Tag Archives: prayer

Mortals Die, and are Laid Low

tumblr_ma8azfhZEg1rgpruxo3_r3_1280[1]A couple years ago in a course that I was team-teaching with two other colleagues, the final seminar text of the semester was Shakespeare’s King Lear. One of my teaching colleagues, an accomplished Shakespeare scholar, described the play on the syllabus as simply “the greatest play ever.” I love Shakespeare and find his plays more insightful about human nature and the human condition than any other texts (certainly more insightful than any philosophical tomes I have read), but had not read this particular tragedy in its entirety since I was an undergraduate the age of our current eighteen and nineteen year old freshmen. The play blew me away, disturbed me, and made me wonder whether we perhaps should have sent our students off into the summer with something slightly less dark.

King Lear pushes to the limit a hypothesis that has a long and complicated pedigree: We live in a universe that is malign, at the very least indifferent, and human life within this universe is brutal, wretched, and meaningless. As various nasty and morally awful characters—including Lear’s two older daughters—apparently prosper from their rejection of their father, those characters with even a shred of dignity, honor, or love—including Lear’s youngest daughter—are rejected and ultimately destroyed. By the end of the play, the stage is littered with the bodies of both the good and the bad, while a handful of dazed survivors are left to pick up the pieces. Naked in a driving storm in the middle of a Scottish heath, Lear rages that human beings are nothing but “poor, bare forked animals,” living on a “great stage of fools.” Lear demands an answer to the question “Is man no more than this?” The blinded Gloucester despairingly directs his accusations heavenward:

As flies to wanton boys are we to th’gods; They kill us for their sport.imagesCAOCS0RP

And have a nice day.

King Lear took me back to a Holy Saturday liturgy a few years ago. At our Episcopal church, our rector Marsue decided for the first time in her many years as a priest to do the Holy Saturday liturgy. Holy-Saturday-e1364654989214[1]It’s a tough sell to get people to church on any Saturday except for a wedding or funeral, particularly during Holy Week when the most dedicated may have already been in church two or three times in the previous few days. I was one of only a few people present; if any of us had possessed the presence of mind to check the prayer book before coming, we probably wouldn’t have bothered. It’s a very dark liturgy. Jesus is dead in the tomb, the altar is stripped bare, and everything in the rubric is intended to get you notjob[1] to think about what is coming the next day. A central line in one of the prayers that day was “In the midst of life we are in death” Most striking that afternoon, however, was the following from the book of Job:

A mortal, born of woman, few of days and full of trouble comes up like a flower and withers, flees like a shadow and does not last . . . For there is hope for a tree, if it is cut down, that it will sprout again, and that its shoots will not cease . . . But mortals die, and are laid low; humans expire, and where are they? As waters fail from a lake, and a river wastes away and dries up, so mortals lie down and do not rise again; until the heavens are no more, they will not awake or be roused out of their sleep.

These lines would have been appropriate in the mouths of any number of characters in King Lear, but they predate Shakespeare by thousands of years. The earliest text my interdisciplinary class studied this academic year, the gilandenki[1]Epic of Gilgamesh, is infused with similar energies—fear of death, as well as impotence in the face of forces we cannot control.

In the middle of Easter season, it is easy for Christians to immediately address these dark realities with the story of divine suffering and redemption that lies at the heart of Christian belief. And that is the message—God has overcome darkness and death, a victory that we are the beneficiaries of.  Yet it is so easy for this powerful story to become little more than a superficial panacea for all the darkness and loss that surrounds each of us, a truism that can blind us to an otherwise inescapable truth: mortals die, and are laid low. And during its short duration, human life is often filled with nothing but suffering, pain, and meaninglessness.

The great eighteenth-century essayist and philosopher Voltaire once provocatively wrote that “If God did not exist, it would be necessary to invent him.”voltaire_if_god_did_not_exist_necessary_to_invent_postcard-r747d414000d64546b6a280ed3f476a5d_vgbaq_8byvr_210[1] This statement shook up a number of Voltaire’s contemporaries, leading many to imagine that any person who could write such a thing seriously must be an atheist. The statement remains provocative, and it is clear from his body of work that whatever Voltaire might have been, he was not a traditional religious believer in any sense of the word. But with the apparent meaninglessness of human existence and reality in view, Voltaire’s famous claim is absolutely true. There is something about the darkest and most sobering parts of human reality that cry out for, actually demand, a response. The human epitaph cannot be “Life’s a bitch, and then you die.”

All sorts of responses, ranging from religious through philosophical and literary to political, have been offered over the centuries, responses that often conflict with each other and even more frequently fail to take the fundamental problem on squarely. Which of these stories is true? More importantly, how can we know if any of them are true? How can we be sure that these stories are anything more than a collection of tunes human beings have written to whistle in the dark until the night overwhelms them? I submit that we cannot be sure. Yet billions of people have been willing to shape their lives, to stake their very existence at least virtually, sometimes literally, on the truth of one or more of these stories. Simone_Weil-11[1]Why? Because there is something in the human heart that has to believe them, something that has to hope. And it is that very longing and hope that is perhaps most convincing. As Simone Weil reminds us, “if we ask our Father for bread, he will not give us a stone.”

The third and final portion of Handel’s Messiah,handels-messiah[1] immediately following the “Hallelujah Chorus,” begins with “I Know That My Redeemer Liveth,” a soaring, spectacularly beautiful soprano solo setting of the following text from Job, with a concluding sentiment from First Corinthians:

I know that my redeemer liveth, and that he shall stand at the latter day upon the earth;

And though worms destroy this body, yet in my flesh shall I see God.

For now is Christ risen from the dead, the first fruits of them that sleep.

From the depths of despair, literally from the middle of a pile of ashes, Job clings to a hopeful story, that there is a transcendent and triumphant divine response to human incapacity, despair, and hopelessness. It’s a wonderful story. How can I not believe it? I hope and pray that it is true. It had better be.

The Lazarus Cycle

In the liturgical year, the last Sunday of Lent focuses on Jesus’ signature miracle–the raising of Lazarus. Hearing it read yesterday made me nostalgic for various Hollywood treatments of Jesus’ life from my youth. During my childhood, we did not go to movies—that was something, along with a bunch of other things, that good Baptists didn’t do. But we did watch television—MV5BMTkyODYyNzE0NV5BMl5BanBnXkFtZTcwOTc1OTM2MQ@@._V1_SX214_[1]except on Sundays. So my brother and I occasionally saw movies on television, after careful censoring by my parents. We always looked forward to the weeks leading up to Easter with great anticipation—not because it was Lent followed by Holy Week (I never even heard of Lent until I was an adult), but because that was when the networks might be showing Hollywood epic treatments of stories either from or related to the Bible: “The Ten Commandments,” “Ben Hur,” “Quo Vadis,” “The Robe,” and others. Particularly favored was king-of-kings-movie-poster-1961-1020206924[1]“King of Kings,” a full-blown life-of-Jesus movie. These movies, despite their questionable accuracy by King James Version standards, were guaranteed to be approved by the parental censors. My mother, brother, and I popped popcorn and watched the Bible come to life in living black-and-white.

