Aleppo, Russians tampering with our election, a sharply polarized country, general mistrust in all sort of institutions, a truck driving into holiday celebrators in Berlin—the clashing of our world with the Christmas season has never been more dissonant. In his lovely holiday song “Who Comes This Night?’, James Taylor asks some very pressing questions:
Who sends this song upon the air
To ease the soul that’s aching?
To still the cry of deep despair
And heal the heart that’s breaking?
If there was ever a time when accumulated layers of consumerism and tradition needed to be peeled back from the Christmas narrative to reveal what lies beneath, it is now.
Christmas movies are a big deal at my house. Jeanne goes for the classics, such as “Miracle on 34th Street,” “The Bishop’s Wife,” “It’s a Wonderful Life,” and (her favorite) “White Christmas.” Those are all fine (except “White Christmas,” which I can take or leave), but I tend to favor more recent ones, like “The Holiday,” “Love, Actually,” and (my favorite) “The Nativity Story.” “The Nativity Story” presents a remarkably straightforward, hence beautiful, rendition of the birth of Jesus narratives. All of the standard elements are there—Elizabeth and Zechariah, Mary and Joseph, shepherds and wise men at the manger, angels in appropriate places saying appropriate things, along with a particularly creepy father and son team of Herod the Great and Herod Antipas.
These standard elements, though, arise from a conflation of gospel texts. The authors of Mark and John apparently didn’t think the circumstances of Jesus’ birth important enough to even report on, while the authors of Matthew and Luke construct their stories from “cherry-picked” details. Luke does not mention the wise men or the star, but has angels singing to shepherds, who then visit Jesus in a manger in Bethlehem. Matthew has no worshipping shepherds or even a manger, but wise men following a star visit the holy family in a house, probably in Nazareth, sometime after Jesus’ birth. Throw in Santa and some reindeer, and you’d get the usual front lawn decorations for the holiday season.
So where lies the truth? A friend, who recently passed away, tended to be rather definitive in his pronouncements. Once at lunch he said that “The heart of Christianity is what you believe about the stories. Do you believe the stories are true or don’t you? Yes or No? And if you say ‘let me think about it,’ that’s the same as saying No!” This was not directed at me specifically—he was just drawing a line in the sand, as those of us who knew and loved him expected him to do. But I think I’m in trouble. Because not only am I not sure about whether my answer to his question is “yes,” “no,” “let me think about it,” or even “which stories are you referring to?”—I’m inclined to say that “it doesn’t matter.” Our lives are built from stories that we embrace and own as ours—this story is one of the best. As I reported in this blog recently, a student of mine once said that even if it could be proven that Jesus never existed, she would “still be a Christian, because being a Christian makes me a better person than I would be if I wasn’t.” That’s a good start—the measure of one’s faith is what impact it has in real time on the life being lived.
Meister Eckhart once said that the Incarnation is something that happens within us, that the nativity story is the story of the continuing union of the Spirit of God with individual, fleshly human beings. But then Meister Eckhart was accused of heresy, was fortunate to escape being burned at the stake, and died in obscurity. No wonder I resonate with his insight. At the climatic manger scene in “The Nativity Story,” the gold-bearing wise man Melchior, who looks amazingly like a colleague and friend of mine in the history department, gazes at the baby and says “God made into flesh.” The message of Christmas cuts across every one of the boundaries that we spend so much time drawing and protecting, for it tells us that the human and the divine belong together and that the only way that God gets into the world is in human form. That’s you. That’s me. That’s us.
The heart and soul of Christianity is remarkable both in its simplicity and its iconoclasm. God made into flesh. Remarkably small. Disturbingly fragile. Completely mysterious. And utterly true.