Tag Archives: Old Testament

We Had Hoped

imagesCAGSCZK4“Now abide faith, hope, and love; but the greatest of these is love.” These concluding words from chapter thirteen of Paul’s First Letter to the Corinthians are heard at many, perhaps most, weddings. Everyone wants to believe that love is the greatest, especially on their wedding day. Faith seems to be part of my DNA—challenging it, trying to get rid of it, redefining it, being confused by it, and generally struggling with the “f-word” (as I call it in the classroom) has shaped me for as long as I can remember. I’m not so sure about hope. A few years ago I asked Jeanne what she thought the opposite of faith is. She first answered “despair,” then immediately took it back saying “I guess despair’s the opposite of hope.” After a quick check on Google, I found that she was right (again). imagesCAY3WHMWThe immediate etymological root of  “despair” is the Old French despoir: hopelessness. So what is hope?

Although Easter is certainly about love and faith, I think it is mostly about hope. There is no shortage of material to consider on Easter—the empty tomb, Peter and John racing to take a look, the authorities scrambling to explain what happened, the poignant exchange between Mary Magdalene and Jesus. Perhaps my favorite Easter-related story is Luke’s account of the disciples on the road to Emmaus.On-the-road-to-Emmaus[1] It’s such a human story—the bitter sadness and devastation of Cleopas and his unnamed companion (call him George) is palpable. The usual spin on the story is, of course, that Jesus is risen and walking with them, and Cleopas and George are either too dense or blinded by tears to know it’s him. Jesus gives them a free theology lesson, and as soon as they recognize him after he breaks the bread at lunch he vanishes. What a guy—the amazing, vanishing Jesus! It says something (I’m not sure what) about me that I always thought the ending of the story was funny when I was young. Young Baptist boys have to get their laughs where they can find them. But three words are particularly resonant: despair[1]We had hoped that it was He who was going to redeem Israel.” We had hoped. And our hope was in vain.

Hope is a tough nut to crack—of the big three at the end of the passage in I Corinthians,  love and faith strike me as easier to get a handle on. Every human life is marked by “we had hoped” moments that we never quite get over. I hoped that I would be concert pianist. Jeanne hoped she would marry someone who knows how to dance. But the dashed hopes of Cleopas and George are far more crushing. It’s easy to criticize Cleopas and George for failing to recognize that what they had hoped for was walking with them for seven miles, but that’s actually not true. True, Jesus does turn out to “redeem Israel,” and everybody else for that matter, but that’s not the redemption Cleopas, George and others were hoping for, a political redemptionThe_Road_To_Emmaus[1] and establishment of an earthly kingdom by the Messiah. And it’s very telling that the Jesus-guided tour through the Old Testament touching on prophetic texts indicating that the Messiah would suffer and die doesn’t do anything for Cleopas and George. It’s not until the three of them have a meal, a human experience rather than a classroom experience, that they see it’s been Jesus all the time.

That is where the story usually ends, but it gets even more interesting. Cleopas and George run back to Jerusalem and report to the disciples what happened; in the middle of their story, the amazing, vanishing Jesus reappears! risen[1]And another human, all too human moment—Cleopas, George, the eleven disciples, and everyone else are scared shitless. They think he’s a ghost. It’s not until Jesus lets them check out his body with its scars and eats a piece of fish in front of them that they realize it’s really him. The whole story is fraught with humor, fallibility, and humanity. Entertaining, yes; but what is God up to?

Amazing-Grace-Norris-Kathleen-9781573227216[1]In her wonderful book Amazing Grace, Kathleen Norris asks “Does it ever surprise you that God chooses to be revealed in so fallible a fashion?” Well as a matter of fact, Kathleen, yes it does. All the time. Even when our greatest hopes are satisfied, it’s always in some sideways, back door, behind the scenes, fuzzy and oblique sort of way. And that can be frustrating. As I participated in the various Holy Week services this past week, it continually struck me that Jesus’ resurrection, the most spectacular and crucial event in human history, is surrounded by so many instances of mistaken identity, fumbling around, uncertainty, and missteps that it is truly comical.

But it makes perfect sense, and brings the central pillars of the Christian faith—the Incarnation, the Crucifixion and the Resurrection—together. The whole idea of incarnation, of God becoming human through and through, is outrageous and ludicrous at its core. What self-respecting creator of the universe would do it this way? Only one that loves what was created so much that becoming part of it, miraculously, is not only not a step down but is actually the only way to accomplish what has to be accomplished. We know that we are flawed, incomplete, jumbled and messed up creatures, so why should we be surprised that our hopes get addressed in that way? 100_0373The divinely infused cycle of death and resurrection is around us everywhere, in nature coming alive after a long winter, in church services populated by octogenarians and toddlers, in the annual arrival of new late teens ready to be taught on campus, just to name a few examples from my own daily life. It is not at all surprising that the resurrected Jesus, the hope of the world,  was revealed in the midst of the daily and mundane rather than in power and glory. Kathleen once again: “In a religion based on a human incarnation of the divine, when ideology battles experience, it is fallible, ordinary experience that must win.”

Mortals Die, and are Laid Low

tumblr_ma8azfhZEg1rgpruxo3_r3_1280[1]A couple years ago in a course that I was team-teaching with two other colleagues, the final seminar text of the semester was Shakespeare’s King Lear. One of my teaching colleagues, an accomplished Shakespeare scholar, described the play on the syllabus as simply “the greatest play ever.” I love Shakespeare and find his plays more insightful about human nature and the human condition than any other texts (certainly more insightful than any philosophical tomes I have read), but had not read this particular tragedy in its entirety since I was an undergraduate the age of our current eighteen and nineteen year old freshmen. The play blew me away, disturbed me, and made me wonder whether we perhaps should have sent our students off into the summer with something slightly less dark.

King Lear pushes to the limit a hypothesis that has a long and complicated pedigree: We live in a universe that is malign, at the very least indifferent, and human life within this universe is brutal, wretched, and meaningless. As various nasty and morally awful characters—including Lear’s two older daughters—apparently prosper from their rejection of their father, those characters with even a shred of dignity, honor, or love—including Lear’s youngest daughter—are rejected and ultimately destroyed. By the end of the play, the stage is littered with the bodies of both the good and the bad, while a handful of dazed survivors are left to pick up the pieces. Naked in a driving storm in the middle of a Scottish heath, Lear rages that human beings are nothing but “poor, bare forked animals,” living on a “great stage of fools.” Lear demands an answer to the question “Is man no more than this?” The blinded Gloucester despairingly directs his accusations heavenward:

As flies to wanton boys are we to th’gods; They kill us for their sport.imagesCAOCS0RP

And have a nice day.

King Lear took me back to a Holy Saturday liturgy a few years ago. At our Episcopal church, our rector Marsue decided for the first time in her many years as a priest to do the Holy Saturday liturgy. Holy-Saturday-e1364654989214[1]It’s a tough sell to get people to church on any Saturday except for a wedding or funeral, particularly during Holy Week when the most dedicated may have already been in church two or three times in the previous few days. I was one of only a few people present; if any of us had possessed the presence of mind to check the prayer book before coming, we probably wouldn’t have bothered. It’s a very dark liturgy. Jesus is dead in the tomb, the altar is stripped bare, and everything in the rubric is intended to get you notjob[1] to think about what is coming the next day. A central line in one of the prayers that day was “In the midst of life we are in death” Most striking that afternoon, however, was the following from the book of Job:

A mortal, born of woman, few of days and full of trouble comes up like a flower and withers, flees like a shadow and does not last . . . For there is hope for a tree, if it is cut down, that it will sprout again, and that its shoots will not cease . . . But mortals die, and are laid low; humans expire, and where are they? As waters fail from a lake, and a river wastes away and dries up, so mortals lie down and do not rise again; until the heavens are no more, they will not awake or be roused out of their sleep.