Then in 1966, when I was 10 years old, United Artists released imagesCAEO0LCK“The Greatest Story Ever Told,” one of the last of the great Hollywood biblical epics, directed by George Stevens. The cast was full of current as well as up-and-coming stars, included Max Von Sydow, in his first English-speaking role, as Jesus; Biblical epic superstar and future president of the NRA Charlton Heston as John the Baptist; Claude Rains, iTelly-Savalas-as-Pontius--003[1]n his final movie appearance, as Herod the Great; Martin Landau, the master of disguise in the “Mission: Impossible” of my youth, as Caiaphas; Telly Savalas of “Kojak” fame as Pontius Pilate,  imagesCA6OFXJKDavid McCallum (formerly one of the stars of “The Man from U.N.C.L.E,” currently starring as Ducky in “NCIS”) as Judas Iscariot; and my favorite: John Wayne as the Centurion at the foot of the cross, who delivers his one line—“Truly this man was the son of God!”—with all the sensitivity of a cowboy.

imagesCAVTYVXRStevens’ directorial choice is to hinge the whole three-hour-plus spectacle on the raising of Lazarus, which takes place just over half way through the movie. It is a remarkable piece of cinematography—instead of focusing on Jesus and Lazarus, the camera focuses on the reactions of those present. Shocked faces, stunned silence, a woman drops to her knees, a man bursts into tears. the_greatest_story_ever_told_movie_trailer[1]One witness runs down the road, grabbing random people and sharing the news—“Jesus of Nazareth . . . I saw it, I saw it with my own eyes! Lazarus was dead, and now he’s alive!” “The Messiah has come! A man was dead, and now he lives!” And indeed this is a blockbuster miracle, worthy of a predictable Hollywood musical effect, the rapturous singing of the final measures of the “Hallelujah” chorus from Handel’s Messiah in the background. As the witness nears the walls of Jerusalem, he is joined by two men healed by Jesus earlier in the movie: “I was crippled, and now I walk!” “I was blind, and now I see!” “Who has done this?” shouts a Roman centurion from the walls of the city. “The Man Called Jesus!” Remarkable. Astounding.

But the gospel text is very puzzling, raising more questions than it answers. If this is, indeed, Jesus’ signature, career-defining miracle, why is it only reported in one of the four canonical gospels? Why do Matthew, Mark, and Luke not consider the story important enough to include in their accounts? Why does Jesus deliberately delay travelling to Bethany upon hearing that his friend is deathly ill, dawdling along the way in order to ensure that Lazarus is dead by the time Jesus arrives? imagesCANUX8Y0What exactly is the depth and nature of the Jesus and Lazarus friendship? We know a lot about Jesus with Lazarus’s sisters Mary and Martha, but this is the first time we’ve heard about Lazarus. Is he the domineering older brother of Mary and Martha, or the spoiled younger brother on whom they dote? Why does Jesus weep? And why is Lazarus still wrapped in his grave-clothes when he emerges from the tomb?

The gospel author mentions Lazarus only one other time, in the next chapter just before Jesus’ triumphal entry into Jerusalem. The crowds around Jesus have increased exponentially, as much to gawk at Lazarus as to see Jesus. The chief priests, plotting behind the scenes as always, plan to see both Jesus and Lazarus dead—this time there won’t be any resurrection. And Lazarus dissolves into our imaginations. What happened to him? How did he live out the rest of his life?

These are questions worthy of discussion, as are the questions raised by the account of the miracle itself. But Lazarus is not a museum piece to be dusted off and talked about once in a while. The story of Lazarus is our story, the story of everyone who seeks, in individual and unique ways, to be friends with Jesus.

ValleyofDryBones-620x3101[1]In the liturgical year, the story of Lazarus is accompanied by the prophet Ezekiel’s vision of valley of dry bones in the Hebrew Scriptures. We all, I suspect, have spiritually experienced a valley of dry bones season. Dry bones are the remaining evidence of something that was once alive, but hasn’t been for a long time. Lazarus in the tomb is well on his way to becoming a pile of bones—“Lord, already there is a stench because he has been dead four days.” Here’s how this sort of experience, a season of dry bones. goes for me.

I claim to be a follower of Jesus, but the internal flame has slowly decreased to an ember that is threatening to die out. I haven’t seen or talked with Jesus, really spent time with him, for a while. So I send out a call for help to the last place I saw Jesus, where rumor reports he is currently hanging out. And nothing happens. “Hey! I’m dying here!” I silently cry. Those closest to me might realize that something’s wrong, but are unable to help. Nothing but silence. 173185024_c1419b6266[1]And I know this is not just a dry period, a time in the desert. I say to myself “I’ll come out of this, he’ll show up, I’m just in a down time, sort of taking a long spiritual nap.” But I know deep in my soul that I’m lying to myself. The spiritual ember flickers out, leaving a cold, empty space full of ashes at my core. This is real death, from which there is no return. “Lazarus is dead.”

Dietrich Bonhoeffer once wrote that “When Christ calls a man, he bids him come and die.” And death is not attractive. It isn’t pretty. No matter how beautiful the dress, how snazzy the suit, how professional the make-up job, a corpse is still a corpse. drybones[1]Spiritual corpses go through the motions, pretend that “there’s still some life left in these bones,” but deep down they know it’s a lie. I know, and after a while others know, that something smells. “Mortal, can these bones live?” I seriously doubt it. “My bones are dried up, and my hope is gone. I am cut off completely.”

But after what seems like a spiritual eternity: a rattling of bones, a puff of breath, and there are the stirrings of life. I’ve been dead for so long, I’m disoriented. I don’t recognize my surroundings, or the voice in the distance. jesus_20lazarus_20raised[1]“Come forth!” As a moth toward a flame, I’m drawn toward that sound, toward a pinpoint of light and I find that, against all odds, what was dead is alive again. I’m surrounded by those I thought I’d lost, those whom I thought I would never truly see again. “We thought you were dead!” “I was!” But I can’t move properly, can’t see clearly, I feel like a mummy who just became alive again. And I hear a commanding voice: “Loose him, and let him go.

I’ve been raised to new life—so why am I still bound by the vestiges of death, by the grave-clothes of a past that I thought was gone? Because spiritual renewal and growth are like the Darwinian evolutionary process—I drag the remnants of a past reality into my new life. Vestiges of what has died still remain. If inattentive, I will attempt to weave new garments of salvation out of old, stinking, rags that have long outlived their purpose. And I cannot remove them by myself—I need help. We need each other’s help. I need the help of those who love me and who know what it’s like to try to get one’s bearings as a newly resurrected corpse. And the Lazarus cycle goes on.

No one wants to die. But life with God is a cycle of death and resurrection, a daily, weekly, yearly Lazarus event. Dying, abandoned, buried, called back to life, emerging to new life with lots of work to do. Sometimes we’d rather not. But the message of the story of Lazarus is “Don’t be afraid to die”—especially to those things we cannot bear to even think about losing. Don’t be afraid to release even what seems most necessary—familiar thoughts, comfortable patterns of behavior, habits set in stone, OXYGEN COMMUNICATION COMPANIONwell-intentioned but self-centered expectations—the very things that for each of us seem to be the cornerstone of existence. To truly live, we have to die. Simone Weil put it beautifully:

They alone will see God who prefer to recognize the truth and die, instead of living a long and happy existence in a state of illusion. One must want to go towards reality; then, when one thinks one has found a corpse, one meets an angel who says: “He is risen.”

What Silence Sounds Like

Hello darkness, my old friend, I’ve come to talk to you again. “The Sound of Silence”

One Sunday a couple of months ago as I was listening to our local NPR station in the car during an errand run, I heard a brief piece on “Disturbed,” a heavy metal band that had just received its second Grammy nomination. Their first was in 2009; now, eight years later, they had another one. My knowledge of contemporary heavy metal is non-existent, as is my interest in that musical genre—this would have usually been reason for me to switch to the Boston NPR station to see what they were up to. But Disturbed’s Grammy nomination was for their acoustic cover of a song that was a central tune in the sound track of my youth: Simon and Garfunkel’s “The Sound of Silence.” I had to listen.

For those familiar with Simon and Garfunkel’s original (link below), a remake or cover of their iconic masterpiece is close to sacrilegious. But the intensity and power of Disturbed’s version is not to be missed—I agree with one commenter on Youtube who called it “chilling and magnificent.” The NPR piece included a brief interview with David Draiman, Disturbed’s lead vocalist. Noting that the choice not to go “heavy metal” with “The Sound of Silence” was the drummer’s idea, Draiman said that the acoustic demands of the song took him to vocal spaces he had not visited in many years.

