, a book, or an idea that changed things for good. Sainthood is in the air, if I only know where to look.

oates_1-040909_jpg_400x500_crop_q85[1]Flannery O’Connor’s short story “Revelation” is all about someone unexpectedly getting sucked into a vortex of holiness. In this story Ruby Turpin, one of O’Connor’s most memorable characters, has a very bad day. Ruby and her husband Claud own a small farm in 1940s Georgia—their livelihood is made from the yield of their acres worked by hired black workers and the raising and sale of a few cows,DirtRoad[1] pigs and chickens. The bulk of the story is set in the waiting room of a crowded doctor’s office where Ruby and Claud wait for the doctor to look at an infected area on Claud’s leg where he was kicked by a cow a few days ago. Ruby is a chatty, pleasant, overweight, confident Christian woman in her forties with, as she frequently says, a “good disposition,” and tends to immediately strike up a conversation with whoever is willing.waiting-room1[1] Other patients in the room include a well-dressed woman with a sullen, ugly teen-aged daughter, a grandmother, mother and son who are obviously “white trash,” and others who flit around the edge of the conversation.

It becomes immediately clear that Ruby has a strong sense of how things are supposed to work and of the proper hierarchy of persons in her world. She is thankful that God didn’t make her a nigger, or white-trash, or an imbecile—she is extraordinarily grateful that she was born with a good disposition, is blessed with enough food and money (although not too much), and is generally just thrilled to be herself. As she drops these tidbits into her conversation, as well as comments about why Negroes should perhaps go back to Africa, Ruby notices that the sullen young lady keeps shooting increasingly hostile glances in her direction. The girl’s well-dressed mother eventually reveals that her daughter,images[9] a student at an exclusive college “up north,” has been given everything by her parents but is an “ungrateful person” with a bad attitude who never does anything but criticize and complain. Mrs. Turpin remarks that “it never hurts to smile,” concluding that “When I think who all I could have been besides myself and what all I’ve got, a little of everything and a good disposition besides, I just feel like shouting ‘Thank you Jesus, for making everything the way that it is!’” In response, the sullen college student throws the college textbook she has been reading across the room at Ruby, hitting her above the left eye, then leaps on top of Ruby and starts choking her.

Once Ruby is rescued by others and the young lady, “obviously insane,” is sedated, Ruby asks “Don’t you have something to say to me?” The girl responds in a vicious whisper 6030468896_4a5cb062b2_z[1]“go back to hell where you came from, you old warthog!” As the day winds on Ruby, despite her good disposition, can’t shake this comment from her consciousness. Back on the farm toward sunset, as she hoses mud off the pigs, Ruby’s mounting anger ignites in a direct and explosive tirade aimed at the very God she had been thanking earlier.

What do you send me a message like that for? How am I a hog and me both? Why me? It’s not trash around here, black or white, that I haven’t given to. And break my back to the bone every day working. And do for the church. Three little pigsHow am I a hog? Exactly how am I like them? There was plenty of trash there. It didn’t have to be me. If you like trash so much, go get yourself some trash then. You could have made me trash. Or a nigger. Go on! Call me a hog! Call me a hog again! CALL ME A WART HOG FROM HELL. Put that bottom rail on top. There’ll still be a top and bottom! WHO DO YOU THINK YOU ARE??

When Ruby comes up for air, she raises her eyes to where the sun has just slipped below the horizon. And she suddenly sees for the first time that day, perhaps for the first time in her life.

A visionary light settled in her eyes. She saw . . . a vast swinging bridge extending upward from the earth through a field of living fire. Upon it a vast horde of souls were rumbling toward heaven. There were whole companies of white-trash, clean for the first time in their lives, and bands of black niggers in white robes, and battalions of freaks and lunatics shouting and clapping and leaping like frogs. And bringing up the end of the procession was a tribe of people whom she recognized at once as those who, like herself and Claud, had always had a little of everything and the God-given wit to use it right . . . They were marching behind the others with great dignity, accountable as they had always been for good order and respectable behavior . . . Yet she could see by their shocked and altered faces that even their virtues were being burned away. . . . In the woods around her the invisible cricket choruses had struck up, but what she heard were the voices of the souls climbing upward into the starry field and shouting hallelujah.purgatory_r1_c1[1]

And the story ends. Something has broken through Ruby’s safe and smug assumption that God’s behavior and expectations fit her comfortable world seamlessly. Did the vision change her life? Did she forget it in the next minute? O’Connor wisely leaves it to us to wonder.

God’s program is not ours—God’s priorities are upside down. But that’s the point. A transformed world requires transformed people. Only an entire rearranging of what is “natural” will suffice. Be on the lookout for saintly moments of holiness, the small but persistent ways in which the faith we profess turns everything upside down.

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