These lines would have been appropriate in the mouths of any number of characters in King Lear, but they predate Shakespeare by thousands of years. The earliest text my interdisciplinary class studied this academic year, the gilandenki[1]Epic of Gilgamesh, is infused with similar energies—fear of death, as well as impotence in the face of forces we cannot control.

In the middle of Easter season, it is easy for Christians to immediately address these dark realities with the story of divine suffering and redemption that lies at the heart of Christian belief. And that is the message—God has overcome darkness and death, a victory that we are the beneficiaries of.  Yet it is so easy for this powerful story to become little more than a superficial panacea for all the darkness and loss that surrounds each of us, a truism that can blind us to an otherwise inescapable truth: mortals die, and are laid low. And during its short duration, human life is often filled with nothing but suffering, pain, and meaninglessness.

The great eighteenth-century essayist and philosopher Voltaire once provocatively wrote that “If God did not exist, it would be necessary to invent him.”voltaire_if_god_did_not_exist_necessary_to_invent_postcard-r747d414000d64546b6a280ed3f476a5d_vgbaq_8byvr_210[1] This statement shook up a number of Voltaire’s contemporaries, leading many to imagine that any person who could write such a thing seriously must be an atheist. The statement remains provocative, and it is clear from his body of work that whatever Voltaire might have been, he was not a traditional religious believer in any sense of the word. But with the apparent meaninglessness of human existence and reality in view, Voltaire’s famous claim is absolutely true. There is something about the darkest and most sobering parts of human reality that cry out for, actually demand, a response. The human epitaph cannot be “Life’s a bitch, and then you die.”

All sorts of responses, ranging from religious through philosophical and literary to political, have been offered over the centuries, responses that often conflict with each other and even more frequently fail to take the fundamental problem on squarely. Which of these stories is true? More importantly, how can we know if any of them are true? How can we be sure that these stories are anything more than a collection of tunes human beings have written to whistle in the dark until the night overwhelms them? I submit that we cannot be sure. Yet billions of people have been willing to shape their lives, to stake their very existence at least virtually, sometimes literally, on the truth of one or more of these stories. Simone_Weil-11[1]Why? Because there is something in the human heart that has to believe them, something that has to hope. And it is that very longing and hope that is perhaps most convincing. As Simone Weil reminds us, “if we ask our Father for bread, he will not give us a stone.”

The third and final portion of Handel’s Messiah,handels-messiah[1] immediately following the “Hallelujah Chorus,” begins with “I Know That My Redeemer Liveth,” a soaring, spectacularly beautiful soprano solo setting of the following text from Job, with a concluding sentiment from First Corinthians:

I know that my redeemer liveth, and that he shall stand at the latter day upon the earth;

And though worms destroy this body, yet in my flesh shall I see God.

For now is Christ risen from the dead, the first fruits of them that sleep.

From the depths of despair, literally from the middle of a pile of ashes, Job clings to a hopeful story, that there is a transcendent and triumphant divine response to human incapacity, despair, and hopelessness. It’s a wonderful story. How can I not believe it? I hope and pray that it is true. It had better be.

Actually, He Died

Several Christmas Eves ago, Jeanne, Justin and I were invited to share dinner with a friend from work and her family, which includes two precocious and very active children. On display was a beautiful crèche, surrounded by all sorts of interesting items—who knew, for instance, that there was a duck and an elephant (both roughly the same size as the baby) at the manger? My friend is from Italy; her mother annually sends new additions to the crèche scene from the homeland, often forgetting the comparative size of the items she sent in previous years. My friend’s five-year-old daughter introduced Justin to the various characters in a monologue interrupted only by a few confirming comments.

And these are some shepherds, those are goats and sheep, that’s a dog a turkey and a cow, these are some angels, and that’s the baby Jesus.

Oh, really?

Yes. Actually, he died.

Yes he did, as Good Friday somberly reminds us. It is traditional for Christians, anticipating the end of the story and what will happen in three days, to attempt a symbolic descent into the depths of pain and devastating disappointment. But there is no evidence that any person among Jesus’s family and followers expected that he would rise from the dead. The crucifixion was an unmitigated disaster and they fled in fear for their lives. Some hid in anonymous locations to escape arrest. Some simply went home. The bravest among them planned to show respect for the dead body in traditional ways. Various hopes and dreams were shattered. As the travelers to Emmaus said, “We had hoped that it was He who was going to redeem Israel.” But actually, he died. End of story—time to move on.

The idea of a suffering and dying God is not new—there are many traditions supported by myths and stories of a divinity suffering and dying for various reasons. But this story is so intimately personal, so representative of the crushed hopes and dreams, the inescapable pain and suffering, that are fundamentally part of the human experience. That’s what makes Good Friday so poignant and what made it so devastating for those who were there, those who had tied their lives to this man. He seemed to be something more, but turned out to be the same as everyone else—human, limited, subject to suffocating power and injustice, to the random events that ultimately shape each of our stories. We had hoped—and he died.

Simone Weil suggests that the entire story of redemption is contained in the Incarnation and the Crucifixion. If the story ended with Jesus executed as a criminal and dead in a tomb, we still would have reason to believe in a God of love. Our very existence, as well as the existence of the reality we inhabit, is evidence of God’s choice to create in order to love. The story of a God who becomes fully human, who lives a life in time subject to all things each human being is subject to, including suffering, pain, loss, tragedy, injustice, and death serves to drive the point deeper. No supernatural cure for suffering is offered in this story, no promise that God will take pain and loss away. Rather a supernatural use for suffering is offered. Isaiah promises that the Messiah will be called “Emanuel—God with us.” Good Friday reveals just how far the divine chooses to go with us—into the depths of despair and death.

I saw a poster recently with a dark twist on a familiar saying. “It is always darkest just before—it goes pitch black.” And God is there.

despairdemotivator[1]

Flowering Trees

Several years ago, I spent spent the early months of the year on sabbatical on the campus of a Benedictine college in Minnesota. Lining the road on the fifteen minute uphill walk from my Ecumenical Institute apartment to St. John’s Abbey in the depths of winter were any number of small, leafless trees. Judging from their shapes and sizes, I guessed that many of them were the flowering sorts of trees that are always the harbingers of spring at home in Rhode Island. But as winter slowly faded and spring emerged with the pace of a turtle, I was disappointed to see that the buds on the trees were 78461814[1]clearly just plain old leaf buds. No flowering trees after all. I complained to Jeanne on the phone, as well as to my friend from Washington DC who commiserated—“back home, the cherry trees would have been in blossom a long time ago.”