I was trained to be a cantor, which is someone that leads the Jewish congregation in prayer. So I learned classical vocal technique from a very young age . . . I hadn’t attempted to go to that spot of my vocal ability for very many years. I was so overwhelmed with emotion listening to the way my vocals sounded in that beautiful bed of music. And not having heard my voice in that way for so long, it was really just very, very overwhelming.

I’ve been reminded of this story a number of times over the past two months during the first half of the current semester. I find that questions that ask how human beings are to think about what is greater than us—is there anything greater than us? And if so, what are the implications?—make frequent appearances in my various classes, some planned and some not. This semester has been no exception. Many (a significant majority) of my students come from religious backgrounds (mostly Catholic), but have never analyzed critically or sufficiently exactly what going on when we mere mortals attempt to establish a line of communication with what is greater than us. The formalized version of these attempts is usually called prayer; various worship activities in each of the great monotheistic religion include prayer on a regular basis. As a cantor, David Draiman led such collective attempts to make contact with God, and in response we often get exactly what Paul Simon’s lyrics describe—the sound of silence. Crickets chirping. It’s enough to drive a person of faith nuts. As C. S. Lewis once wrote to his brother Warnie in a letter,

The trouble about God is that he is like a person who never acknowledges one’s letters and so, in time, one comes to the conclusion either that he does not exist or that you have got the address wrong.

I grew up in a prayer-obsessed world; Wednesday nights at church were marked as the time to obsess collectively. As a creative youngster, I usually was able to find something in every foray to church to pique my interest, however briefly. I liked some of the hymns we sang on Sunday morning and evening, for instance, and enjoyed the stories in Sunday school. But we didn’t sing on Wednesday nights—people gave testimonies, and then we prayed. For a very, very, VERY long time. I remember prayers that were more like speeches than anything else, insistent, complaining sorts of speeches whose intent was apparently to wear God down. Not that the things being asked for were unimportant—“please bring X to a saving knowledge of you,” “please heal Y of diabetes,” “please help Z find a job”—but the tone was often strange, petulantly childish, demanding, insinuating that this time, for once, God had damn well better get off His ass and do something. Of course anyone actually saying that at Wednesday prayer service would have been in danger of hellfire, but that’s the atmosphere I remember.

How to pray was a mystery to me—I recall my mother saying frequently that I should just talk to God the same way I talked to her. That never struck me as one of my mother’s better pieces of advice, since I clearly couldn’t talk to an invisible, far away, scary “something” in the same way I could talk to her. But I did learn, as all good Baptist kids learned, how to make up a convincing sounding prayer at the drop of a hat. It’s just that it never seemed to go past the ceiling. Many years later, in a text we are using in one of my courses this semester, Annie Dillard expressed the frustration as clearly as I’ve ever seen.

Are we only talking to ourselves in an empty universe? The silence is often so emphatic. And we have prayed so much already. . . Who is like you, O Lord, among the silent, remaining silent through the suffering of His children?

The best advice I ever received concerning prayer, not surprisingly, came from the person who knows me best. A number of years ago, in response to one of my frequent complaints about divine silence and inscrutability as a “response” to ineffective prayer, Jeanne said “Vance, for you thinking is praying.” It has taken me many years to recognize just how right she was. Although her comment was for me, the larger point is for everyone. Prayer understood on the transactional model, as an attempt at bargaining or pleading with a silent partner who might not even exist, is a guaranteed recipe for frustration and failure. But what if prayer is not something the person of faith is supposed to do? What if, instead, prayer is something that we are called to be? Being a prayer is a matter of learning to recognize and trust the places where the divine is most likely to be found—in myself and in others, in those thin places where the barrier between human and divine dissolves. And people of the book should know this—it’s right in there, both in the Jewish scriptures and the New Testament. Where is the divine to be found?

It is not too mysterious for you, nor is it far off. It is not in heaven . . . nor is it beyond the sea . . . But the word is very near you, in your mouth and in your heart, that you may do it.

If prayer is a call for the divine to enter the world, we need to be attentive to where that might be happening—in us and around us. It probably will not be where we expect. As Paul Simon wrote in the last verse of “The Sound of Silence,” the words of the prophets are written on the subway walls and tenement halls.

Taking a Moral Holiday

It has been a bit over three months since the Presidential election, just over three weeks since Donald Trump’s inauguration. It seems like an eternity—time apparently only flies when you are having fun. There has been no end of unsolicited advice from all parts of the political and religious spectrum for those who, as I, are having a bit of a hard time figuring out both how to process what has happened and, more importantly, how to approach the days, weeks, and months ahead. I have, for instance, been told “You lost, so stop whining and deal with it!” (as if principled resistance and whining are indistinguishable), as well as “Why don’t you give him a chance? It may not be as bad as you think” (You’re right—it’s worse). But the response that disturbs me most is one that I’ve read frequently on Facebook from fellow Christians, both those who voted for the new President last November and those who did not. “I just fall back on believing that God is in control and that things will work out according to His plan.” I used to hear that sort of thing a lot when I was kid as a response to or explanation of any number of disturbing developments. I didn’t buy it then, and I still don’t.

As much as I would like to take a hiatus from the insanity that seems to accompany the new administration’s efforts on a daily basis, I am finding that the courses I am teaching this semester won’t allow it. As I reread a talk by William James in preparation for an upcoming class in my American Philosophy course, for instance, I found James discussing an issue that has arisen frequently over the years in my classrooms with students: for many persons of faith, the whole purpose of religious belief is the apparently attractive, but elusively vague, state of “comfort.” “It comforts me to believe in God,” someone will say, without specifying whether this comfort is a fuzzy hope about an afterlife, a sense of solidarity created by hanging out occasionally with people with similar beliefs, or a warm emotional attachment to believing that “it will all work out right in the end.” William James calls this theistic attitude “trust in the Absolute,” and faces it head on.

What do believers in the Absolute mean by saying that their belief affords them comfort? They mean that since in the Absolute finite evil is “overruled” already, we may . . . without sin, dismiss our fear and drop the worry of our finite responsibility. In short, they mean that we have a right ever and anon to take a moral holiday, to let the world wag in its own way, feeling that its issues are in better hands than ours and are none of our business.

There have been a number of times during the past several weeks when I have been tempted to take such a moral holiday. But if there ever was a time when persons of all faiths should not take a break from being on the moral front lines, this is it.

Pragmatist philosophers like William James often talk about the “cash value” of an idea, suggesting that the “truth” of an idea or belief is to be judged not by whether it matches up correctly to some objective fact of the matter, but rather by considering to what extent the idea or belief “works” or actually makes a difference in one’s life.

Any idea upon which we can ride, so to speak; any idea that will carry us prosperously from any one part of our experience to any other part, linking things satisfactorily, working securely, simplifying, saving labor; is true for just so much.

The radical nature of this reinterpretation of what it means for something to be true becomes obvious when applied to faith and religion. In what does the truth of the theist’s “I believe in the existence of a good God” reside? Not in the comfort provided by believing that such a being actually exists in a heaven beyond the reach of human investigation, but rather in the difference this belief makes in the theist’s day-to-day life. Where the rubber of faith hits the road of real life, comfort is a scarce commodity. What matters is what my faith causes me to think and do in what William James calls “this real world of sweat and dirt,” noting that the services of the divine are needed not in a heaven “out there” somewhere, but “in the dust of our human trials.”

The fundamental problem with the attitude that “God is in control” or “We may not recognize it, but God has a plan” is that, for those of us who profess the Christian faith, we are God’s plan. Taking a moral holiday by wrapping ourselves in the platitude that God knows what God is doing is to deliberately ignore what the gospels tell us over and over again. We are the salt of the earth, we are tasked with caring for those who fall through the cracks, we are the way that God gets into the world. When those in power enact policies that harm the very persons for whom God cares the most, it is our responsibility to speak truth to that power in words and actions.