On a walk to the Abbey several days later, as young leaves were emerging, I noticed some tiny flower buds hiding behind the new growth. This is bizarre—flowers after leaves? Sure enough, the trees I had been complaining about were flowering trees after all—they were just doing it ass-backwards. “Listen,” I said to a group of these trees, “you need to get your branches out of your roots and do this right. You’ve got this backwards—it’s flowers first, then leaves. What’s the matter with you??” cdurand[1]My annoyance level raised when I asked various Minnesota natives about what was wrong with their trees—there was no consensus. “The leaves always come before the flowers,” said one acquaintance, implying that the flowers-first trees I have known were mutants of some sort. Elisa[1]Another Minnesotan offered that flowers usually come first, but the winter this year was so unusual (too warm, too cold, too long, too short, too wet, too dry—take your pick) that everything got screwed up. Worst of all was the person who said “Oh really? I never really noticed which comes first.” What do you mean, you never really noticed?? This is important!

One morning early in what has come to be known as “Holy Week,” after spending the night with Mary, Martha and Lazarus in Bethany, Jesus and his posse are talking a morning walk to Jerusalem. Jesus is hungry, sees a fig tree, and plans to have a breakfast snack. But, Matthew tells us, “He came to it and found nothing on it but leaves.” So Jesus curses the tree, “and immediately the fig tree withered away.” My goodness. I can imagine the disciples as the events unfold—several are trying to point out that this isn’t fig season, Andrew offers Jesus a bite of his bagel, Judas is looking in the community purse to see if there’s enough to buy Jesus some breakfast at the restaurant down the road, and Peter is going into immediate damage control. “What happens at the fig tree stays at the fig tree, right? Right??”, but Matthew is already making mental notes to put into his memoirs later.

cable[1]Imagine the stir if this happened today with 24-7 media coverage. “Jewish Holy Man Kills Innocent Tree in a Display of Temper.” Environmentalists would be outraged, talking heads from anger management therapists to tree-friendly carpenters to Pharisees to a cult of fig-worshippers would debate the topic on FOX, CNN, and MSNBC. Everyone would be trying to get an interview with Jesus, but no one’s gotten an interview with him ever, not even Rachel Maddow or Lester Holt. Peter, the spokesman for the group, tells some convoluted story about Jesus doing it as an illustration of what any of us can do with just a tiny bit of faith, but that sounds like a lot of spin.

In such situations, there’s always someone who’s looking for fifteen minutes of fame, claiming to have seen exactly what happened. “We’re talking with Fred bar-William, a local Jerusalem tanner. Fred, you were an eyewitness to what happened at the fig tree, right?” “Yeah, man, I was just sort of hangin’ around to see what was goin’ on, him being famous and all. He stopped with a bunch of guys by the treeFig-Tree-cursing-Tissot-300x225[1]—I couldn’t hear everything, but he was obviously pissed and dropped an F-bomb or two on the tree, then went on and stopped at the restaurant a ways down the road. I thought that was kinda harsh, and now look at it—it’s all, like, withered up and disgusting. I mean, we knew the guy had a temper with what happened in the temple market and all, but this is ridiculous. Like, you’d think a guy from the sticks would know when it’s fig time and when it ain’t.”

220px-TheByrdsTurnTurnTurnAlternate[1]The writer of Ecclesiastes and The Byrds remind us that “To everything there is a season, A time for every purpose under heaven.” But seasons work differently in different places and times are unique to each person. Eventually, of course, the flowering trees along the walk to the Abbey flowered into glorious bloomflowering-tree-on-april-4-2011-bike-ride[1], and a less observant person than I would not even know that they became beautiful in an entirely unconventional and non-traditional fashion. To the casual observer, they’re just pretty trees, but I know their history. It’s a sort of organic, arboreal Goldilocks story, where each tree, and each one of us, survives through seasons of winter; we bloom in our own way only when things are “just right.” Those who are “happy indeed,” claims Psalm 1,

are like a tree that is planted

beside the flowing water

that yields its fruit in due season

and whose leaves shall never fade;

and all they do shall prosper.

Your Heart’s Desire

I received the welcome news this past week that my forthcoming book, which has been at the publisher for a few months patiently waiting in the editorial queue, has passed editorial muster and has been passed on to the typesetters. As my editor told me in the email, “things are rolling now,” rolling quickly enough that I might be holding a hard copy of the book by the end of May, early June at the latest. This will be my fourth book; when compared with other great events in a life–the birth of one’s children, great sex, eighteen-year-old Balvenie neat, the Boston Red Sox winning the World Series, the Patriots winning yet another Super Bowl, getting your first tattoo–nothing beats seeing your book in print for the first time.

The forthcoming book is what I have to show for my 2015-16 sabbatical, along with a still occasionally sore ankle that I broke while on a sabbatical bike ride. The email from my editor reminded me of a dinner that I had with Jeanne at P. F. Chang’s in March 2015, just a few months before the beginning of my sabbatical. “This thing better have good news in it,” I said as I unwrapped my P. Ffortune cookie. Chang’s fortune cookie at the end of dinner. And it did.

You will receive your heart’s desire

“Great,” I thought. “I wonder what the hell that is.

It had not been a good day. That morning I had received a rejection letter from the ##### Foundation to whom I had applied for sabbatical funding the previous fall. In typical rejection letter style, I was informed that “We received 76 applications and awarded 10 grants. The quality of the grant proposals made the work of the selection committee challenging indeed. I regret to inform you . . . blah, blah, blah and so on.” Tsabbatical proposalhis sucked big time because of the two funding proposals I had sent out, this was the one I thought I had the much better shot at. Two weeks later, the other funding place rejected me as well.

I do not handle rejection well—not that I’ve had a lot of it in my career. I have never been an adjunct professor. Both of my teaching positions have been tenure track. Both times that I actually got an on-campus interview, I got the job. My ascent of the tenure and promotion ladder had only one easily correctable glitch. I have spent the past twenty-two years teaching at the same college, loving every minute of those years (or at least 95% of the minutes). Three books, a number of articles, a teaching award, two significant administrative posts—I'm OkayI’m not writing this to impress anyone, but rather to illustrate my inner dialogue every time I do get rejected. I immediately start trying to convince myself that I’m really okay, despite the fact that the ##### Foundation did not deem my sabbatical project worth spending a dime on.

These are the times when I am grateful both for my training in classical music and for being forced to memorize lots of verses from the Bible in my growing up years. As soon as I read the cookie’s promise that I will receive my heart’s desire, my memory tapes started playing a song I don’t believe I had thought of in years, perhaps decades. It is a solo from Felix Mendelssohn’s oratorio Elijah, with the seemingly appropriate (but very difficult to actually do) title “O Rest in the Lord.” I hate it when this happens, because the last thing I felt like doing that day was waiting or resting. My heart’s desire was to have funding for my sabbatical project, and what felixI considered to be my most likely source of that funding just said “thanks for playing, but no.” So “rest in the Lord, wait patiently for him, and he shall give thee thy heart’s desires”? Whatever—I don’t think so.

Mendelssohn’s Elijah is a dramatic musical treatment of various episodes from Elijah’s life as described in the Jewish scriptures, including his getting to ride in a flaming chariot to heaven once his prophesying work was over. In Part One of the oratorio Elijah has one of the greatest and most spectacular successes any prophet of God ever has or will experience. In a high stakes contest with the prophets of Baal on top of Mount Carmel, God has shown up in impressive fashion, as Elijah calls down fire that consumes the sacrifice, the wood on the altar, the stones that the altar is made out of, and the water surrounding it.elijah All this after five hundred prophets of Baal failed to arouse even a spark or a whiff of smoke out of their god after hours of praying, chanting, dancing, and self-mutilation. The people fall on their faces and cry “The Lord, He is God! The Lord, He is God!” In the exhilarating glow of spectacular success, Elijah has the five hundred prophets of Baal taken down the mountain to a brook and executed.

But then King Ahab reports to his wife, Queen Jezebel—a woman who in terms of evil and just plain nastiness puts Lady Macbeth to shame—what has happened to her prophets and everything changes. Jezebel sends a message to Elijah saying “So let the gods do to me, and more also, if I do not make your life as the life of one of them by tomorrow about this time.” elijah and angelBy the beginning of Part Two, Elijah is fleeing for his life into the wilderness. Exhausted, he eventually collapses into a fetal position under a broom tree and has a classic drama queen moment: “It is enough; now, O LORD, take away my life, for I am no better than my ancestors.” And for once, God does something practical. While Elijah sleeps, an angel makes him breakfast; when Elijah stirs, the angel serves him the meal, then entertains him by singing a lovely setting of Psalm 37—which three thousand years or so later makes it into Mendelssohn’s Elijah as “O Rest in the Lord.”

Mendelssohn’s text rearranges a few of the verses from Psalm 37, but captures the point perfectly. For those who are fretting and stressed about what the future holds, the Psalmist provides a set of simple promises.

Take delight in the Lord, and he will give you the desires of your heart.

Commit your way to the Lord; trust in him, and he will act.

Be still before the Lord, and wait patiently for him;

Do not fret over those who prosper in their way,

Over those who carry out evil devices.

Although this text is steeped in a religious perspective that I became familiar with before I learned to walk, the Psalmist’s advice sounds remarkably like what the ancient Stoics tell us—be clear about what is in your control and what is not. Don’t waste energy trying to control the latter and create your moral and spiritual home out of the former. What I can control is how I will respond to what the largely uncontrollable world hands me—disappointment, dashed hopes, unexpected opportunities, and a hell of a lot of the mundane, daily grind. The verbs in Psalm 37 are telling: trust, commit, be still, be patient, don’t worry, and take delight. These are the core of a life of centeredness and peace—something available even when things don’t go my way.Psalm 37

As I venture into the last third of my years on earth, I realize that I have often received my heart’s desire, and it almost never has been what I would have predicted. That day two years ago at P. F. Chang’s,  I did not even know what my heart’s desire was–I just knew that what I thought it was had just been shot down. As it turned out, I stayed home for my sabbatical year, spent more time with Jeanne (who happened to be unemployed and therefore home as well) than I have in years, cultivated my new bicycling obsession, got a tattoo, planned several new courses, recovered from a decade of intense administrative work, and wrote a book. You can’t make this stuff up, nor can you predict it–so “rest in the Lord” might be pretty good advice after all.

The Lazarus Cycle

In the liturgical year, the last Sunday of Lent focuses on Jesus’ signature miracle–the raising of Lazarus. Hearing it read yesterday made me nostalgic for various Hollywood treatments of Jesus’ life from my youth. During my childhood, we did not go to movies—that was something, along with a bunch of other things, that good Baptists didn’t do. But we did watch television—MV5BMTkyODYyNzE0NV5BMl5BanBnXkFtZTcwOTc1OTM2MQ@@._V1_SX214_[1]except on Sundays. So my brother and I occasionally saw movies on television, after careful censoring by my parents. We always looked forward to the weeks leading up to Easter with great anticipation—not because it was Lent followed by Holy Week (I never even heard of Lent until I was an adult), but because that was when the networks might be showing Hollywood epic treatments of stories either from or related to the Bible: “The Ten Commandments,” “Ben Hur,” “Quo Vadis,” “The Robe,” and others. Particularly favored was king-of-kings-movie-poster-1961-1020206924[1]“King of Kings,” a full-blown life-of-Jesus movie. These movies, despite their questionable accuracy by King James Version standards, were guaranteed to be approved by the parental censors. My mother, brother, and I popped popcorn and watched the Bible come to life in living black-and-white.

Then in 1966, when I was 10 years old, United Artists released imagesCAEO0LCK“The Greatest Story Ever Told,” one of the last of the great Hollywood biblical epics, directed by George Stevens. The cast was full of current as well as up-and-coming stars, included Max Von Sydow, in his first English-speaking role, as Jesus; Biblical epic superstar and future president of the NRA Charlton Heston as John the Baptist; Claude Rains, iTelly-Savalas-as-Pontius--003[1]n his final movie appearance, as Herod the Great; Martin Landau, the master of disguise in the “Mission: Impossible” of my youth, as Caiaphas; Telly Savalas of “Kojak” fame as Pontius Pilate,  imagesCA6OFXJKDavid McCallum (formerly one of the stars of “The Man from U.N.C.L.E,” currently starring as Ducky in “NCIS”) as Judas Iscariot; and my favorite: John Wayne as the Centurion at the foot of the cross, who delivers his one line—“Truly this man was the son of God!”—with all the sensitivity of a cowboy.

imagesCAVTYVXRStevens’ directorial choice is to hinge the whole three-hour-plus spectacle on the raising of Lazarus, which takes place just over half way through the movie. It is a remarkable piece of cinematography—instead of focusing on Jesus and Lazarus, the camera focuses on the reactions of those present. Shocked faces, stunned silence, a woman drops to her knees, a man bursts into tears. the_greatest_story_ever_told_movie_trailer[1]One witness runs down the road, grabbing random people and sharing the news—“Jesus of Nazareth . . . I saw it, I saw it with my own eyes! Lazarus was dead, and now he’s alive!” “The Messiah has come! A man was dead, and now he lives!” And indeed this is a blockbuster miracle, worthy of a predictable Hollywood musical effect, the rapturous singing of the final measures of the “Hallelujah” chorus from Handel’s Messiah in the background. As the witness nears the walls of Jerusalem, he is joined by two men healed by Jesus earlier in the movie: “I was crippled, and now I walk!” “I was blind, and now I see!” “Who has done this?” shouts a Roman centurion from the walls of the city. “The Man Called Jesus!” Remarkable. Astounding.

But the gospel text is very puzzling, raising more questions than it answers. If this is, indeed, Jesus’ signature, career-defining miracle, why is it only reported in one of the four canonical gospels? Why do Matthew, Mark, and Luke not consider the story important enough to include in their accounts? Why does Jesus deliberately delay travelling to Bethany upon hearing that his friend is deathly ill, dawdling along the way in order to ensure that Lazarus is dead by the time Jesus arrives? imagesCANUX8Y0What exactly is the depth and nature of the Jesus and Lazarus friendship? We know a lot about Jesus with Lazarus’s sisters Mary and Martha, but this is the first time we’ve heard about Lazarus. Is he the domineering older brother of Mary and Martha, or the spoiled younger brother on whom they dote? Why does Jesus weep? And why is Lazarus still wrapped in his grave-clothes when he emerges from the tomb?