One of the ways that persons of faith often engage with the surrounding world is through prayer, which makes Colbert I. King’s opinion piece “Should we pray for Trump?” in Saturday’s Washington Post of particular interest.

Washington Post: Should we pray for Trump?

King reports that Russell Moore of the Southern Baptist Convention advises us “to pray that Trump’s presidency is a ‘great and good one’ and that he flourishes in the civil arena,” while the bishops of the African Methodist Episcopal Church have concluded that Trump’s policies are “clearly demonic acts.” Quoting the Apostle Paul, the bishops advise their congregations to wrestle against “the rulers of the darkness . . . [and] spiritual wickedness in high places.” King himself says that his “humble prayer is that the President of the United States gets help,” similar to my wife’s prayer that “the damaged four-year-old inside the President’s adult body will be healed.”

My own experience with persons who pray (now sixty years and counting) reveals that prayer often becomes a way for persons of faith to take a moral holiday. Throwing a few words, formulaic or improvised, heavenward might seem to satisfy the person of faith’s obligation to engage with a world in which it often seems beyond our capacities to make a difference. But we are instructed by the Apostle Paul to “pray without ceasing,” indicating an engagement and activity that goes far beyond a few set pieces offered at specified times. My relationship with prayer was tense and fraught my whole life until I realized that prayer is not an activity—it’s a state of being. It’s an attitude that, for me, means asking How do I bring the best of me, the divine that I know is my deepest me, into this day, this class, this essay, this conversation? What does the divine in me have to say about policies and decisions at the highest level of government that are an affront to what I believe God wants for all human beings?

“I trust that God knows what God is doing” is simply a platitude and an escape until I realize that when it comes to God’s engagement with the world, I’m it. We’re it. This is how God does it. Jesus loved the unlovable, healed the sick, challenged the powerful, and eventually paid the ultimate price for not taking a moral holiday. As Dietrich Bonhoeffer, who knew something about putting his life on the line, wrote: “Living confession does not mean the putting of one dogmatic thesis up against another, but it means a confession in which it is really a matter of life or death.” Lives are at risk—don’t go on holiday.

God Might Actually Enjoy Us

A candle flame looks beautiful in the light of morning . . . It seems to me to be a metaphor for the human soul, the singular light within the great general light of existence. Marilynne Robinson, Gilead

In the academic world, teaching schedules are usually planned and assigned more than a year in advance; accordingly, I found out over a month ago what I will be teaching during the Spring 2018 semester. One of my assigned classes is “Contemporary Women Philosophers,” a course  I team-taught once a number of years ago and specifically requested when our preferences for the next academic year were solicited, so I’m pumped. I mentioned this to a colleague as we waited for our monthly department meeting a couple of weeks ago; my colleague asked “which philosophers are you going to use?” Off the top of my head I mentioned Simone Weil, Iris Murdoch, and Hannah Arendt . . . “What about Marilynne Robinson?” he asked. Great idea–Robinson’s essays and fiction are brilliant, and she happens to be the author of the book that is closest to perfect of any I have read.

GileadThe front and back covers, as well as the opening pages, of best-selling and award-winning books are often filled with excerpted and edited reviews from various publications, reviews so similar from book to book and so over the top that I often wonder if there is a central-clearing house where authors and editors can order canned reviews to their liking. But sometimes the reviewers capture a book’s essence perfectly—such is the case with Marilynne Robinson’s Pulitzer Prize winning Gilead. Described as “so serenely beautiful and written in a prose so gravely measured and thoughtful, that one feels touched with grace just to read it,” and as

A book that deserves to be read slowly, thoughtfully, and repeatedly . . . I would like to see copies of it dropped onto pews across our country, where it could sit among the Bibles and hymnals and collection envelopes. It would be a good reminder of what it means to lead a noble and moral life—and, for that matter, what it means to write a truly great novel,

Amen.midwest-church

In Gilead, a rural Congregational minister in his late seventies is writing a memoir for his young son, an only child unexpectedly born to Reverend Ames and his much-younger wife when Ames is seventy. Ames expects to die long before the child is grown, and Gilead is his love letter to his son containing as much guidance and wisdom as Ames can muster. The prose is measured and profound. Ames writes that for him “writing has always felt like praying, even when I wasn’t writing prayers, as I was often enough. You feel that you are with someone.” On my best writing days I have this in mind as a standard.Grammie and Grandpa (2)

I have often thought that if my maternal grandfather, a potato farmer with an eighth-grade education who was the wisest and best man I ever met, had been a character in a novel, he would be Reverend Ames. One of Ames’ greatest continuing insights concerns the sacredness of all things. As he nears the end of his life, he pays close attention to the mystery and miracle of things most of us dismiss as “ordinary.”

It has seemed to me sometimes as though the Lord breathes on this poor gray ember of Creation and it turns to radiance—for a moment or a year or the span of a life. And then it sinks back into itself again, and to look at it no one would know it had anything to do with fire, or light. . . . Wherever you turn your eyes the world can shine like transfiguration. dillardYou don’t have to bring a thing to it except a little willingness to see. Only, who has the courage to see it?

For Reverend Ames, everything is a sacrament with intimations of holiness. And for this Calvinist preacher, the Divine Being he has served and conversed with for decades is still a mystery.

I don’t remember how Gilead came to me, or even when I read it for the first time (at least a half-dozen reads ago), but the Reverend’s struggles with the austere doctrine of his Calvinist faith are familiar. His is the religious world of my youth, a world that I have struggled mightily at different times to understand, to incorporate, or to leave.Calvin One passage in particular shook me to my core:

Calvin says somewhere that each of us is an actor on a stage and God is the audience. That metaphor has always interested me, because it makes us artists of our behavior, and the reaction of God to us might be thought of as aesthetic rather than morally judgmental in the ordinary sense. How well do we understand our role? With how much assurance do we perform it? . . . We all bring such light to bear on these great matters as we can. I do like Calvin’s image, though, because it suggests how God might actually enjoy us. I believe we think about that far too little.

The simple image of God as the audience for the artistic performance of the human drama and comedy, rather than the authoritative judge who is taking note of every single one of our failures, was transformative for me. I recall a similar moment early during my 2009 sabbatical when, d100_0230uring a noonday reading of daily psalms with a couple dozen Benedictine monks, we read in Psalm 149 that “the LORD takes delight in his people.” Who knew? Reverend Ames is right—we do think about this far too little.

Reverend Ames also provided me with a new angle on rational proofs for the existence of God, something I have grappled with both as a philosophy professor and as a human being for as long as I can remember. His advice is that belief in God isn’t about proofs at all. As a matter of fact, making rational proofs the basis for either defending or challenging one’s faith will eventually erode whatever faith one has.

In the matter of belief, I have always found that defenses have the same irrelevance about them as the criticisms they are meant to answer. I think the attempt to defend belief can unsettle it, in fact, because there is always an inadequacy in argument about ultimate things. . . . ladder to moonCreating proofs from experience of any sort is like building a ladder to the moon. It seems that it should be possible, until you stop to consider the nature of the problem. So my advice is this—don’t look for proofs. Don’t bother with them at all. They are never sufficient to the question, and they’re always a little impertinent, I think, because they claim for God a place within our conceptual grasp.

If someone asked me to identify and summarize the attitudes underlying my ruminations about the interplay of philosophy and faith in this blog, I would point to this passage. Thanks, Rev.

In the final pages of Gilead, Reverend Ames bumps into Jack, the prodigal son of Ames’ best friend who is leaving town on the bus. Jack asks Ames to say goodbye to his father for him. Ames agrees to do so, but then says “The thing I would like, actually, is to bless you.” Aaronic-blessingHe uses his favorite text from the Jewish Scriptures, Aaron’s blessing from the Book of Numbers:

The Lord bless you and keep you. The Lord make His face to shine upon you and be gracious unto you. The Lord lift up His countenance upon you and give you peace.