The gospel author mentions Lazarus only one other time, in the next chapter just before Jesus’ triumphal entry into Jerusalem. The crowds around Jesus have increased exponentially, as much to gawk at Lazarus as to see Jesus. The chief priests, plotting behind the scenes as always, plan to see both Jesus and Lazarus dead—this time there won’t be any resurrection. And Lazarus dissolves into our imaginations. What happened to him? How did he live out the rest of his life?

These are questions worthy of discussion, as are the questions raised by the account of the miracle itself. But Lazarus is not a museum piece to be dusted off and talked about once in a while. The story of Lazarus is our story, the story of everyone who seeks, in individual and unique ways, to be friends with Jesus.

ValleyofDryBones-620x3101[1]In the liturgical year, the story of Lazarus is accompanied by the prophet Ezekiel’s vision of valley of dry bones in the Hebrew Scriptures. We all, I suspect, have spiritually experienced a valley of dry bones season. Dry bones are the remaining evidence of something that was once alive, but hasn’t been for a long time. Lazarus in the tomb is well on his way to becoming a pile of bones—“Lord, already there is a stench because he has been dead four days.” Here’s how this sort of experience, a season of dry bones. goes for me.

I claim to be a follower of Jesus, but the internal flame has slowly decreased to an ember that is threatening to die out. I haven’t seen or talked with Jesus, really spent time with him, for a while. So I send out a call for help to the last place I saw Jesus, where rumor reports he is currently hanging out. And nothing happens. “Hey! I’m dying here!” I silently cry. Those closest to me might realize that something’s wrong, but are unable to help. Nothing but silence. 173185024_c1419b6266[1]And I know this is not just a dry period, a time in the desert. I say to myself “I’ll come out of this, he’ll show up, I’m just in a down time, sort of taking a long spiritual nap.” But I know deep in my soul that I’m lying to myself. The spiritual ember flickers out, leaving a cold, empty space full of ashes at my core. This is real death, from which there is no return. “Lazarus is dead.”

Dietrich Bonhoeffer once wrote that “When Christ calls a man, he bids him come and die.” And death is not attractive. It isn’t pretty. No matter how beautiful the dress, how snazzy the suit, how professional the make-up job, a corpse is still a corpse. drybones[1]Spiritual corpses go through the motions, pretend that “there’s still some life left in these bones,” but deep down they know it’s a lie. I know, and after a while others know, that something smells. “Mortal, can these bones live?” I seriously doubt it. “My bones are dried up, and my hope is gone. I am cut off completely.”

But after what seems like a spiritual eternity: a rattling of bones, a puff of breath, and there are the stirrings of life. I’ve been dead for so long, I’m disoriented. I don’t recognize my surroundings, or the voice in the distance. jesus_20lazarus_20raised[1]“Come forth!” As a moth toward a flame, I’m drawn toward that sound, toward a pinpoint of light and I find that, against all odds, what was dead is alive again. I’m surrounded by those I thought I’d lost, those whom I thought I would never truly see again. “We thought you were dead!” “I was!” But I can’t move properly, can’t see clearly, I feel like a mummy who just became alive again. And I hear a commanding voice: “Loose him, and let him go.

I’ve been raised to new life—so why am I still bound by the vestiges of death, by the grave-clothes of a past that I thought was gone? Because spiritual renewal and growth are like the Darwinian evolutionary process—I drag the remnants of a past reality into my new life. Vestiges of what has died still remain. If inattentive, I will attempt to weave new garments of salvation out of old, stinking, rags that have long outlived their purpose. And I cannot remove them by myself—I need help. We need each other’s help. I need the help of those who love me and who know what it’s like to try to get one’s bearings as a newly resurrected corpse. And the Lazarus cycle goes on.

No one wants to die. But life with God is a cycle of death and resurrection, a daily, weekly, yearly Lazarus event. Dying, abandoned, buried, called back to life, emerging to new life with lots of work to do. Sometimes we’d rather not. But the message of the story of Lazarus is “Don’t be afraid to die”—especially to those things we cannot bear to even think about losing. Don’t be afraid to release even what seems most necessary—familiar thoughts, comfortable patterns of behavior, habits set in stone, OXYGEN COMMUNICATION COMPANIONwell-intentioned but self-centered expectations—the very things that for each of us seem to be the cornerstone of existence. To truly live, we have to die. Simone Weil put it beautifully:

They alone will see God who prefer to recognize the truth and die, instead of living a long and happy existence in a state of illusion. One must want to go towards reality; then, when one thinks one has found a corpse, one meets an angel who says: “He is risen.”

When the Well Runs Dry

Therefore with joy you will draw water from the wells of salvation. Isaiah 12

Several years ago, during an infrequent return to northern Vermont where I grew up, Jeanne and I took a quick detour from Route 5 South to drive past the old homestead, the house in which I lived until age eleven. It was in poor repair, and seemed far smaller than when I was a kid. Most surprising was that Smith’s pasture, the cow pasture across the road that was the site of many childhood adventures, was gone. A tangle of trees and underbrush now grows where the gate to the pasture was. I’m hoping that if I had pushed through the brush I would have found Smith’s pasture on the other side, sort of like finding Narnia on the other side of the wardrobe. Because it was magic.

Growing up in the sticks has some definite plusses—how many city kids have a cow pasture at their disposal? Smith’s pasture was one of several unofficial playgrounds for my brother and me. Many were the summer mornings when my mother would pack us a lunch and we would climb over the fence into the pasture, limited only by the general directive to be back before dark. The generous Mr. Smith, whom I never met, gave my family free access to his pasture, while the evil Mr. Cole, who owned the adjacent pasture just down the road (and whom I also never met), refused such free access. Hiking, war games, superhero exploits—Smith’s pasture was the natural stage for just about anything two kids reaching double digits in age could come up with.

Vermont cow pastures bear little resemblance to the idyllic, flat pastures that bovines in other parts of the country enjoy. Smith’s pasture was a hill—a mountain in my childhood imagination—that  rose sharply from the road to a high plateau whose back boundary my brother and I never found. Large boulders and innumerable trees of all sorts were thickly spread across the hundreds of pasture acres. The slopes in portions of the pasture were steep enough that I often wondered what the dairy cows, not generally known for their mountain climbing abilities, thought of having to eke out their bovine existence in a less than congenial landscape.

Smith’s pasture was more than the regular locale for boyhood adventures. It was also the source of our annual Christmas tree. Each year in early December my brother and I would trudge up the hill in snow that was often waist deep, searching for the perfect tree. One year we returned at dusk with a tree so wide that it took us close to an hour to stuff it through the front door and so tall that our living room ceiling bent the top foot and a half over when we stood it upright. Only a special early infusion of Christmas spirit kept my mother from having a fit as we sawed off the bottom two feet in the middle of the living room rug.

It was only many years later that I put two and two together and figured out why Mr. Smith was so generous with access to his pasture. He may or may not have had a soft spot in his heart for children needing a place to explore—the real reason we had access to his pasture was the artesian well, located several hundred yards past the fence, which provided water for our house. A well-understood task accompanied our frequent treks into Smith’s pasture—don’t forget to check the well. It was my brother’s job to lift the hinged lid as high as he could—I was too small to do it—while I peered into the dim recesses below. “It looks fine!” “It’s a bit low!” or, one fateful afternoon—“It’s empty!!” This was distressing news, producing visions of no baths, no clothes or dish washing, and general aridness. The spring had widened a minor crack in the well wall into an exit route—it was many dollars and dry days later before the water was coaxed back into its proper location. When wells misbehave, life changes significantly.

One does not get very far reading in the Bible without encountering a well. In a largely desert landscape, of course, wells were both the source of life and the center of community activity. Isaac and Rebekah met at a well, as did Jacob and Rachel as well as Moses and Zipporah. Joseph’s older brothers threw him into a dried up well after he offended them one too many times. Jesus’ conversation with the Samaritan woman at the well in John 4  is one of the most fascinating texts in the New Testament. Battles were fought over wells. They are so prevalent and necessary in stories from a nomadic, arid land that it’s easy to imagine that they are natural parts of the landscape. But they aren’t. A well is a human attempt to harness the power of something very necessary but also very powerful—a spring of water.

As I learned at an early age in Smith’s pasture, springs do not always cooperate with our attempts to control and tame them. In ancient texts, springs and sources of water are sacred. This is not surprising, because water is necessary for life. A spring—an oasis—stands for life, for rest and refreshment. But it is the random power of a spring that most directly brings the divine to mind. Springs are as resistant to our attempts to control them as they are to our expectations.  Just when we think that we have the water under control, it decides to go somewhere else. This is the deepest secret to its living water: it transforms every obstruction into a new expression of itself: It turns every apparent barrier into a new channel..

This would be a good thing to remember every time I think I have God figured out, whenever my path to a frequently visited well becomes a bit too frequently traveled. But the divine spring has a mind and will of its own, apparently, and if I don’t pay attention, I will find my well, so carefully built to contain the spring, empty one day. And this is not a good thing—as Peter wrote, “these are wells without water . . . to whom the gloom of darkness is reserved forever.” It is easy to forget that the divine spring was never intended to be contained permanently in any external well, whether a building, a book, or any specific location. The good news, as Jesus told the woman at the well, is that the divine spring is “a well of water springing up into everlasting life.” And that well is me. And you. It’s a great idea—portable wells containing the most life-giving water ever imagined. I need go no further than where I happen to be to find out what the divine spring is doing.

The LORD will guide you always; he will satisfy your needs in a sun-scorched land and will strengthen your frame. You will be like a well-watered garden, like a spring whose waters never fail. Isa. 58:11

Clean Hands

Who shall ascend the hill of the Lord? And who shall stand in his holy place? Those who have clean hands and pure hearts, who do not lift up their souls to what is false, and do not swear deceitfully. Psalm 24

magdaAs she waited for the ceremony to begin in Jerusalem, Magda Trocmé might have remembered the above lines from Psalm 24. This is a psalm of “ascent,” sung by ancient pilgrims as they climbed to Solomon’s great temple at the top of Mount Zion. Magda was there in 1972 to participate in the ceremony awarding her husband André—posthumously—the Medal of Righteousness. Those recognized as “Righteous Among the Nations” are non-Jews who risked their lives or liberty to save Jews during the Holocaust. There is a tree in Israel for each of the “Righteous Among the Nations”; part of this ceremony was the planting of a tree in André’s memory. During the ceremony, one of the speakers said something that Magda would never forget: “The righteous are not exempt from evil. The righteous must often pay a price for their righteousness: their own ethical purity.” Magda knew all about this.

Andre and MagdaMagda and André Trocmé were the heart and soul of Le Chambon, a tiny, unremarkable town in south-central France that, during the later years of World War II, “became the safest place for Jews in Europe.” Between 1940 and 1943, the villagers of Le Chambon, with full knowledge of the Vichy police and the Gestapo, organized a complex network of protection through which they hid and saved the lives of at least five thousand Jewish refugees—most of them women and children. I wrote in this blog a few days ago about this seemingly insignificant town that shone like a beacon in the midst of some of the darkest days in human history.

http://freelancechristianity.com/come-in-and-come-in/

When I shared this story with a church group that I lead on a monthly basis, several members of the group were astounded by the moral excellence of these simple French peasants, wanting to know where they could get their hands on the full story. The Trocmés, indeed all of the Chambonnais interviewed in the subsequent decades concerning their remarkable story, insisted that their actions were nothing special, clean handsthat they were not moral giants or saints, and that anyone would have done the same. Humility aside, Magda learned something during those years when she helped save the lives of strangers in the face of imminent danger—in this world, no one has clean hands or a pure heart. Even apparent moral heroes find themselves sinning no matter what their intentions are. The best we can do is acknowledge the price that has to be paid in order to be good and lessen the collateral internal damage as much as possible.

One of the most important features of the network of protection in Le Chambon was the constant need to make false identity and ration cards for the Jewish strangers who showed up in the village at all times of the day and night. Identity cards were needed to protect against roundups, when identity cards were usually checked; ration cards protected against hunger, since the basic foods were rationed and the Chambonnais were so poor that they could not share their own food with refugees and hope to ration cardssurvive themselves. Magda remembers that “Jews were running all over the place after a while, and we had to help them quickly. We had no time to engage in deep debates. We had to help them—or let them die, perhaps—and in order to help them, unfortunately we had to lie.”

During the first winter of the Nazi occupation, Magda recalls Edouard TheisEduard_Theis, André Trocmé’s assistant pastor, coming into the presbytery and telling her about the making of the first counterfeit card. “I have just made a false card for Monsieur Lévy. It is the only way to save his life.” Magda remembers her horror at that moment: duplicity, for any reason, was simply wrong. Neither she nor any of the other leaders in Le Chambon doubted for a moment the need for counterfeit identity and ration cards, but none of them ever became reconciled to making the cards, though they made hundreds of them during the occupation. Until her death many decades later, she found her integrity diminished when she thought about those cards. She remained sad over what she called “our lost candor.” André was even more troubled by the necessity to lie, fearing that he was “sliding toward those compromises that God has not called upon me to make.”

It is very easy, looking back, to minimize this conflict since everyone “knows” that when the directive “do not lie” and the directive “help those in need” are in conflict, “do not lie” gives way. But this immediate and often facile ranking of moral directives is often an exercise in justifying or excusing moral failings, an exercise André and Magda refused to participate in. They did not excuse themselves from the moral principle of truth-telling by saying that “in circumstances such as these that principle does not apply.” Rather, they did what they could to save lives all the time carrying the heavy heart that always accompanies deliberate and conscious wrongdoing. They learned that they could not dissolve the contradiction by neat, clear logic. In such situations, one must simply bet upon a certain course of action—one must, in an act of faith, throw oneself into action in a certain direction. And in doing so, one’s hands often are made dirty and one’s heart sacrifices its purity.ethics

In Dietrich Bonhoeffer’s major work Ethics, compiled by his best friend from scattered notes found in Bonhoeffer’s study and in his prison cell after Bonhoeffer’s execution by the Nazis, Bonhoeffer writes that

Ethical discourse cannot be conducted in a vacuum, in the abstract, but only in a concrete context. Ethical discourse, therefore, is not a system of propositions which are correct in themselves, a system which is available for anyone to apply at any time and in any place, but it is inseparably linked with particular persons, times and places.