Gilead has been that sort of blessing to me, more than any book I have ever read. I am most grateful.

Clouds of Glory

kant1[1]The great but incredibly difficult German philosopher Immanuel Kant, in a rare moment of clarity, wrote that all important human questions can be boiled down to these three: WHAT CAN I KNOW? WHAT OUGHT I TO DO?  and WHAT MAY I HOPE FOR? The Advent and Christmas seasons focus on the last of these three questions. A major figure in the seasons’ stories is John the Baptist, Jesus’ relative who once sent his disciples to ask his cousin a “What may I hope for?” question. “Are you the one who is to come, or are we to wait for another?” This is one of the many imagesCAS1UEG4poignant and excruciatingly human scenes in the gospels—John has been imprisoned by Herod Antipas and his head will be on a plate soon. He is by no means the only prophet in the land—they came a dime a dozen in those days. Nor is Jesus the only Messiah candidate around—Israel is full of them. So John’s question is not an academic one. What he really wants to know is “has my whole life been a waste?”

Jesus’ answer to John’s question relies on John’s knowledge of the prophet Isaiah. “Go and tell John what you hear and see: the blind receive their sight, the lame walk, the lepers are cleansed, the deaf hear, the dead are raised, and the poor have good news brought to them.” Hopefully the message got back to John before he was executed by Herod. The man whom you baptized is the real deal–the Messiah has truly come. That’s what John foretold and waited for.

And that’s what we wait for every Advent and Christmas season. As Christians we anticipate and celebrate what we believe to be the single most important event in human history—the Incarnation. But there’s a secret, perhaps perverse part of me that asks, “so what?” What exactly are we celebrating at Christmas? imagesCAK1O2WOWhat difference do the circumstances of Jesus’ birth make, a story told differently by Matthew and Luke and considered to be so insignificant by Mark and John that they don’t even include it? As the 13th century Dominican monk Meister Eckhart provocatively asked, “What good is it for me that Christ was born a thousand years ago in Bethlehem?”

Collegeville lecture 3During the first five months of 2009, I spent a sabbatical semester as a resident scholar at an ecumenical institute on the campus of St. John’s University, run by the Benedictine Catholic order, in Collegeville, Minnesota. My academic plans were set; a well-defined book project was ready to be written. But upon arrival, it gradually became clear to me that something else was going on. For most of my then fifty-plus years, I had struggled with the conservative, fundamentalist Protestant Christianity in which I was raised. What became clear to me in Minnesota was that what I thought was a long-term, low-grade spiritual dissatisfaction had become, without my being aware of it, a full-blown spiritual crisis. Beneath my introverted, overly cerebral surface my soul was asking John’s question—“Are you the one, or is it time to look for another?”

100_0331The answer developed quietly, subtly, unheralded, over the weeks and months. As I tested the waters of daily prayer with the monks at St. John’s Abbey, I noticed a space of silence and peace slowly opening inside of me that I had never known. No voices, no visions, no miracles—but I was writing differently. The low-grade anger that had accompanied me for most of my life began to dissipate. I felt more and more like a whole person instead of a cardboard cutout of one. The world looked different. I felt different. Eventually a few of my colleagues said “you’re not the same person you were when you first got here.” And they were right–I wasn’t. I began spending more time with the monks at prayer, often three times daily. Essays began to flow from a place I didn’t recognize, but really liked. Little had changed outwardly, but everything was changing.

As the day of returning home after four months drew near, I was worried. Would these changes be transferable to my real life? Would this space of centeredness and peace be available during a typical 80-90 hour work week in the middle of a semester? Or would these changes soon be a fond memory, to be stored in an already overfull internal regret file? 443px-Santa_Caterina_Fieschi_Adorno-dipinto_Giovanni_Agostino_Ratti[1]Two days before leaving, one of the Benedictines preached at daily mass (which I did not normally attend). In the middle of an otherwise forgettable homily, he quoted the obscure St. Catherine of Genoa, who said “My deepest me is God.” This was the answer. The space of quietness, silence and peace inside of me, the one I’d never known and had just discovered—is God. I was stunned. Tears filled my eyes. I tingled all over. I’m tingling all over right now as I write this. Because what I had been looking for is here. And it is transferable. Trust me.

I used to think that the evidence Jesus sent to John in prison—the blind see, the lame walk, and all of that—was all well and good, but I’ve never seen a blind person healed, I’ve never seen a cripple stand and walk. Faith 05[1]But I was looking in the wrong place. Because although I don’t see perfectly, I’m a little less blind than I was. My frequent tone-deafness to the needs of others is getting a little better. My inner cripple is now walking with a limp. Some days I even think I know what Lazarus must have felt like as his sisters started to unwrap his grave-clothes. A few paragraphs ago I quoted Meister Eckhart—but only half of the quote. The full quote is “What good is it for me that Christ was born a thousand years ago in Bethlehem, if he is not born today in our own time?” The answer to that pressing question? He is born today. In us.

Let’s make this Christmas season a coming home, an embracing of the true, continuingwilliam_wordsworth[1] mystery of the Incarnation. Yes, God became flesh. And God continues to be incarnated in you, in me. This is our heritage and the promise to us. Our deepest me is God. William Wordsworth expressed this truth beautifully: “But trailing clouds of glory do we come from God, who is our home.

I’m hoping that in the darkness of his dungeon cell, John remembered his father Zechariah’s words spoken at John’s naming ceremony, words that I’m sure were part of the family stories in John’s childhood. Zechariah and Elizabeth[1]The Song of Zechariah, the “Benedictus,”  is the canticle that closes every morning prayer service in the Benedictine daily liturgy of the hours. You may remember that Zechariah had not spoken for months, struck dumb because he found it difficult to believe the angel’s announcement that his wife Elizabeth, well past child-bearing years, would bear a son. When Zechariah and Elizabeth’s son is circumcised at eight days old, a family squabble breaks out over what the baby’s name will be. Most of the group votes for “Zechariah Junior.” But Zechariah motions for a tablet and writes “His name is John,” as the angel directed. His power of speech returns—the Benedictus follows. After a beautiful meditation on his new son’s role in the divine economy, Zechariah closes with a stunning promise.

In the tender compassion of our GodC-002-r%20Advent%202[1]

the dawn from on high shall break upon us,

To shine on those who dwell in darkness and the shadow of death,

and to guide our feet into the way of peace.

Let’s walk in that dawn together.

What Goes Down Must Come Up

Sunday’s Psalm invited us to go to the mountain of the Lord–which reminded me of a hill-climbing event that I wrote about not long ago . . .

PREPARATION

“Who shall ascend the mountain of the Loascent[1]rd,” asked Psalm 24 at Vigils this morning. Psalm 24 is a “Psalm of Ascent,” one of a group of songs scattered throughout the Psalms that scholars tell us were sung by pilgrims as they ascended the hill to Solomon’s Temple in Jerusalem. “Who shall stand in God’s holy place?” “Those with clean hands and pure heart,” continues the Psalmist, answering his own questions as usual. “Those who desire not worthless things.” Clean hands, pure heart, and not desiring worthless things are pretty demanding qualifications for ascending the mountain of the Lord, I thought, except that I’m already on the mountain of the Lord.005 I ascended an eighteen-hundred foot steep incline from US 1 to the New Camoldoli Hermitage in my rented Toyota Yaris thirty-six hours ago, cautiously climbing the two-mile long, one lane switchback drive, hoping that no one was descending the mountain of the Lord at the same time. So I’m up here already, with relatively clean hands, probably not a completely pure heart and wishing occasionally for something worthless like wireless service so I could check my blog 005or cell phone coverage so I could call Jeanne.