And while systems of propositions can be arranged in a relational hierarchy with close to mathematical precision, human existence cannot. Hence the struggle of the Chambonnais with life-saving tainted with lying. Hence Bonhoeffer, a dedicated pacifist and advocate of nonviolence, becoming involved with various plots to assassinate Adolf Hitler, involvement that led to his arrest and, two years later, his death.Doblmeier

In his powerful documentary Bonhoeffer, director Martin Doblmeier includes a brief vignette from an interview with Archbishop Desmond Tutu, whose life and thought have been shaped by the life and work of Dietrich Bonhoeffer. tutuIn response to the question “how does one know what the will of God is?” Tutu replies that

There is no shaft of light that comes from heaven and says to you “Okay, my son or my daughter, you are right.” You have to hold on to it by the skin of your teeth and hope that there’s going to be vindication on the other side.

Perhaps on that “other side” clean hands and pure hearts will be available. But not before.

What Silence Sounds Like

Hello darkness, my old friend, I’ve come to talk to you again. “The Sound of Silence”

One Sunday a couple of months ago as I was listening to our local NPR station in the car during an errand run, I heard a brief piece on “Disturbed,” a heavy metal band that had just received its second Grammy nomination. Their first was in 2009; now, eight years later, they had another one. My knowledge of contemporary heavy metal is non-existent, as is my interest in that musical genre—this would have usually been reason for me to switch to the Boston NPR station to see what they were up to. But Disturbed’s Grammy nomination was for their acoustic cover of a song that was a central tune in the sound track of my youth: Simon and Garfunkel’s “The Sound of Silence.” I had to listen.

For those familiar with Simon and Garfunkel’s original (link below), a remake or cover of their iconic masterpiece is close to sacrilegious. But the intensity and power of Disturbed’s version is not to be missed—I agree with one commenter on Youtube who called it “chilling and magnificent.” The NPR piece included a brief interview with David Draiman, Disturbed’s lead vocalist. Noting that the choice not to go “heavy metal” with “The Sound of Silence” was the drummer’s idea, Draiman said that the acoustic demands of the song took him to vocal spaces he had not visited in many years.

I was trained to be a cantor, which is someone that leads the Jewish congregation in prayer. So I learned classical vocal technique from a very young age . . . I hadn’t attempted to go to that spot of my vocal ability for very many years. I was so overwhelmed with emotion listening to the way my vocals sounded in that beautiful bed of music. And not having heard my voice in that way for so long, it was really just very, very overwhelming.

I’ve been reminded of this story a number of times over the past two months during the first half of the current semester. I find that questions that ask how human beings are to think about what is greater than us—is there anything greater than us? And if so, what are the implications?—make frequent appearances in my various classes, some planned and some not. This semester has been no exception. Many (a significant majority) of my students come from religious backgrounds (mostly Catholic), but have never analyzed critically or sufficiently exactly what going on when we mere mortals attempt to establish a line of communication with what is greater than us. The formalized version of these attempts is usually called prayer; various worship activities in each of the great monotheistic religion include prayer on a regular basis. As a cantor, David Draiman led such collective attempts to make contact with God, and in response we often get exactly what Paul Simon’s lyrics describe—the sound of silence. Crickets chirping. It’s enough to drive a person of faith nuts. As C. S. Lewis once wrote to his brother Warnie in a letter,

The trouble about God is that he is like a person who never acknowledges one’s letters and so, in time, one comes to the conclusion either that he does not exist or that you have got the address wrong.

I grew up in a prayer-obsessed world; Wednesday nights at church were marked as the time to obsess collectively. As a creative youngster, I usually was able to find something in every foray to church to pique my interest, however briefly. I liked some of the hymns we sang on Sunday morning and evening, for instance, and enjoyed the stories in Sunday school. But we didn’t sing on Wednesday nights—people gave testimonies, and then we prayed. For a very, very, VERY long time. I remember prayers that were more like speeches than anything else, insistent, complaining sorts of speeches whose intent was apparently to wear God down. Not that the things being asked for were unimportant—“please bring X to a saving knowledge of you,” “please heal Y of diabetes,” “please help Z find a job”—but the tone was often strange, petulantly childish, demanding, insinuating that this time, for once, God had damn well better get off His ass and do something. Of course anyone actually saying that at Wednesday prayer service would have been in danger of hellfire, but that’s the atmosphere I remember.

How to pray was a mystery to me—I recall my mother saying frequently that I should just talk to God the same way I talked to her. That never struck me as one of my mother’s better pieces of advice, since I clearly couldn’t talk to an invisible, far away, scary “something” in the same way I could talk to her. But I did learn, as all good Baptist kids learned, how to make up a convincing sounding prayer at the drop of a hat. It’s just that it never seemed to go past the ceiling. Many years later, in a text we are using in one of my courses this semester, Annie Dillard expressed the frustration as clearly as I’ve ever seen.

Are we only talking to ourselves in an empty universe? The silence is often so emphatic. And we have prayed so much already. . . Who is like you, O Lord, among the silent, remaining silent through the suffering of His children?

The best advice I ever received concerning prayer, not surprisingly, came from the person who knows me best. A number of years ago, in response to one of my frequent complaints about divine silence and inscrutability as a “response” to ineffective prayer, Jeanne said “Vance, for you thinking is praying.” It has taken me many years to recognize just how right she was. Although her comment was for me, the larger point is for everyone. Prayer understood on the transactional model, as an attempt at bargaining or pleading with a silent partner who might not even exist, is a guaranteed recipe for frustration and failure. But what if prayer is not something the person of faith is supposed to do? What if, instead, prayer is something that we are called to be? Being a prayer is a matter of learning to recognize and trust the places where the divine is most likely to be found—in myself and in others, in those thin places where the barrier between human and divine dissolves. And people of the book should know this—it’s right in there, both in the Jewish scriptures and the New Testament. Where is the divine to be found?

It is not too mysterious for you, nor is it far off. It is not in heaven . . . nor is it beyond the sea . . . But the word is very near you, in your mouth and in your heart, that you may do it.

If prayer is a call for the divine to enter the world, we need to be attentive to where that might be happening—in us and around us. It probably will not be where we expect. As Paul Simon wrote in the last verse of “The Sound of Silence,” the words of the prophets are written on the subway walls and tenement halls.

Getting Ready for the Apocalypse

A colleague and friend from the English department contacted me a few months ago and asked if I would be interested in developing a team-taught course with him to be taught for the first time in the Spring 2018 semester. This is one of the things I love about teaching at my college. Because the core program at the center of our extensive core curriculum–a program that I directed for the four years that ended just before my sabbatical last year–is taught by teams of colleagues from all over campus, the opportunities for collaboration across disciplines are abundant, as are the chances to create new courses from scratch. My colleague, with whom I taught for a semester several years ago during his first semester at the college, suggested to me that we create a course called “Apocalypse,” which we eventually described in our official proposal as follows:

This colloquium asks students to think about how civilization – and even humanity itself – might end.  With a bang? A whimper? A rapture? A zombie apocalypse? Visions of the destruction of civilization are currently experiencing a renaissance, from literature to television, film, and video games.  The “Apocalypse” colloquium is designed to connect this contemporary moment with the long tradition of apocalyptic writing and thinking.  Since their appearance, human beings have expressed their fears and hopes about the end of the world.  By asking students to think about the end of civilization and its aftermaths, we invite them to reconsider some of the fundamental questions their earlier core classes:  what is civilization? what responsibilities do human beings have to each other? what role does the divine play in promoting moral behavior? what is virtue, and does it apply in all circumstances? what things are essential in life? At a time when a poor internet connection or missed flight or speeding ticket can seem like a minor catastrophe, it can be instructive to imagine life in a world without electricity, planes, cars, police, or laws.