A few hours later at ten o’clock, having just finished a new essay and feeling very centered, focused, productive, and smug, I was poking around the hermitage bookstore thinking that I should get some exercise if the fog lifts, since I am missing a week of regular torture at the gym. Good idea. At the front of the bookstore, chatting with the register-tending monk, was a woman named Aelish (a retreat going name, if I ever heard one). “I think I’ll walk to the bottom and back later,” said Aelish. “That’s an excellent suggestion,” thought I. “I think I’ll do that this afternoon as well. Who shall descend the mountain of the Lord? Me!” Bad idea.

“Well duhhh!” I hear you saying. “Didn’t you just say that the road to the top of the mountain is two miles of switchback road climbing eighteen-hundred feet up a very steep incline? Don’t you know that what goes up must come down?” 024Yes, despite my college degrees I do know that, but I’m in reasonably good aerobic shape for a fifty-seven year old, am just about at target weight, thanks to losing a few pounds due to an eating regimen my wife put me on, and if Aelish, who is undoubtedly older than I am, can do it so can I. (Note to self: stop assuming that people with white hair are older than you are. You have white hair and undoubtedly have more wrinkles on your face than Aelish).

By early afternoon the fog had lifted, but it was still cloudy and cool—perfect weather for descending the mountain. What to wear? It had been so cool in the morning that I had put my one sweater over the one other long-sleeved garment that made it into my suitcase. 002This was my long-sleeved t-shirt, a Christmas present from my son. On the front and back it says “Sons of Belicheck” and “Foxboro,” these texts framing a picture of the Grim Reaper on the back with his sickle dripping blood held in one skeletal hand and a football in the other. Down the left sleeve it says “Men of Mayhem.” Really. You have to be both a New England Patriots fan and a follower of “Sons of Anarchy” on FX to get it. These items, along with black denim pants and my “Woof” baseball cap, and I was set. I stuffed my digital camera into my pocket and off I went.

DESCENT044

 The trip down was beautiful, the mountain rising steeply on one side with strange trees and flowering plants hanging on for dear life and the vast Pacific on the other, with spectacular rocky coast stretching in both directions. I stopped every fifty steps or so to take a picture; during one of these stops Aelish went rolling on by, throwing a nod in my direction. As I walked I wrote the last paragraph in my head of the deep and profound essay I had started last evening after Vespers, hummed the catchy tune of the 039“Te Deum” that concluded this morning’s Vigils, and was generally thankful for and pleased with my place in the universe. The muscles in the back of my calves tightened up a bit as I neared the bottom of the decline and Route 1; “I’ve heard that going downhill is harder on the legs than going up,” I thought, “so if that’s all the pain I feel, I’m in good shape.” About one hundred yards from the end of the road, I met Aelish beginning her walk back up, breathing slightly harder than when she passed me earlier. “I’ll bet I pass her on the way back up,” I thought as we nodded once again.

ASCENT050

After a brief breather at the bottom of the hill, I turned to ascend the mountain of the Lord, first taking a picture of the hermitage greeting sign on US 1 and the cross behind it (I’ve seen larger crosses on the front lawns of some of the Baptists I grew up with), as well as the sign twenty feet up the drive pleasantly 051announcing “Chapel . . . Gifts . . . 2 Scenic Miles,” with an arrow pointing straight up between “Chapel” and “Gifts.” In retrospect, it would have been more accurate to copy the saying over the gates to Hell in Dante’s Inferno: “Abandon hope, all ye who enter here.”

055Have you ever noticed that the return half of a round trip to an unfamiliar destination and back always seems shorter than the first half? Not this time. Five minutes into the ascent, the bratty little kid who lives in my brain was asking “Are we there yet?” After the first switchback curve, I tried to convince myself that there were only two more of them, although I knew for sure there were four. My shins started wondering what the hell is going on, while several thousand black flies and gnats in the area got the word that copious human sweat was available and decided to check it out. The ocean vista on one side might as well have been a landfill,060 as my awareness of scenery narrowed to the apparently endless incline in front of me.

The sun, which had been taking the day off, decided that now was a good time to make its triumphant return. “Jesus Christ,” I muttered with anything but reverent intent, as I tied my sweater around my waist and rolled my “Men of Mayhem” sleeve up along with its mate on my right arm. Is that a blister forming on the end of my fourth toe on my right foot? Shit! “I can’t even call anyone if I have a heart attack,” I thought, “since I didn’t bring my phone along.” Oh wait—it wouldn’t matter, since there’s no freaking cell phone service around here065. Four very large birds starting circling high overhead—probably vultures waiting for the inevitable. “I don’t even have my wallet with me. I can see it now. They’ll find me dead in the middle of the road without identification. Someone will say ‘I think I saw him at noonday mass,’ and they’ll wonder if I left a contact number with the hermitage office for my father Belicheck, since he will probably want to know that his son croaked ascending the mountain of the Lord.”

As I rounded the last switchback and the hermitage was finally in sight, I heard a car poking up behind me, the first vehicle ascending the mountain since I began my return trip. “Want a lift?” the habit-less jeans-wearing monk driving the car asked.066 “No thanks—I can use the exercise,” I said pleasantly with a holy retreatant smile. “Go to hell,” I thought. “Where were you forty minutes ago?” Within one hundred yards of the finish line, I passed a roadside bench on which the guy who was in back of me at noon mass was sitting. “Turned out to be a beautiful day, didn’t it?” he asked. “Sure did!” I responded cheerily. “Go fuck yourself,” I thought. “You wouldn’t be so pleasant if you had just ascended the mountain of the Lord.”

031As I passed the chapel on the way to my room, Aelish emerged and smiled at me. I’m sure she had received spiritual direction, said special intentions for someone, written five letters, an essay, and done fifty pushups in the time between her return and mine. I smiled back, and thought “Go . . .” Well, you know what I was thinking. I understand now why so many of the Psalms are crabby and negative—it’s tough work ascending the mountain of the Lord. But at least I got an essay out of it.

The Right Niyyah

As I wait impatiently for my sabbatical that is under contract with a publisher to return from the editor, I’ve been thinking about some of my blog essays that “made the cut” in some sense to appear in revised form in my book-to-be. One of these essays is about the challenge of cultivating the right attitude with which to enter the world on a daily basis. I learned a lot about this from Rami Nashishibi when he was interviewed a year or so ago on Krista Tippett’s “On Being.”

Regular readers of this blog know that I am a fan of Krista Tippett’s radio program “On Being,” a show that I frequently catch several minutes of on Sunday mornings as I drive the fifteen minutes from our house to the early show at church. A few weeks ago, her guest was Rami Nashashibi, Founder and Executive Director of the Inner-city Muslim Action Network, or IMAN, in Chicago. He’s also a Visiting Assistant Professor in Sociology of Religion and Muslim Studies at Chicago Theological Seminary.nashishibi

On Being: A New Coming Together

Tippett describes Nashishibi at the beginning of the interview as using

Graffiti, calligraphy, and hip-hop in his work as a healing force on the South Side of Chicago. A Palestinian-American, he started his activism with at-risk urban Muslim families, especially youth, while he was still a college student. Now he’s the leader of a globally-emulated project converging religious virtues, the arts, and social action. And he is a fascinating face of a Muslim-American dream flourishing against the odds in post-9/11 America.

Not surprisingly, the conversation was wide-ranging, fascinating, and introduced me to a number of matters and issues that are well outside of my usual frame of reference. What particularly grabbed me, however, was a brief exchange toward the end of the interview, just as I was pulling into my usual parking spot at Trinity Episcopal.

Krista Tippett: I told you I was on your Twitter feed, and I love this. I think it was really recent. You wrote: “My 4-year-old discovers the spiritual power of her name as she looks over and seriously asks, ‘Daddy, do you have the right niyyah?’” What does niyyah mean?