Truth be told, this topic is well outside my areas of expertise–I agreed to develop the course with my colleague because I thought it would be fun to teach with him again. In addition, I do have some experience with apocalyptic thinking–I was raised in it.

A new HBO miniseries called “The Leftovers” began a few years ago. TLindelof-The-Leftovers-HBOhis is the sort of series that I usually have no interest in—something weird has happened (like a huge invisible dome randomly dropping on top of a town) and the entertainment of the series is to see how people deal with the new situation. As my father would have said, it’s fun to observe a cow’s reaction to a new barn door. Shows with such premises are generally too Stephen King-ish for my taste. But the idea kernel behind “The Leftovers” is different.video-the-leftovers-trailer-shows-us-what-the-rapture-looks-like On a seemingly unimportant day, October 14th to be exact, millions of people worldwide inexplicably disappear into thin air. Here one moment, gone the next. The first episode of “The Leftovers” drops us three years later into a small Pennsylvania community as they prepare for a third year anniversary celebration (wake? remembrance?) of the dozens of friends and family members who evaporated on October 14. So what makes this bizarre premise any more interesting than a giant dome falling out of the sky? This one hits close to home, because in the parlance of the people I grew up with, the October 14 event that is at the heart of this show is the Rapture.

rapture_1_I don’t know if “Rapture Obsession” is an official medical diagnosis, but whether it is or not my family, my church, and just about everyone I knew growing up had it. In spades. The basic idea is simple—Jesus is coming back. And when he does, he’s going to take those who believe in him, who have “accepted Christ as their personal savior,” with him back to heaven (the Rapture) and leave the billions of unraptured losers here on earth for a seven-year period known as the Tribulation during which, literally, all hell will break loose. Armageddon. The Antichrist. The Apocalypse. All of these are triggered by the massive in-gathering of the faithful. At least in my youthful understanding, the primary reason to put up with all of the restrictions, limitations, and general annoyance of being a Christian was to guarantee that one is going and not staying when the Rapture occurs. Not that there was any solid guarantee that I was “in” rather than “out.” I spent many panicked moments as a youngster when my mother wasn’t where I expected her to be thinking that the Rapture had occurred and I was screwed.

Where did people get such a ridiculous idea from? The textual evidence in the Bible, surprisingly, is relatively thin and mixed at best. There are a few cryptic comments in the Gospels, a few more hints in Paul’s letters, but the bulk of the relevant material is in the Bible-closing Book of Revelation and the Book of Daniel from the Hebrew scriptures (as read through Christian filters), material containing predictions so cryptic and visions so strange as to suggest that the authors were on hallucinogenics. 375px-Tribulation_views_svgThere’s enough there to draw one’s attention if one is so inclined, but not enough for anyone to be sure about what the texts actually mean.

But that didn’t stop my church community from being sure as hell (!) that we were in and just about everyone else (including Catholics, Universalists, and tons of other people who claimed to be Christians) was out. There was plenty of debate about the details. We believed that the Rapture would be the official kick-off of the Tribulation (we were “Pre-Trib” people), but some Rapture believers thought it would happen half-way through the Tribulation (“Mid-Trib”) and some even thought it would happen at the end, just before the Final Judgment (“Post-Trib”—I never saw the point of a Post-Trib Rapture). Pastors preached on it, Bible scholars and experts gave week-long conferences piggy-backed on revivals (my Dad was one of these experts), The_Late,_Great_Planet_Earth_coverand we all went into a tizzy when in 1970 evangelical minister Hal Lindsey’s The Late Great Planet Earth, called “the number one non-fiction bestseller of the decade” by the New York Times, exploded on the scene. And this is not a dated phenomenon. Hal Lindsey’1972 bestselling sequel had the eye-catching title Satan is Alive and Well on Planet Earth; a brief Internet search or a Sunday road trip to the closest megachurch will confirm that Rapture mania is also alive and well on planet Earth. “The Leftovers” is likely to be a big hit.

perrotta__120628065425-275x411I first became aware of the series when Tom Perotta, whose novel the series is based on, made the rounds of my favorite NPR shows the week before its debut. In one of the interviews, Perotta said that part of his research for the book was living as an embedded person in a fundamentalist, evangelical Christian community and church for a certain amount of time, sort of like how the Soviet spies in “The Americans” live embedded in Maryland as a typical middle-class 1980s American couple. Assuming that, as always, the book would be better than the television series (it is), I ordered The Leftovers, published in 2011, from Amazon. It is clear from the outset that Perotta had done his homework well; on page 3 of the novel’s Prologue, the narrator describes that, as one might expect, there is a great deal of confusion and debate about “what just happened” in the weeks following October 14th—was it the Rapture or not? Many argued that it couldn’t have been.

Interestingly, some of the loudest voices making this argument belonged to Christians themselves, who couldn’t help noticing that many of the people who’d disappeared on October 14th—Hindus and Buddhists and Muslims and Jews and atheists and animists and homosexuals and Eskimos and Mormons and Zoroastrians, whatever the heck they were—hadn’t accepted Jesus Christ as their personal savior. left-behind-people-on-rapture-dayAs far as anyone could tell, it was a random harvest, and the one thing the Rapture couldn’t be was random. The whole point was to separate the wheat from the chaff, to reward the true believers and put the rest of the world on notice. An indiscriminate Rapture was no Rapture at all.

My church would have been at the forefront of those who denied that this was the Rapture on theological grounds. It would be understandable if not everyone in our congregation was raptured—not everyone was a good enough Christian. Those in the inner circle would have even been happy to predict who was not sufficiently up to snuff. But non-Christians? Atheists? Catholics, for God’s sake? Underlying Rapture obsession and mania is the very familiar human attempt to put God in a box, to figure out ahead of time what God is up to, what God is like, and what God likes best—then to act accordingly. A rapture such as fictionalized in The Leftovers is such an affront to our best efforts at putting the divine in a straitjacket that it has to be rejected as something other than the real thing. young_earthMaybe God threw this pseudo-rapture into the mix early just to test our faith, I can hear someone suggesting, sort of like God planted dinosaur fossils and made the earth appear to be several billion years old rather than the few thousand that the Bible says, just to fuck us up (for a good reason, of course).

Truth be told, though, the random harvest described in The Leftovers sounds exactly like something God might do, once as many human boxes and straitjackets for the divine as possible are left behind. God’s apparent randomness and lack of respect for our human obsession with fairness and justice is on display everywhere. It is entirely understandable that Why Do Bad Things Happen to Good People? has been a record-breaking bestseller. The very process of natural selection that has and continues to produce the vast diversity of living things is energized by randomness and chance. For those who insist on going to their favorite sacred text to get a handle on the divine, you need go no further than Jesus’ observations that “it rains on the just and the unjust” and “the first shall be last, and the last shall be first.” Every time we believe we have God figured out, it is good to remember that if you want to give God a good laugh, just tell her your plans.when-will-the-rapture-happen-flowchart