Rami Nashashibi: So niyyah — in kind of Arabic-Muslim parlance — is spiritual intention. niyyahAnd oftentimes — it’s both the Swahili and Arabic word. And oftentimes, Muslims are always asked before they pray, before they do any act of service, before they engage in anything that has any kind of sense of worship associated with it, is it being done for the right niyyah? Is it being done for the right purpose? Are you attempting to get fame or credit? I think, yes, there was a song that had used her name in that way and the light went off in the middle of it and turned over to me on the couch and asked me that question. Honestly, I looked at her and I didn’t have an answer for her for I think a good 20 seconds. She nodded her head and she said, “No, probably not.”

And I said, “What?” We then had a conversation. I said, “Well, at least keep me in your prayers that I have.”

This four-year-old’s simple question—Do you have the right niyyah?—has stuck with me ever since. So has her response to her father’s lack of response—“No, probably not.” It’s hard enough to figure out what the right thing to do is on a daily basis; adding in that it should be done with the right intention, for the right reasons, seems like piling on.intentions and actions As a philosophy professor who has taught introductory ethics courses more times than I care to count over the past twenty-five years, I have thought about this a lot. When I ask my students “What is more important—what you do, or why you do it? Actions or intentions?” they usually split roughly down the middle.

And so do the great moral philosophers. There is the tradition of those who say that only results matter (since they can be observed and measured publicly) and intentions are irrelevant. Then there is the other tradition (spearheaded by Immanuel Kant) who say that results are irrelevant—the true measure of the moral life is internal. Were your intentions pure? Was your heart in the right place? If so, then you are morally in the clear, even if the results of your intended action go “tits up” (to quote my brother-in-law).

VgMKgyZMy students are pretty smart, and it doesn’t take very long before they realize that the “results or intentions” question is a false dichotomy. Because in truth, normal human beings care about both. If morality is just about doing the right thing, then the person who identifies the things that should be done and does them—even if for all of the wrong reasons, such as self-righteous smugness or the praise of others—is morally in the clear. But Nashashibi’s four-year-old daughter is right—we want not only the right thing to be done, but for it to be done with the right niyyah, the right intention or reason. And that sucks, because it takes things straight into the human heart. For those who profess the Christian faith, it also takes things straight into the world of grace.

The first thing I ever learned from Scripture about the human heart as a young boy was from JeremiahJeremiah: “The heart is deceitful above all things and desperately wicked—who can know it?” Far less attention was paid to the Psalm that is recited in liturgical churches during the Ash Wednesday liturgy: “Create in me a clean heart, and renew a right spirit within me. Cast me not away from your presence, O Lord, and take not your Holy Spirit from me. Restore unto me the joy of your salvation, and renew a right spirit within me.” Straight from the Jewish scriptures is both the problem of and the solution for right intentions. As a flawed human being, I am incapable of doing things for the right reason, but help is available. Through divine grace the heart is changed and turned toward the good. Rami Nashishibi’s daughter is right when she doubts that her dad has the right niyyah, so long as that depends on his own energies and strength. But when the divine gets involved, everything changes.

The mystery of grace is exactly that—a mystery. Divine grace enters the world through flawed human beings, strangely enough, and there isn’t enough time to try to figure it out. Grace is something to be channeled, to be lived, not systematized and turned into dogma or doctrine. My bright abyssThe poet Christian Wiman writes beautifully about this. Through many years of cancer treatments, he learned to hear God, then to channel God, in the most unlikely places, the very places where divine grace apparently lives. Wiman writes that

God speaks to us by speaking through us, and any meaning we arrive at in this life is composed of the irreducible details of the life that is around us at any moment. . . . All too often the task to which we are called is simply to show a kindness to the irritating person in the cubicle next to us, say, or to touch the face of a spouse from whom we ourselves have been long absent, letting grace wake love from our intense, self-enclosed sleep.

The right niyyah is not the result of struggle, training, or calculation. And as the author of Deuteronomy tells us,deuteronomy

Nor is it beyond the sea, that you should say, “Who will cross the sea for us to get it for us and make us hear it, that we may observe it?” But the word is very near you, in your mouth and in your heart, that you may observe it.

All I have to do to have the right niyyah is to open my heart, open my mouth, and let it out.

To experience grace is one thing; to integrate it into your life is quite another. What I crave now is that integration, some speech that is true to the transcendent nature of grace yet adequate to the hard reality in which daily faith operates.

A Reluctant Rose

In spite of my love of and occasional success with flowers and plants, I have a checkered history with roses. They are temperamental, picky, and have a general attitude that I don’t appreciate. Previous owners of our house apparently had little interest in landscaping; there was nothing other than grass in the back yard and a meager collection of scrubby evergreen bushes in the front—the sort of bushes that people who don’t want to give a second thought to watering or taking care of plants place in their yard. The only exception to this general ignoring of plants was two rose bushes—one on each side of the front steps.002001 (2)

Red on the south side which gets tons of sun; pink on the north side which gets very little.  Both bushes did well for several years after we moved in, but during the past decade there have been fewer and fewer flowers, more and more spotted leaves, and this spring something new—little green worms who ate the insides out of the first few flower buds on the red rose bush. “Aaphidsphids!” the guy at Lowe’s said; “very common on rose bushes.” He directed me toward seventeen different products designed to kick aphid ass and strongly advised me to get the most expensive one (I didn’t).

The product I did purchase worked and the early returns are positive—the red rose bush is cranking out better flowers than it has for years. The pink bush was so pathetic last year that in the fall I cut it back to the ground, fully expecting it not to survive the winter. Whoever originally planted this bush knew less about plants than I do, since it is clearly in the wrong spot—roses do like at least a few minutes of sun per day. I have restrained myself from just digging the thing up year after year, since it and its red companion might be as old as the house which was built in the 1940s. Against all odds, the pink bush did survive our relatively mild winter—barely—and is now growing a few new shoots from the mulch up, currently with one meagre bud. We’ll see if it survives Morgan natural selection for another year.

Anna 1Several weeks ago I received an email from my friend Marsue, announcing that she had a birthday present for Jeanne (whose birthday was not for another month) that she needed to transfer to us as soon as possible. Marsue is an Episcopal diocesan priest and had an all-day in-service close by that day, so we rendezvoused at lunchtime to make the exchange. Her gift for Jeanne was a Rose-in-a-box named “Anna’s Promise”—after the lovely and wonderful Anna from Downton Abbey. anna and batesThis was an appropriate selection, since the love of Anna and Mr. Bates was one of our favorite story lines in the show. Furthermore, a Buzzfeed quiz once told me that if I were a Downton Abbey character, I would be Bates. Other than both being quite attractive, Jeanne and Anna are not very similar; the same Buzzfeed quiz told Jeanne that she would be Lord Grantham.

The Anna’s Rose propaganda on the box promised that the bush would produce “Large, novel tan flowers with a copper reverse, exhibiting a sweet & spicy, fruity fragrance that will freshen up your garden”—Annas promisea description probably written by the same people who write descriptions for the labels on wine bottles. Upon opening the box, I found a plant as bare and naked as Ezekiel’s dry bones. Three or four sticks upward and an equal number of them down; it took me a few moments to figure out which sticks were the branches and which were the roots. I had tried a plant-in-a-box a few times before, with consistently poor results, so I was not optimistic about Anna’s prospects. She came with extensive planting instructions, which I largely ignored. I followed my usual new plant regimen—dig a hole twice as large as the roots, throw in some manure, put the dirt back in, cover with mulch, and water. We agreed that the best location for Anna’s home would be next to the red rose bush; I planted her and we waited.

And nothing happened. Days turned into weeks, and Anna still looked like a pile of dry bones. After a couple of weeks, around the time that new plants generally reveal if they plan to survive, Marsue started emailing. “How’s the rose bush doing?’ “It’s doing nothing,” I said each time, eventually confiding that I was pretty sure that Anna was dead. Her box might actually have been a coffin. This, of course, was a disappointment to all parties involved—to me because it was an indictment of my plant skills, to Marsue because she gave a dead plant to her friend for her birthday, and to Jeanne because she received a dead plant from her friend for her birthday. More than a month after the planting and a day or so before she left for a three-week conference, Jeanne confessed that she prayed for Anna. rose boxMy complicated history with prayer did not cause me to leap to the conclusion that signs of life were immanent. A week after Jeanne left, now about six weeks since the planting, Anna was still dormant, comatose, or dead. Then a miracle occurred.

I was weeding the plant beds in front of the house and noticed Anna looking pathetic and dead; I considered pulling her up then and there, but decided to wait until Jeanne got home in a week. Two days later I was mowing the lawn and noticed that not only was Anna showing signs of life for the first time, but she had a lot of leaves on every branch I had assumed was dead. I took a picture and emailed Jeanne and Marsue: LOOK AT THISSHE’S ALIVE!!reluctant rose Jeanne took full credit for having raised Anna from the dead with her prayers; whatever happened, she’s sporting more leaves every day and I can now tell where her first flower-bearing stalk is going to be.m m and l Anna’s probably sick of my checking her out three times a day, but I’ll bet that’s what Mary and Martha did when Lazarus rose from the dead as well.

In a subsequent email, Marsue noted that there was something Biblical in the saga of Anna and she expected a blog post about it. I thought similarly and had already started typing in a few thoughts. Here’s what I think—Anna’s a good example of how things that are apparently dead are often simply taking their time gathering inner strength for a reawakening. As I have frequently written about in this blog, I am a case in point. Life is always a possibility for even those things and people who are, to all appearances, corpses. I gave a sermon once a few years ago about how this happened for me on a Sunday when the gospel reading was the raising of Lazarus.

Loose Him, and Let Him Go

Death and resurrection is part of the world we live in. It is part of each of us. There is no guarantee that Anna will produce spectacular roses—she may not produce any at all. But she’s a reminder of how things work in the larger scheme of things. Death is never the final word and there’s always the possibility of new life. The tag that was attached to the apparently dead Anna when I took her from her box/coffin read

“Anna’s Promise” praises the true heart and steadfast love that transcends the trials and tribulations endured by Downton Abbey’s character Anna Bates.

At the heart of my faith is the belief that such a transcendent, steadfast love is the backdrop for this often disappointing and difficult world that we find ourselves in. May it be so.

Remembering a Friend

“Happy Stoning Day!” Brother John said as he greeted me below the choir stalls after noon prayer. December 26 is the Feast of St. Stephen, officially designated as the first Christian martyr. Brother John, a guitar-picking, out-of-the-box product of the sixties, is not your typical Benedictine. Dylan“I’ve always wanted to play Dylan’s ‘Everybody Must Get Stoned’ at mass on St. Stephen’s Day,” he said. My kind of monk—irreverence is my favorite virtue.

Stephen has always been a problem for me. Although Acts has been one of my favorite books of the Bible since childhood, with its exciting stories of early Christians acting just like imperfect and flawed human beings, regularly bailed out of tough circumstances by the Holy Spirit, I got uncomfortable when Stephen came up in church or Sunday School. Stephen died for Jesus, jstephenust like some missionaries in South America that we were always hearing about. “Would you die for Jesus, just like Stephen did?” the pastor or teacher would ask, to which I (internally) would definitively answer “Hell No!” Dying for Jesus ranked right up there with becoming a missionary to deepest, darkest Africa as things I definitely did NOT intend to do with my life. If being a good Christian meant being willing to die for Jesus, I thought, then maybe I should check out what they do at the Catholic church on the other, spiritually mysterious side of town.

Although I’m much more aware of it now, since I’ve been married to a cradle Catholic and have taught in Catholic institutions of higher education for the past two and a half decades, my still dominant Protestant sensibilities are occasionally jangled by the strong Catholic focus on saints and martyrdom. eyeballsJust a few years ago I burst out laughing when I stumbled across a very peculiar piece of artwork while looking around a little church in Boston’s North End. Peculiar in the sense that it was a statue of a demure young woman holding a plate with two eyeballs on it. “Oh yeah, that’s Saint Lucy,” Jeanne said in the same tone of voice with which she might have gestured in my direction and said “Oh yeah, that’s my husband” to an inquiring stranger

Two Sundays ago—December 13—was Saint Lucy’s Day; this is important for a number of reasons, not the least of which is that Saint Lucy is the adopted saint of Sweden, the country of my ancestors on my mother’s side. For reasons about which I am not entirely clear, the celebrations and festivals commemorating the life and martyrdom of this third century Sicilian woman are most entrenched in Scandinavia—apparently the marauding Vikings carried her story back north with them after doing their part in bringing about the fall of the Roman Empire. candlesThese celebrations are striking, including young ladies wearing wreaths of lighted candles on their head—something that strikes me as worthy of being reported to the safety authorities. Lucy’s story is indeed compelling; as is often the case in stories of martyrdom, she was exceedingly faithful to her beliefs asaint lucy candlesnd suffered greatly before she died. As part of her suffering and torture her eyes were gouged out before she died; accordingly, she is the patron saint of blind people as well as of those who take care of our eyes. Which reminds me of a good friend who recently died.

Over the past few months three people I was close to have died. Ivan, with whom I formed a strong friendship during my last sabbatical, was in his seventies and died of a massive stroke during the summer. Matthew, a colleague with diabetes who regularly failed to take sufficient care of himself during the close to twenty years that I knew him, died of complications a couple of months ago. ColeneColene, a close friend of Jeanne’s and mine and one of the loveliest women I have ever known, died after a long and heroic fight against cancer a few weeks ago. The death of a friend is always difficult, but I’m particularly struggling with Colene’s passing.

Jeanne reminded me on Saint Lucy’s Day two weeks ago that Colene and Tom were married on Saint Lucy’s Day in 2009, a wedding so beautiful that I remember it as if it happened last week. Colene and Tom were not your typical love story—Colene had been married twice already and had five children, while Tom is a former Catholic priest. They met in Colene’s office—she was an ophthalmologist and he was one of her patients. Tom is one of Jeanne’s oldest friends, a relationship that predates Jeanne’s and mine by many years. weddingColene and Tom had been together for a while when they decided to have a wedding; I’ll never forget when, during the time reserved for the bride to make comments and offer a toast at the wedding reception, Colene let the hundreds of people gathered in on a secret that only a few knew about—she said that she had cancer and probably only had a few months to live.

Those few months ended up being six years, but they were not easy ones. Tom and Colene’s love had to withstand not only her intense periods of illness but also problems from her previous marriage that never seemed to let up. She worked as an ophthalmologist and eye surgeon until shortly before she died; at her wake and funeral literally hundreds of people told Tom and her children about how she had changed their lives. Although we did not see each other often,opthalmologist Colene and I had a strong connection. For one thing, we were both extreme introverts married to out-of-control extroverts. We understood each other in the sort of way that only two introverts can, without words or fanfare but deep nonetheless. Colene was very rational by nature, as I am, and often struggled with the intuitive way in which her husband and others sometimes approached spiritual matters without much concern for logic. Although I have learned over the past few years to trust intuition more strongly than I ever have, I still appreciate it when things fit at least generally into a logical pattern—I resonate with Colene’s clinical mind.tom and colene

People prayed for Colene’s healing until they were hoarse, and she died anyways. When visiting her grave with Tom a couple of weeks ago, he told Jeanne and me that although some might say that her passing was a “healing” of sorts in that it ended her pain and suffering, it was not the healing that she wanted. Or, I might add, the healing that her husband, her children, her friends, and her patients wanted. Colene was a modern Saint Lucy. She was a healer who literally brought light into darkness and caused the blind to see. She was an admirable tower of strength and resilience, and death had to work overtime to take her. Her passing left a huge hole in many people’s lives that will not be filled. But my guess is that Colene would not be pleased by an extended period of mourning. When a person of Colene’s character and beauty dies, we best remember her by being thankful for her all-too-brief presence in our lives and by finding ways to bring healing into our corners of the world, just as she did.